Tuesday, 10 March 2026

The Vandewall family portraits - Frances Vandewall and her mother Mary Ingram. A Portrait by Benjamin West of John Williams of Panthowell and some further Vandewall family portraits.


The enormously rich Quaker Vandewall / Neate family of  Rvensbourne House and the Copperas works at Greenwich and Lindsey House, Lincolns Inn Fields have appeared several times in the blog.

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Bonham's Old Master Paintings - 25 September – 2 October 2024 - Lots 212 and 213.

Portrait of Frances Vandewall, née Ingram, later Mrs George Augustus Killigrew, 

and her mother Mary Ingram nee Bellers.


by William Hoare of Bath (near Eye, Suffolk 1707-1792 Bath).

inscribed 'Mrs Vanderwall' (verso).

pastel.

61 x 45.7cm (24 x 18in).

framed: 83 x 67cm.

Literature.

N. Jeffares, Dictionary of pastellists before 1800, online edition, no. J.395.1342., ill.

 

The sitter, was the daughter of linen draper Joseph and Mary Ingram of Cheapside, she married Joseph Vandewall (b.1714) in 1737. Joseph Vandewall died in 1739 at French Ordinary Court in the hospital of Crutched Friars. 

Harris Neate (see below) was a witness to his will.

for much more on Samuel Vandewall and the Vandewall family see

https://bathartandarchitecture.blogspot.com/2014/02/samuelvandewall-1719-1761-and-his-wife.html


Frances later remarried to Captain George Augustus Killigrew (1717-1757) in 1753.

Frances Vandewall and Captain George Augustus Killigrew obtained a marriage licence on 27 June 1753 in London.

    

Her will was perhaps proved on 4 April 1765 at the Prerogative Court of Canterbury. She may be the Frances Killigrew, widow of Argyle Buildings, Middlesex, whose will was proved 4 April 1765 but could also be the Frances Maria Killigrew, widow of St Marylebone whose will was proved 2 May 1753.




https://www.bonhams.com/auction/29809/lot/212/william-hoare-of-bath-near-eye-suffolk-1707-1792-bath-portrait-of-frances-vandewall-nee-ingram-later-mrs-george-augustus-killigrew-in-a-blue-dress-and-pearl-necklace-framed-83-x-67cm/






















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Mary Ingram (1689 - 17..)

Inscribed 'To Mrs Ingram/ Cheapside/ all paid' (verso).

 William Hoare of Bath (near Eye, Suffolk 1707-1792 Bath).

pastel.

61.1 x 47.8cm (24 1/16 x 18 13/16in).

framed: 82.9 x 66.9cm.


Literature.

N. Jeffares, Dictionary of pastellists before 1800, online edition, no. J.395.1341, ill

Bonham's Old Master Paintings 25 September – 2 October 2024  Lot 213.



Mary Bellers was the daughter of the social reformer John Bellers cloth merchant proponent of the “Colledge of Industry.”and Frances Fettipace of London.

The sitter was married to Joseph Ingram (d.1741), a Cheapside Linen Draper 25 July 1710. son of William Ingram, salter at the Bull and Mouth  Quaker Meeting Gracechurch Street


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In his will, dated 8 March 1741, Joseph Ingram left the Hoxton property and any other real estate to his wife Mary (who was appointed executrix), with an annuity to his sister in law Christabell Ingram (bequeathed originally by his father). 

Bequests to his sons Thomas, Samuel and Robert Ingram and his daughter Frances Vandewall, whose marriage settlement he confirms.'

Date of Death: 21 July 1751 at Coln  St Aldwin, Gloucestershire

 Cause of Death: an inflamation

 Burial: 30 July 1751 at Friends burial ground near Bunhill Fields.


https://wills.qfhs.co.uk/az/wtext/ingram_004.html


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Highlights of Will of Mary Ingram.

 

£100 to her daughter Frances Vanderwall.

She confirms the marriage settlement made upon her marriage to Joseph Vanderwall, now deceased.

She leaves all her estate at Hoxton to her son Thomas Ingram as well as all the property left her by her father John Bellers in Wilts, Oxfordshire and Berkshire, her properties in Pennsylvania and West New Jersey, and her leasehold estates at Coln Saint Aldwin.

 She leaves £4000 to her son Samuel Ingram.

