Wednesday, 16 October 2024

The Rushout Monument, Blockley Parish Church. Part 3, Elizabeth, Countess of Northampton.

 

Continued from my previous posts.


The Bust of Elizabeth Compton, Countess of Northampton (1683 - 1750).

Third Daughter of Sir James Rushout (1644 - 1698) (on the right of the monument).

St Peter and St Paul Parish Church, Blockley.


Photographs here taken by the author in the low light of late afternoon

(balanced precariously whilst standing on a chair).









































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Elizabeth, Countess of Northampton.

c. 1730.

John Vanderbank (1694 - 1739).

239 x 141 cms.

Bought at the Christie's Northwick Park Sale, 1965.

Now at Marble Hill House, English Heritage.

Image courtesy art uk website. 





Why are their images of such low resolution????

Monday, 14 October 2024

The Rushout Monument Blockley Parish Church. Part 2. John Francis Moore some notes Ref.

 



see my previous post -

https://bathartandarchitecture.blogspot.com/2024/10/rysbrack-and-rushout-monument-in.html


John Francis Moore (d. 1809) - Some Notes.

Moore was born in Hanover, Germany, but around 1760 he was in London, where in 1766 he exhibited as a member of the Free Society of Artists. The association – formally founded in 1762 – had arisen in the1750s from proposals to establish an academy and annual exhibition of contemporary British art. 

In its exhibition catalogues, Moore’s address is given as Berners Street, in London’s West End. The works he presented vary from clay models for large-scale monuments to marble busts, and from reliefs to architectural designs.

1st Jan 1777 He took out an insurance policy with the Sun Insurance Co at 69 Berners St 

He was resident at York Buildings, New Road (now Euston Road) when he died.



Marble Bust of a Gentleman - Perhaps the right  Hon Charles Wolfran Cornwall (1735 - 1789).

Signed I:F:Moore, Fect.

65cm high, base 24cm diameter.

Dreweatts, Newbury,  The Tomasso Sale  - Day 1. Lot 112, 29 October 2024.

Provenance -

Private Collection Sotheby's London, 5 December 2012, lot 107.


 The Rt. Hon. Charles Wolfran Cornwall (1735-1789) was Speaker of the House of Commons from 1780 to 1789 having crossed the floor to join the government in 1774 in support of their opposition to the American Revolution. On his death in 1789, John Moore was commissioned to create his memorial in the chapel of the Hospital of St Cross, Winchester. 

Perhaps best known today for his full length portrait statue of William Beckford (1709-1770), builder of Fonthill Splendens in Wiltshire ( located in The Guildhall, London), Moore also produced memorials, chimneypieces and a few portrait busts. 

This example bears close comparison with a watercolour portrait of Cornwall from the series Speakers of the House of  Commons (National Portrait Gallery Reference Negative No. 43130). 

In addition to the present bust, only two other portraits by Moore are known today, that of Sir John Rushout in Worcester Infirmary from 1769, 

and the one in Spencer House, London, believed to represent William, 2nd Earl of Bessborough, from 1775.

Literature: I. Roscoe, E. Hardy and M. G. Sullivan, A Biographical Dictionary of Sculptors in Britain 1660-1851, New Haven/ London, 2009, p. 849, no. 55 as an 'Unidentified man in middle age'.).


https://londonartweek.co.uk/wp-content/uploads/2018/10/11/Moore-Bust-of-a-Gentleman.pdf











Images below Courtesy Sotheby's.































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The Perepetetic Fonthill Splendens Chimneypiece.

Piping Fauns either side of Tablet featuring Vertumnus and Pomona 

by JF Moore.

Sold from Fonthill on about 17 August 1807, prior to the demolition of the house.


Another similar with Daphne and Arethusa, the tablet showing Diana and Apollo?

From the Great Dining Room.




Currently the best image available of this chimneypiece available to me.


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The Monument to Margaret Rae.

North Wall, Worcester Cathedral.

1772.

Moved to its present position in the North Aisle in the 19th Century.





Photographs above taken by the author.


Preparatory Drawing of the Rae Monument.