 She leaves a £10 annuity to Susanna, the widow of Benjamin Clerk, and Christobell Lund, the wife of Benjamin Lund, both being the daughters of her late husband’s brother Robert Ingram.

 She also leaves an annuity of £10 to Ann Tarbox, the wife of Joseph Tarbox of Winchmore Hill.

 She leaves the rest of her estate to her sons Thomas and Samuel Ingram, whom she names as her Executors.

Codicil - She leaves her daughter Frances Vanderwall £800, in addition to the legacy in the will.

Transcript available on line - https://wills.qfhs.co.uk/az/wtext/ingram_005.html



https://www.bonhams.com/auction/29809/lot/213/william-hoare-of-bath-near-eye-suffolk-1707-1792-bath-portrait-of-mary-ingram-nee-bellers-in-a-brown-dress-white-bonnet-and-fichu-framed-829-x-669cm/





















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Will of Mary Ingram, Widow of Joseph Ingram of Cheapside, London.

 Will 14 July 1749 with Codicil 18 July 1749   Probate 2 August 1751.





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1737. The marriage of Joseph Vandewall (d.1739) who was Samuel Vandewall's older brother (d.1761) to Frances Ingram daughter of Joseph Ingram of Cheapside, Draper. 

Amongst those at the wedding were the apothecary Silvanus Bevan, Joseph Moore, and many of the Ingram family.

 

1739. – 5 Nov. His older brother Joseph (b. 1714) dies of fever at French Ordinary Court. Crutched Friars, He leaves to his dear wife Frances his personal estate and the reversion of an estate at Greenwich “settled on testator” by his father in law Joseph Ingram on his Marriage.


1740. Samuel Vandewall inherits Ravensbourne House and the Copperas works at East Greenwich next to the Ravensbourne at Deptford Creek and he also inherits property in Peckham, South London from Joseph Moore, his grandfather on his mothers side. The Gentleman’s Magazine in its usual mercenary manner reports the death of Joseph Moore and estate of £30,000, an immense amount of money at the time. 

See Public Records Office, Kew London, Will of Joseph Moore. Prob 11/705.


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The Will of Joseph Vandewall, Merchant of Crutched Friars, City of London.

 The Will is dated 2 November 1739, Probate 6 November 1739.



 https://wills.qfhs.co.uk/az/wtext/vandewall_004.html

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Samuel Vandewall. 

Thomas Hudson.

Joshua Reynold was working as an assstant in the studio of Thomas Hudson by Autumn of 1740.



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Samuel Vandewall.

The Portrait  attributed to George Knapton.






The label on the back with a reference to the Joshua Reynolds Portrait.












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Harris Neate (1706 - 1742). West India Merchant.
Merchant of Bristol and Jamaica.

Attributed to George Knapton.

The contemporary frame matches that of the portrait of Samuel Vandewall (above).

 6 January 1734 - Harris Neate, described as of the Island of Jamaica married Martha Barrow daughter of Jonathan Barrow of the county of Monmouth.






1740 - 11 April, Thomas Neate, was born at Laurence Pountney Hill, City of London.


6 September 1742 - Harris Neate of the Parish of St Lawrence Jewry, died of a fever and is buried at Friends Burial Ground, Long Lane. London.

His wife Martha Barrow had a brother Francis Barrow who was died at Charleston in America on 12 July 1750, leaving his estate to Samuel Vandewall, see South Carolina Wills. p 47.


Harris Neate and Slavery - an unsavoury press cutting.

1743 - Saturday, June 18, Daily Advertiser, London, England, Issue 3874.

 "A black negro women about nineteen years old with two letters on her breast and her shoulder made her escape from the ship Hannah, Capt Fowler, for Jamaica the 6th inst. Goes by the name of Sabinah is supposed to be deluded away by some other black about Whitechapel, Rag Fair or Rotherhith, whoever brings her to the late Mr Neates, on Lawrence Pountney Hill, shall have three guineas reward, or if put on board the ship again any time between this and next Tuesday, ten shillings more".

 The above advertisement was repeated in the Daily Advertiser (London, England), Wednesday, September 14, 1743; Issue 3949 without the last sentence.


for much more on the Quaker Neate family see- 

















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Joseph Moore Vandewall (1745 - 1748).

The infant son and only child of Samuel and Martha Vandewall (nee Barrow)..