Victoria and Albert Museum.



https://collections.vam.ac.uk/item/O1012531/drawing-moore-john-francis/

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Monument to William Baker (1705 -1770).

Bath Abbey.

On the wall of the South Aisle is a monument to Sir William Baker (1705-1770).  As a Director of the East India Company (1741-1753) and Governor of the Hudson Bay Company (1760-1770).





Preparatory Sketch for the Baker Monument.

Victoria and Albert Museum.


https://collections.vam.ac.uk/item/O1012556/design-moore-john-francis/

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The Shirley Monument.

The effigies of Robert Shirley, 1st Earl Ferrers 1650-1717 of Staunton Harold & 2nd wife Selina Finch standing on either side of a sarcophagus on which reclines the figure of son George Shirley who erected it.

Ettington Warwickshire.

 by J F Moore, 1775. 

Earl (Robert) and Countess stand left and right, their son George semi-reclining.

Images courtesy

https://www.flickr.com/photos/52219527@N00/47798464831












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List of Works - by no means definitive and all details need to be checked!



Elizabeth (†1783) and Mary (†1791) Jones  Funerary Monument †1791                  Stowey, Somerset.  

1776. Winefred Bridger and family members (designed by Stephen Riou). Funerary Monument. St Mildred, Canterbury, Kent.

1784 .Jane Affleck Funerary Monument. Finedon, Northants

1767-1771. Neo-classical Chimneypiece Saloon at Fawley Court, Bucks,

 1766. ‘Britannia reviver of Antique and prompter to modern Arts’. Relief.  Soc of A, presented by the artist.   Progress House, Coventry, Warks.

1761.Several chimneypieces for Audley End, Essex; north room, fish room and gallery              untraced.

1763. Chimneypiece With Doric columns and relief scenes from The Iliad, Audley End, Essex, library.  Carton House, Co Kildare.

1793. Joseph Blount  Funerary Monument. Mapledurham, Oxon.

1795. Thomas Wildman. Funerary Monument. St Mary, Twickenham, Middx.

1795. Peter Oliver. Funerary Monument ?  Marylebone Chapel, London.

1769. Apollo Statue. Exhib Free Soc, 151. Untraced.

1769.  Sir John Rushout, Bust. Worcester Infirmary.

post-1760 Benedict Conquest. Funerary Monument. Irnham, Lincs.

1767    James Brockman.       Funerary Monument. Newington, Kent.

1767.Faith Sawrey.    Funerary Monument. Bradford Cathedral, W R Yorks.

1770. William Baker. Funerary Monument. Bath Abbey, Somerset.

1771. Robert Hucks. Funerary Monument. Aldenham, Herts

1772. Margaret Rae.  Funerary Monument. Worcester Cathedral. (see images above).

1772.  Thomas Patten. Funerary Monument. St Elphin, Warrington, Lancs.

1773. Mary Langham, Funerary Monument. Cottesbrooke, Northants.

1773. Field-Marshal John Louis, 1st Earl Ligonier (†1770), Funerary Monument. Westminster Abbey, London, chancel ambulatory.

1775. William Jones. Funerary Monument. Ramsbury, Wilts.

1781. Admiral Edward, 1st Baron Hawke. Funerary Monument. North Stoneham, Hants

1782.Edith Thew. Funerary Monument. Symondsbury, Dorset.

1784. Rev Thomas and Mrs Wilson Funerary Monument St Stephen Walbrook, City of London

1786. Hon Barbara Clifford   Funerary Monument St Mary, Stafford.

1786. Lieutenant John Dalling. Funerary Monument, Earsham, Norfolk

1788. John Barrington. Funerary Monument. Hatfield Broad Oak, Essex.

1789. Rt Hon Charles Cornwall. Funerary Monument, St Cross, Winchester, Hants.

1797. Barbara, Countess of Scarborough. Funerary Monument ? St John’s Wood Chapel, Marylebone, London.

1801. Lady Maria Churchill. Funerary Monument. St Mary, Lewisham, London

1782.  Randolph Marriott. Funerary Monument. Darfield, W R Yorks

1766. A lady’s head, model  Bust. Exhib Free Soc, 206. Untraced.

1766. A child’s head, model. Bust. Exhib Free Soc, 207    untraced.

1766. Boys with a bird’s nest. Miscellaneous. Exhib Free Soc, 208. untraced.

1766. Unidentified gentleman. Bust. Exhib Free Soc, 209. untraced.

1766. Two bas-reliefs of cattle. Relief. Exhib Free Soc, 210. untraced.

1767. Model in clay.   Miscellaneous. Exhib Free Soc, 190. untraced.

1767. A shepherd and flock Relief. Exhib Free Soc, 191.  Untraced.

1767. A centaur, from a painting in Herculaneum.  Relief. Exhib Free Soc, 192. Untraced.

1767. A dog, model. Miscellaneous.  Exhib Free Soc, 193. untraced.

1768. Unidentified subject. Bust. Exhib Free Soc, 155. Untraced.

1768.  A group of boys with a bird’s nest and a cat . Miscellaneous. Exhib Free Soc, 156       untraced.

1769    A dog. Miscellaneous. Exhib Free Soc, 152   untraced.

1769    Medallion. Relief. Exhib Free Soc, 153. untraced.

1769. Unidentified subject. Bust.  Exhib Free Soc, 154. untraced.

1769. ‘A sketch in clay, from a drawing of Mr. Stuart’ Miscellaneous. Exhib Free Soc, 155.        Untraced.

1770.  ‘Portrait of a gentleman’  Bust. Exhib Free Soc, 173   untraced

1770. The Aldobrandini marriage, tablet for a Chimneypiece. Exhib Free Soc, 174. untraced.

1770. Bacchanalians, tablet Chimneypiece. Exhib Free Soc, 175. Untraced.

1770.  Chimneypiece. Exhib Free Soc, 176.untraced.

1770.    Somnus, tablet. Chimneypiece. Exhib Free Soc, 176. Untraced .

1770.    A dog, model in clay   Miscellaneous. Exhib Free Soc, 176. Untraced .

1771.    ‘An Elephant-after the Queen’s’, model. Miscellaneous. Exhib Free Soc, 174    untraced.

1771.    Somnus, a model. Miscellaneous. Exhib Free Soc, 175. untraced.

1771. ‘Tablet of beavers, after nature; a model’.     Relief. Exhib Free Soc, 176.  untraced.

1771.  ‘Celestial Victory, a monumental medallion, after a drawing by Captain Roiv’  Relief.  Exhib Free Soc, 177. untraced.

1771.  ‘Commercial Justice; a monumental medallion, after a design of Captain Roiv’              Relief. Exhib Free Soc, 178. untraced.

1772.  Portrait of a lady, monumental medallion   Relief.  Exhib Free Soc, 125 untraced.

1772.  Portrait of a lady and gentleman, monumental medallion. Relief. Exhib Free Soc, 126.                Untraced.

1772 King George II, medallion. Relief. Exhib Free Soc, 261. untraced.

1772. King George I, medallion. Relief. Exhib Free Soc, 260. untraced.

1772.  King George III, medallion. Relief. Exhib Free Soc, 262. untraced.

1773. The triumph of Bacchus, tablet. Chimneypiece. Exhib Free Soc, 118. Untraced.

1773. A faun offering a sheep to Pomona, tablet , Chimneypiece. Exhib Free Soc, 119               untraced

1773. Britannia. Relief. Exhib Free Soc, 120.untraced.

1773.  Aristotle, ‘a deception for a library’  Miscellaneous. Exhib Free Soc, 122. untraced.     

1773. Monumental medallion. Relief. Exhib Free Soc, 123. untraced.

1774. Portrait of a nobleman, clay model   Bust. Exhib Free Soc,179. untraced.

1774.  Portrait of a nobleman, clay model Bust. Exhib Free Soc,180. untraced.

1774. Group of children, with a cat and bird’s nest. Miscellaneous. Exhib Free Soc, 181.         Untraced.

1774. Monumental medallion representing piety, Relief. Exhib Free Soc, 182    untraced.

1774. Monumental medallion of King William III and Queen Mary II. Relief. Exhib Free Soc, 183. untraced.

1774.King George I, medallion. Relief. Exhib Free Soc, 184   untraced.