Joshua Reynolds.

1747. Joseph Moore Vandewall was painted by Joshua Reynolds. This painting sold by Christie's London 1 December 2000, lot 31. 

Provenance - by descent to Commander C.E. Neate; Sotheby's London, 3 July 1956, lot 31, (1,350 gns. to Agnews).

It was sold by Agnews to Vice-Admiral B.C.B. Brooke, 1957. It was acquired through Agnews by Sir Michael Sobell, 1959.

 

See - D. Mannings, Sir Joshua Reynolds, A Complete Catalogue of his Paintings, London, 2000, p. 452, no. 1785, fig. 27.


1745. – 26 July - Joseph Moore Vandewall was born at Brabant Court, in the City of London, the child in the portrait by Joshua Reynolds.

1748. – 28 Feb – Joseph Moore Vandewall died of teething.




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Thomas and Charlotte Neate with their Tutor Thomas Needham by Sir Joshua Reynolds.

       Signed and dated Joshua Reynolds pinxit 1748. 

Currently on Display in the Metropolitan Museum, New York.

A Transcription from the Walpole Society Journal 6 (1917 -18) - "Two Early works of Sir Joshua Reynolds. pp105.

"This seems to have been the first composition of several figures which Reynolds attempted. Its success must have spurred him on to attempt a similar feat on a larger scale........

Of the artist's relations with the Neate family and the conditions under which the picture was painted we know almost nothing. 

There is a tradition in the Neate family that the father of the two children was a friend of the young artist, and a diary once in the possession of Miss Eleanor Neate (d.1906) (daughter of the Rev Arthur Neate Rector of Alvescot and Eleanor Burnaby) recorded a payment to Reynolds for a portrait, but the sum mentioned was thought too small to apply to this portrait group. An old label on the back of the picture gives us a little help it says:

'Boy the paternal grandfather of the Rev. A. Neate. Girl sister of the above married - - Williams of ...., Esq. re Tall figure Needham tutor of the Boy. Painted by Sir Joshua Reynolds'.

This payment almost certainly refers to the portrait of the infant Joseph Moore Vandewall.

I would dearly like to find this diary.

It is interesting to surmise the relationship of Samuel Vandewallwith other members of the St Martin's Lane artistic community including architect Isaac Ware, who was the architect for the division of Lindsay House, (purchased by Samuel Vandewall in 1752), and Hogarth to whose prints he later subscribed, and the other members of the artistic community who constructed his furniture and who supplied his pictures.

1751. Samuel Vandewall subscribes to two engravings by William Hogarth of Paul before Felix and Moses brought to Pharoah’s Daughter – The subscription ticket – an engraving entitled Paul before Felix (Burlesqued) was advertised in The General Advertiser, 15 May 1751.

 

Perhaps the pocket book mentioned in the Walpole Society Journal in 1916, once in the possession of Eleanore Neate and recording a payment to Joshua Reynolds for the portrait of Joseph Vandewall still exists somewhere and will one day reappear. One can only hope!

 

It is an unusual portrait in that it prominently shows the children's tutor Thomas Needham. Samuel Vandewall left in his will, to Mr Thomas Needham of Clifford’s Inn. Gent. £800.





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Thomas Neate.

The boy in the Reynolds family portrait.

Son of Harris Neate and Martha Barrow and stepson of Samuel Vandewall.







1791 - 1796. Thomas Neate resided at 13 Lansdown Crescent, Bath (info. from Bath archives. - Bath Loyal Ass. 1792).

 1794. Death of Martha Vandewall at her house in Bath. She was buried at Jordans (Quaker) Meeting House Burial Ground, Buckinghamshire in the vault of Sam.Vandewall.

 1796. Amelia daughter of Thomas Neate described in The monthly Magazine as of Binfield, marries AE Young at Orlingbury, Northants

 1825. Death of Thomas Neate at Binfield Lodge, Berks.


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Another Vandewall related portrait by Benjamin West (1738 -1820).

John Williams (d.1773) of Panthowell, Llandegfan, Carmarthen, South Wales.

Oil on canvas, 31 3/4 x 42 1/2 inches (oval)

Signed and dated at lower left: “B. West PINXIT/1766”

In 1766 John Williams married Martha Neate daughter of  Martha Neate (nee Barrow) widow of Harris Neate who after his death married Samuel Vandewall.