1774. Monumental medallion of a young gentleman, model. Relief. Exhib Free Soc, 185.        Untraced.

1775. A nobleman, probably William, 2nd Earl of Bessborough, Bust. Spencer House, London.

1775.  Unidentified nobleman. Bust. Exhib Free Soc, 159. untraced.

1775 ‘The soldiers rushing upon Archimedes in his study; a tablet, study’. Relief.  Exhib Free Soc, 163. Untraced.

1775. ‘Alexander ordering the works of Homer to be deposited in a casket-a model, a tablet’.                Relief.  Exhib Free Soc, 164. Untraced.

1776.  Portrait of a young lady. Bust.  Exhib Free Soc, 166   untraced

1776. ‘Portrait of a young gentleman’ Bust. Exhib Free Soc, 167. untraced.

1767. Description unavailable. Chimneypiece. King’s Weston, near Bristol. Untraced.

post-1755. Chimneypiece.  With two figures of piping fauns and tablet of Vertumnus and Pomona flanked by oak garlands. Fonthill Splendens, Wilts. private coll.

post-1755. Chimneypiece ‘with the most remarkable death scenes from The Iliad, intermixed with figures in low relief’ Fonthill Splendens, Wilts. Manor House, Beaminster, Dorse.t

1770-1772. William Beckford. Statue. Guildhall, City of London, great hall, acc 41.

1787.George, 14th Earl of Shrewsbury. Funerary Monument. Heythrop, Oxon.

1777. 1791. Catharine Macaulay as ‘History’ Funerary Monument. St Stephen, Walbrook, City of London. Warrington Library, Lancs, (formerly Town Hall), foyer.

pre-1788 Reredos. (Wogan family memorial). Redenhall, Norfolk, north chapel.

1775 (†1762) Funerary Monument Robert, 2nd Earl Ferrers (†1717) and his second wife, Selina. Ettington, Warks.

1788 Thomas Halsey, father and son. Funerary Monument. Great Gaddesdon, Herts.

1771.Hon Funerary Monument Chaloner and Hon Catherine Harris Saxton, W R Yorks.

1776. Unidentified nobleman. Bust . Exhib RA, London, 191.        Untraced.

1777. An Italian greyhound. Statue. Exhib. RA, London, 239. untraced.

1767. Model in clay.  Exhib Free Soc, 190. Untraced.

1767.  William Beckford. Statue. Fonthill, Wilts. Ironmongers’ Hall, City of London.

post-1755. Chimneypiece With figures of Daphne and Arethusa, and a tablet showing Apollo and Diana. Fonthill Splendens, Wilts, Great Dining Room. private coll.

1767. Mary Mason (designed by James Stuart). Funerary Monument. Bristol Cathedral.

1783 Lord Hawke’s children Funerary Monument Saxton, W R Yorks.

1791. Mary Anne Chichester. Funerary Monument. Arlington, Devon.

1766. Chimneypiece Green and red veined alabaster Newburgh Priory, N R Yorks.

1764.  Chimneypiece With ‘Terms and Festoons of Statuary’ Newburgh Priory, N R Yorks.

1767. Goats, model Statue Exhib Free Soc, 194. untraced.


Sunday, 13 October 2024

John Francis Moore and Michael Rysbrack and the Rushout Monument in Blockley Parish Church. Part 1.

 



Michael Rysbrack John Francis Moore and the Five Marble Busts on the Rushout Monument.

St Peter and St Paul, Parish Church of Blockley, Gloucestershire.

Mural Monument at the East End of the North Aisle.

Erected c.1790.

The photographs here taken by the author in the fading afternoon light.

Sir John Rushout, (1685 - 1775), son of Sir James Rushout sometime Treasurer of the Navy, 

Lady Ann Rushout, ne Compton (1695 - 1766).