The photographs used here from the website of The Schwarz Gallery of Philadelphia.

https://www.schwarzgallery.com/painting/5694/

The house of Panthowell, Trelech a'r Betws, Carmarthenshire, was owned by the Williams family for nearly three centuries. John Williams (d. 1773) was the last of the male line at Panthowell.

 The property passed to his daughter Margarette Vandewall Williams, who married the Rev. William Shippen Willes, of Cirencester, (d. 1822) in 1797; their son, William Willes, inherited the estate.

By 1831, the estate consisted of Panthowell, Panthowell Mill, Crug y denyon and Ffynnon Sais. In 1834 the estate was sold to Lt-Col Thomas Samuel Nicholls (1787-1857), of Tenby, Pembrokeshire.

There is a reference to John Williams and the cutting of an inscription by Joseph Wilton at theRoyal Academy in 1773

https://www.royalacademy.org.uk/art-artists/archive/inscription-for-a-monument-to-john-williams-of-pant-howell-carmarthenshire












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Mrs Martha Vandewall nee Barrow.

formerly Mrs Harris Neate.

Benjamin West.

c.1766.

32 x 42 1/2 inches (81.3 x 108 cm).

Gifted to Philidelphia Museum of Art, 2004.

https://www.philamuseum.org/objects/95983

The portrait of Mrs Vandewall by Benjamin West was sold by Sotheby, Lot 138, 3 May 1961, from the collection of W.H.Willes, (a descendant of Martha Neate).


November 1744, Samuel Vandewall married`Martha Neate the widow of Harris Neate, nee Barrow at the Hereford, Worcester and Wales, Quaker Meeting House.

I have also found a reference to the celebration of the Vandewall - Neate marriage in the Daily Advertiser, 23 November 1744: 'Yesterday was married at the Quakers Meeting at Devonshire Square, Mr.Samuel Vandewall, a Merchant of this City, to Mrs. Martha Neate, Widow and Relict of Mr.Harris Neate, late an eminent West-India Merchant of this City, a beautiful Lady, with a handsome Fortune.'

Amongst those present were Samuel Hoare, Hannah Harman, Grizzel Hoare (nee Gurnell), Thomas Gurnell, John Barclay, Thomas Samuel and Mary Ingram, Sarah Gurnell, Gabriel and Margaret Goldeney, William Markes, Sarah Nichols, Frances, Daniel, Anna, Sarah, and Elizabeth Vandewall, Anthony Neate, Nathaniel and Elizabeth Newberry, William and Jane Lorance, Thomas and George Marishall, Thomas and Ann Hyam, Michael Russell etc.

 

The London Evening Post reported on Thursday 22 November 1744, issue 2660 “Last Thursday was married at the Quaker Meeting in Devonshire Street, Mr Vandewall an eminent merchant to Mrs Neate, widow of Mr Harris Neate, a West India merchant, an agreeable lady with a large fortune, after the ceremony was over there was an elegant entertainment prepar'd at the White Lion Tavern in Cornhill, consisting of 60 dishes where 110 persons sat for dinner”  It was again reported in the General Advertiser 23 November 1744 issue 3129 using the same wording.



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The Historical Society of Pennsylvania,  1300 Locust Street, Philadelphia, PA 19107.

Staley/von Erffa Benjamin West Archive, 1940-2000. Box 32 -3 - Vandewall here is mis spelled Vanderwall.

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see -

https://bathartandarchitecture.blogspot.com/2014/02/samuelvandewall-1719-1761-and-his-wife.html

https://bathartandarchitecture.blogspot.com/2014/01/the-william-seward-martha-vandewall.html

https://bathartandarchitecture.blogspot.com/2014/01/




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Portrait of Mrs Neate, of Donnington? by George Knapton (1698-1778).

This date must be prior to 1744 when she married Samuel Vandewall and took his surname.

 Portrait of Mrs Neate, of Donnington, Hampshire, half-length, in an embroidered silver shawl trimmed with fur, seated by a table with a spaniel her lap, in an interior, beside a polescreen.


It might be co incidence but a spaniel appears on the portrait of the infant Joseph Moore Vandewall (1745 - 48) by Joshua Reynolds (image above).

 Oil on canvas 40 x 50 in. (101 x 127 cm.)