Elizabeth, Countess of Northampton (1683 - 1750) daughter of Sir James Rushout.

Lady Alice Rushout, ne Pitt, (1683 - 1750) wife of Sir James Rushout.

Sir James Rushout (1644 - 1698).

The Biog. Dictionary of Sculptors in Britain pub Yale 2009 states the busts of Sir John and Sir James Rushout  and the three female busts are earlier busts by Michael Rysbrack. The monument itself is signed by John Francis Moore (d. 1809).

It is currently unclear to me just which of these busts were sculpted by Rysbrack (if any) and which were carved by Moore - he and his workshop were capable of extremely fine work, and there is a bust by Moore of Sir John Rushout presented to Worcester Infirmary in 1769 which suggests that he was responsible for the bust of Sir John on the monument.

The techniques used in the carving of all the busts suggest to me that they were all carved in the same workshop.

Sir John was a major benefactor to Worcester Infirmary contributing £500 in 1767 and £5 annually afterwards.



.....................


The Rushouts and Northwick Park, some very brief notes.


Northwick Park belonged to the Childe family from about 1320 to 1683. The estate was bought by Sir James Rushout, the son of a Flemish merchant who had made a fortune in London, in 1683, who remodelled the old house in 1686.

The next remodelling was completed by Sir John Rushout, 4th Baronet (1685 - 1785), in 1728-30 to a design by Lord Burlington complete with a Palladian east front and entrance hall in the 1730s.

The 5th Baronet, later 1st Baron Northwick, employed architect John Woolfe to carry out further improvements in the 1770s and William Eames to landscape the parkland. It passed down the family line, with a further remodelling in 1828-30, until George Rushout, 3rd Baron Northwick, whose widow, Augusta, left the estate to her grandson, Captain George-Spencer Churchill in 1912.

Subsequently after being occupied by American forces in World War II it had a chequered history before being converted into apartments.

For a good overall biography see - https://en.wikipedia.org/wiki/Sir_John_Rushout,_4th_Baronet

For Sir John Rushout and his parliamentary career see -

https://www.historyofparliamentonline.org/volume/1754-1790/member/rushout-sir-john-1685-1775



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To be continued in my next post ...................




Odds and Sods to be added

Tuesday, 8 October 2024

Pair of Lead Candle Sconces with Reliefs at Wilton House.



The Pair of Rococo Gilded Lead Candle Sconces with Reliefs at Wilton House.

Mid 18th Century.

Cast and hand chased.

Here attributed to John Cheere (1709 - 87).


Height approx. 24 inches

I am unaware of any other versions of these objects.

Currently located in the cloister at Wilton House.


I am very grateful to the 18th Earl and Countess of Pembroke for allowing me to visit Wilton House with my camera and for giving me free access to the sculptures at the house outside visiting hours.

I am also very grateful to the staff at Wilton House, Charlotte Spender, Sandie Buxcie, and in particular the House Manager Nigel Bailey and all at Wilton who made me feel most welcome.













Probably derived from an engraving .


Peter Boel, Dogs Attacking Boar, n.d., etching on paper, image: 7 1⁄4 x 12 1⁄2 in. (18.5 x 31.7 cm).  

Image courtesy Smithsonian American Art Museum.

https://americanart.si.edu/artwork/dogs-attacking-boar-54564

The original is in the Museum of Fine Arts Houston.

https://emuseum.mfah.org/objects/121261/hounds-bringing-down-a-boar




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Tuesday, 24 September 2024

The Lead Equestrian Statue of Marcus Aurelius at Wilton House.



 The Lead Equestrian Statue of Marcus Aurelius at Wilton House.

Some very Rough Notes.

I am very grateful to the 18th Earl and Countess of Pembroke for allowing me to visit Wilton House with my camera and for giving me free access to the sculptures at the house outside visiting hours.

I am also very grateful to the staff at Wilton House, Charlotte Spender, Sandie Buxcie, and in particular the House Manager Nigel Bailey and all at Wilton who made me feel most welcome.

................