In a carved and gilded 18th Century Maratta frame.

 By descent in the family of the sitter?

 Sold Christies - Lot 28,   Christie's -Nov 25, 2003 - London.







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Charlotte Neate (1740 - ), nee Seward, the wife of Thomas Neate.

Anonymous artist.

This portrait was still with the family when I took the photographs.


Charlotte Seward was the sister of Elizabeth Seward and Dorothy nee Seward, Kenrick and of the writer William Seward. Their father was a partner in Calvert and Seward of the Peacock Brewery in Red Cross St, London, in what was then the largest brewers in London in the mid 18th Century.

On the 5 April 1771 - Thomas Neate, aged 31 married Charlotte Seward sister of William Seward of Red Cross St, London.

1771. Marriage of Thomas Neate to Charlotte Seward, the sister of William Seward, of Red Cross St. London.

Their son Thomas was born in 1775 later to become the Rev. Thomas Neate

 1790. Gentleman's Magazine notes Thomas Neate was in residence at Binfield.






The label on the back of the portrait - both photographs by the author.

with very grateful thanks to the owner.




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William Seward.

Robert Edge Pine.

pre 1784 when Pine left for America.

https://bathartandarchitecture.blogspot.com/2014/02/william-seward-1747-99-and-bust-of.html




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Vandewall related documents - Oxfordshire History Centre.

https://heritagesearch.oxfordshire.gov.uk/records/E8


 Ref. E8/8/D/1-2  - https://heritagesearch.oxfordshire.gov.uk/records/E8/8/D/1-2

Lease and Release 30/Dec/1751-31/Dec/1751.

Parties:

1. Silvanus Bevan of London, apothecary, and Walter Coleman of Black Fryars, London, woollen draper

2. Frances Vaudewall of Bloomsbury, Middx., widow

3. Samuel Vaudewall of East Greenwich, Kent, Esq.

Property: Moiety of seven messuages and lands in St.Giles without Cripple Gate, Middx., eight messuages and lands in Whitecross St., St.Giles, messuage with summer house, messuage in Gloucester Court, ten messuages in Crown Court, Whitecross st., messuages and lands in Whites yard, eight messuages in and near Basket alley near Golden Lane, eight messuages and lands in Carpenters Yard, Whitecross st., three messuages and lands in Golden Lane, thirteen cottages or almshouses in Golden lane, St. Giles, in the Lordship of Finsbury; parties 1. and 2. convey to 3.

Comments: deed recites details of Lease and Release dated 12/13 Aug 1737.


Thomas King Marble Mason of Bath Part 2

 

First draft.

Thomas King (1741 - 1804). Marble Mason


The following paragraphs adapted from -

https://www.bathabbeymemorials.org.uk/sculptor/t-king

https://gunnis.henry-moore.org/henrymoore/sculptor/browserecord.php?-action=browse&-recid=1553&from_list=true&x=10

For an useful overview of the Monumental Masons in Bath in the 18th and 19th Centuries by Kim Jordan.

https://historyofbath.org/images/ProceedingsPDFs/PROCEEDINGS%2008%202019-20.pdf



Thomas King (1741-1804), was the founder of one of the most prolific west country firms of monumental masons, he was the son of Henry King, a clockmaker of St Dunstan-in-the-West in the City of London. His son continued the business into the 19th century.

Thomas was apprenticed on 26 March 1752 to Charles Saunders? a London mason, but settled in Bath soon after completing his apprenticeship which would have been for seven years. 

I can find no record of a Charles Saunders - but William Saunders fl.1743 - 54 was a London mason who worked on the reconstruction of Leicester House (Biog Dictionary British Sculptors pub Yale 2009) with an address in Windmill Street.

He married Elizabeth, the daughter of Thomas Paty of Bristol on 6 May 1779 at St Augustine the Less, Bristol. 

The Paty family were architects and masons, responsible for Royal Fort, The Bristol Exchange, Bristol Bridge and many monuments. The Paty family was a prominent multi-generational dynasty of masons, surveyors, and architects based in 18th-century Bristol, originating from Somerset stonemasons and carvers who established workshops in Bristol at the Horsefair and Limekiln Lane.