Without documentary proof it is difficult to date the Equestrian statue but it has been at Wilton since before 1722 and could be Seventeenth Century.

I suspect it was cast by John van Nost I or a contemporary at Hyde Park Corner.

Detailed engravings had been available  since the mid 16th Century.


The Triumphal entrance arch and flanking lodges at Wilton House were was originally constructed as an eyecatcher on a hill south of the house c. 1758-62 by Sir William Chambers south of Wilton House, and moved to its present position in 1801 by James Wyatt who also added the two lodges. 

The triumphal arch was built to carry the equestrian lead statue of Marcus Aurelius and the 18th century Italian wrought-iron gates were bought in 1855 by Sidney Herbert.



The William Chambers Engraving.





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The Drawing of the Statue in 1722 by William Stukely

image courtesy Bodleian Library.




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The (not entirely accurate) engraving by Cary Creed.


The Marble Antiquities, The Right Honble. the Earl of Pembrokes, at Wilton are too many to be drawn by but several hands there being statues, bustos, bass-reliev's and miscellanies ...

Carey Creed (1708 - 71), 

1731.


https://archive.org/details/gri_33125008756591/page/n3/mode/2up?view=theater




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The statue is a direct copy of the bronze equestrian statue now in the in the exedra of the Palazzo dei Conservatori, Musei Capitolini, Rome (4.24 metres tall).


The Wilton version Life Size? no size available.

It might be instructive to compare the modelling of the  horse with that of Hubert le Sueur's bronze statue of CharlesI at Charing Cross and the carved wooden horses in the Line of Kings at the Tower of London.












.......................



From Speculum Romanae Magnificentiae.

 Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?))

  1548.

Image Courtesy Metropolitan Museum New York.

https://www.metmuseum.org/art/collection/search/693776






For an overview of the Equestrian Sculpture in England, Ireland and Europe in the 17th and 18th Centuries see the series of posts on the subject.

 

 

https://bathartandarchitecture.blogspot.com/2016/08/giacomo-leoni-project-for-triumphal.html 

Project for a triumphal arch for George I.

https://bathartandarchitecture.blogspot.com/2016/08/equestrian-statue-of-prince-frederick.html 

John Cheere at Hartwell House.

https://bathartandarchitecture.blogspot.com/2017/10/george-i-marble-bust-by-michael.html 

George I at Stowe – lead by Cheere? Rysbrack?

http://english18thcenturyportraitsculpture.blogspot.com/2016/06/lord-chesterfield-etc-caricature.html  

Caricature with wooden horse.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/the-equestrian-statue-of-george-i-john.html  

Essex Bridge. Dublin, van Nost.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-william-iii-by.html 

Peter Scheemakers, Hull.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-george-i-by-van.html 

Now at the Barber Inst formerly Dublin

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-charles-i-by_22.html 

Charing Cross, Bronze by Hubert le Sueur.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/two-equestrian-statues-of-charles-ii.html    

Windsor Castle and College Green Dublin, Grinling Gibbons.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-at-newby-hall.html  

Formerly at the Stocks Market London, Anon Italian sculptor.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-george-ii-formerly.html  

Bronze on St Stephens Green, John van Nost III.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-i-in.html 

Lead, John van Nost II, Grosvenor Square.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-i-at-stowe.html  

John van Nost II.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-i-formerly.html 

The Leicester Square van Nost II – originally from Canons House.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-i-hackwood.html 

George I, Hackwood Park. John van Nost II

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-william-iii.html   

John Cheere, Lead,  William III, Petersfield

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-prince-frederick.html 

John Cheere, Prince Frederick, Hartwell House

 http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-ii-by-john_3.html 

Lead. George II, Cork, John van Nost III.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/andrew-snape-equestrian-anatomy.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/rysbrack-plaster-equestrian-statue-of.html 

Equestrian William III, Rysbrack Plaster Model, Bristol Museum.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/the-line-of-kings-tower-of-london.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statue-of-james-ii.html and Irish Equestrian Statues. 

James II, by Larson.

 

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/list-of-english-and-irish-equestrian.html

 

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/two-equestrian-statues-by-joseph-wilton.html

..........