For an introduction to the Paty family and to be treated with caution (generated by AI) see - https://grokipedia.com/page/william_paty#biography


King maintained cordial relations with the Paty family and was left £250 in his father-in-law’s will. When his brother-in-law, William Paty, died, clients were instructed to forward outstanding debts to King. see - (Felix Farley’s Bristol Journal, 4 April 1801).


King had three children, Thomas and Charles, who entered the business, and Mary, who did not marry during his lifetime.

 

The firm produced a large number of small, wall monuments, often incorporating coloured marbles in an elegant oval, rectangular or inverted shield frame. Most were sold to clients from stock. 

Thomas used the customary range of neoclassical motifs: urns, sarcophagi, willow trees, mourning women, crumpled scrolls held by cherubs and broken columns.

Thomas Gainsborough’s account at Hoare’s Bank records a payment of 18 guineas made to Thomas King in May 1771, perhaps for a picture frame (Gunnis).

 

King also worked on bespoke commissions, such as his first memorial to James Quin with a portrait medallion of the actor of 1769. 

His memorial to Robert Walsh in Bath Abbey has a relief of a broken Ionic column clad with yew on an oval ground of streaked grey marble. It has been suggested that this was the first time the broken column, a traditional symbol of Fortitude, was employed alone on a monument. 

Richard Warner, in his History of Bath, 1801, considered the monument the ‘most remarkable for happiness of design in the whole Abbey’.

His memorials for Venanzio Rauzzini and Sir Nigel Gresley are framed with deep swathes of fabric brought together with three knots.

 

King died a prosperous man and left his widow a number of properties in Bath, including offices, a garden and a yard ‘now in my own occupation’ at Beaufort Place, Walcot. His three children received generous bequests. 

He is buried at Woolley, where a modest tablet, for which he earmarked 20 guineas in his will, bears the epitaph: 

‘Many Years an eminent statuary in the parish of Walcot, who after sustaining a long and painful illness with exemplary fortitude and resignation, calmly departed this life December the 5th, 1804, in his 63rd. year.

The will of ‘Thomas King, Gentleman of Walcot, Somerset’, PROB 11/1427, proved July 1805.


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Thomas King, Statuary, nr. Walcot Turnpike. London Road, Bath.

 Thomas King senior served his apprenticeship with the Mason’s Company of London then established his business in Lansdown, Bath in the early 1760’s. 

Later he set up a marble yard and workshops at Snow Hill at the junction with London Road by the Walcot Turnpike. It was sufficiently significant to be recorded on Harcourt Masters’ 1794 map of the city.

 

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Some refs to King in the Bath press -

 

Bath Chronicle - 16 February 1786 - Thomas King statuary - marble chimney pieces £6 to £60. Monuments 8 guin to 50 guin.

 Bath Chronicle - 13 April 1786 - Goods: marble chimney pieces, fitted for sale etc at Thomas King's, statuary nr Walcot turnpike.

 Bath Chronicle - 8 Jun 1786 - Goods: For sale marble - chimney pieces. Small monuments for inspection enq T King, statuary nr Walcot turnpike.

 Bath Chronicle -  27 March 1794 - Bath turnpike roads - general meeting of Trustees at the Guildhall on 5 April at 12 noon. To consider removal of present tollbar on London Road at or near Mr King's marble yard in Walcot.


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William Reeves foreman to Thomas King.

see my previous post

https://bathartandarchitecture.blogspot.com/2026/03/reeves-of-bath-statuary-and-monumental.html


Bath Chronicle - 18 October 1792  - Wm Reeves, marble mason carver etc, many years foreman to Mr King, has opened a yard in James Street, Kingsmead. Monuments, chimney pieces etc.

Premises at 6 & 7 King Street (presumably old King St) from 1792 to 1826 were used by William Reeves probably as his residence


The Kings and the Reeves were the most successful monumental masons in the late 18th and early to mid 19th centuries with the Biggs and Lancashires offering competition in the heyday of the trade.


The Greenways and Thomas King.


There is an indenture of 20 September 1791, when Thomas King, the statuary of Walcot, with Mr.Charles Harford, gent., as his trustee, conveyed to John Greenway in trust for Francis Greenway, mason, of Walcot (not the transported Australian architect), who would have been only thirteen at the time], ‘part of a pasture of 2a 22p called Upper Tyning [Walcot], being all those plots on the west side of an intended building called Mount Pleasant and all those two messuages thereon erecting at the cost of Francis Greenway.