 

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/regisole-pavia.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-william-iii-after.html 

Miniature equestrian bronze William III, Rijksmuseum

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/the-torrie-ecorche-bronze-equestrian.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/horsemen-on-rearing-horses-survey_1.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/small-bronze-equestrian-statue-of-louis.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/the-equestrian-statue-of-louis-xiv-at.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/the-equestrian-statue-of-bartolemeo.html        Verocchio, Venice.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statue-of-gattamalata.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statue-of-heni-iv-on-pont.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statues-of-marcus-nonius.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/a-reduced-equestrian-statue-of-louis.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/roman-marble-equestrian-statue-of.html                

Caligula, British Museum.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/reduced-model-of-equestrian-statue-of.html           

Le Hongre, Dijon.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statue-of-louis-xiv-by.html                     

Coysevox, Paris.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/how-to-cast-equestrian-statue-in-bronze.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/jean-baltazar-keller-1638-1702.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statue-of-louis-xv-by.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statue-of-louis-xiv-by.html             

Martin Desjardin, Lyon.

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statue-of-louis-xv-by_2.html      

Edme Bouchardon, Paris.

 http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statue-of-louis-xv-bordeaux.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/miniature-lead-equestrian-statue-of_15.html 

Lead Miniature by van Nost, Dublin Castle.

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/george-ii-st-stephens-green-dublin.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/henri-iv-on-pont-neuf-paris-done.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statuettes-of-louis-xiii-and.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/11/larson-equestrian-statue-redux.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/a-bronze-equestrian-statuette-of-gaspar.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/engravings-of-charles-ii-equstrian-and.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/a-general-on-horseback-hubert-le-sueur.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/pierre-hubert-archeveque-stockholm.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/saly-and-equestrian-statue-of-frederick.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/small-iron-equestrian-statuette-at.html

http://english18thcenturyportraitsculpture.blogspot.com/2017/01/terracotta-equestrian-statuette-of.html

http://english18thcenturyportraitsculpture.blogspot.com/2017/05/how-to-make-equestrian-statue.html

http://english18thcenturyportraitsculpture.blogspot.com/2017/12/le-sueur-bronze-head-of-henri-de.html

http://english18thcenturyportraitsculpture.blogspot.com/2017/07/sir-john-hawkwood-niccolo-da-tolentino.html

Saturday, 21 September 2024

Wilton House in the 18th Century - Some Drawings.



Post under Construction.

Portrait Sculpture at Wilton House Part 9.


Some Illustrations of Wilton House in the 18th Century.

Information here ref. George Vertue from Yale University Library.

https://digital.library.yale.edu/catalog/33100018



Drawings showing the floor plan and views of the walls on which were hung paintings and against which statues and other artwork were placed.

The second drawing is titled "Plan of rooms that contains [sic] the statues & the pictures" in ink above, and the fourth drawing is titled "View of one end of the great room design'd by Inigo Jones" in ink below. 

The first drawing depicts a large painting by Van Dyck on the wall at a different end the great room, described in the printed text as "a landskip [sic] with dogs, and in the clouds are three angels ...".

 

Bound by Horace Walpole in his copy of: Gambarini, C. Description of the Earl of Pembroke's pictures. Westminster : A. Campbell, 1731.

Bound in old mottled calf. With slipcase.

Provenance

Bought by Horace Walpole at the Vertue sale (March 1757); Strawberry Hill sale (1842) to H.G. Bohn for William Beckford. With Walpole's bookplate (BP1). Maggs; October 1931.


The Drawings of the Double Cube Room by George Vertue (1684 - 1756).

Drawn between 1731 and 1756?

The busts represented in these drawings are almost certainly antiquities.






The seat furniture shown here with protective coverings - the magnificent furniture by William Kent did not arrive until after 1822 and was made originally for Wanstead House. 

......................

The Double Cube Room in 1904 showing the antique busts on Pedestals.

The terracotta busts of the 6th Earl by Scheemakers and Francis Bacon by Roubiliac are now on pedestals against the wall.