Saturday, 12 April 2025

Admiral George Anson. Sculpture at Shugborough, Part 1.




Two Very Fine Marble Busts at Shugborough. Staffordshire.

George Anson (1697 - 1762) and his wife Elizabeth (1725 - 60).

Some brief notes.

He married, 25 April 1748, Lady Elizabeth Yorke (1725 - 60), daughter of 1st Earl of Hardwicke.

Died aged 35.

 Attributed alternatively to Louis Francois Roubiliac and Joseph Wilton.

I am currently leaning towards Roubiliac.

Anson joined the navy at the age of 14 in 1712 and quickly rose through the ranks to become Captain at the age of 25. In 1737 he took command of the Centurion, a 60-gun ship and in 1740 sailed to plunder the Pacific coast of South America and conquer the Spanish.

Anson became the second Englishman after Sir Francis Drake to circumnavigate the world on a  voyage against Spanish interests in the Pacific in 1740 - 44 and in 1743 became a wealthy man as a result of capturing the Spanish treasure ship 'Nuestra Senora de Covadonga' off the Philippines. 


The first stage of their journey around Cape Horn had been a military disaster with the loss of two ships and over 600 men from scurvy, cold and privation.

On 20 June 1743 Anson achieved his most notable victory, intercepting and attacking a Manila galleon, the Nuestra Señora de Covadonga that was sailing between Acapulco and the Philippines heavily laden with silver. Anson captured the ship which he later sold to the Dutch, along with 1,313,843 pieces of eight and 35,682 ounces of virgin silver, then valued at £400,000. This is the equivalent to around £35 million today, of which he was entitled to a staggering £13,125,000.  


Eventually Centurion sailed alone reached Macao in November 1742, making George Anson  the first British man-of-war to visit China.

Later in command of the Channel fleet he defeated the French at the first Battle of Finisterre, 1747, after which he was raised to the peerage.

On his return in 1745, Anson was appointed Vice-Admiral of the White and joined the Whig opposition under the Duke of Bedford, 1st Lord of the Admiralty and the Earl of Sandwich. Together the three men undertook a series of reforms of the navy, including ship design and training. 

By 1747 he succeeded as First Lord of the Admiralty. In 1748, he married the Hon. Elizabeth Yorke, aged 23, the eldest daughter of Philip York, Lord Hardwicke, who was then Lord Chancellor.


The Battle of Finisterre.

Samuel Scott.

YCBA.

https://collections.britishart.yale.edu/catalog/tms:1040






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Engraving dated 1748.

From -  Voyage autour du monde fait dans les années 1740-44 (Voyage around the world made in the years 1740-44... in the South Sea). Published by R. Walter. Decorated with maps and intaglio figs. New edition. Amsterdam and Leipzig, Arkstèe and Merkus, 1749.













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He purchased 15 St James Square, London (later Lichfield House) as a town house in 1748. He bought Orgreave Hall in 1752 and he  paid £14,000 for the Moor Park (Herts) estate the same year and spent a further £6,000 employing Matthew Brettingham to make alterations to the house, 1752-54 and Capability Brown to lay out the grounds in 1754-59.


"Anson is an unlikely naval hero. Unlike Nelson, he did not seek out the press or achieve dizzying victories. Instead, Anson’s greatest battles were fought in the halls of power, both within and outside the navy. He understood that the Royal Navy was an imperfect instrument in dire need of reform, but that bureaucratic changes came second to good personnel and talent management; and that the latter assures the former. By selecting officers and crown servants based on merit and potential, Anson was able to enact sweeping reforms in ship design; supply and support; pay and conditions of service; tactics, techniques and procedures; and education and training. 

Every aspect of naval administration was impacted by Anson, although his guiding hand is easier to sense than to hold. We regularly hear that people are Defence’s greatest asset, but few have impacted the daily lived experience as Anson did. He introduced a standardised uniform, codified punishment and court martial proceedings, streamlined promotion boards, and professionalised the officer cadre."

Quoted from - https://www.rusi.org/explore-our-research/publications/commentary/trafalgar-legacy-george-anson


He died 6 June 1762 while walking in the grounds at Moor Park and was buried at St. Michael and All Angels Church, Colwich, Staffordshire.

The barony became extinct on his death; his will was proved 16 June 1762. 

His wife died 1 June 1760 and was also buried at Colwich.


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The Marble Bust of George Anson.

This is dangerous territory but I would suggest that the two busts were both carved in about 1750.

an interesting feature here is the embroidery of the coat - 






 
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The bust of George Anson.

Image from Country Life.



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The very low resolution images below from the National Trust Website.























A view of the back of the bust (below)

It is smooth unlike the bust of Elizabeth Anson.



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The Marble Bust of Elizabeth Anson.

Lady Elizabth York

I think that the turned socles are most likely replacements and to my eye the busts sit uncomfortably.

It has been assumed that the bust of Elizabeth Anson and her husband were made as a pair but there are some important differences.

The bust of Elizabeth Anson has a fillet between it and the socle and the back is finished with a claw chisel unlike the bust of George Anson which has a smooth back.


The two images below from the Conway Library at the Courtauld Institute



































The back has been fished with a claw chisel.










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The Engraved and Painted Portraits of George Anson.

The intention here is to provide some sort of comparison between the two dimensional representations of Anson and the marble bust at Shugborough.

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George Anson. 

Engraving.

Charles Mosely.

1740

Image courtesy National Galleries of Scotland.







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George Anson.

Engraved by Charles Grignion.

after the original by Arthur Pond.

Dated 1744.

This version from the British museum - there is  another at the NPG.











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Anson.

After Arthur Pond.

From the Universal Magazine.

1748.

Image from the excellent National Galleries of Scotland.






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George Anson.

Johnson?

Printed and sold by M. Overton at the Golden Buck, Fleet Street, London.

1747.

The plate is after Faber junior's engraving after Alan Ramsay of Admiral the Hon. Charles Stewart (1681-1741).


British Museum.




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George Anson

Mezzotint

1747.

'Lord Anson, Baron of Soberton in the County of Southampton / Vice Admiral of the Blue. // G. Bockman delineavit & fecit, 1747. // Sold by H Overton without Newgate London.'

Image Courtesy British Museum.








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George Anson.

Undated anonymous engraving.

This portrait is related to the engraved mezzotint immediately below.

Presumably mid 18th Century.

Image courtesy National Galleries of Scotland






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George Anson.

Here the wig is most similar to that worn on the bust.

Anon.

Mezzotint.

 Image Courtesy British Museum.





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The  Anonymous Portrait of George Anson at the National Maritime Museum. 

see -








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George II and his Officials.

Engraving.

Thomas Jeffreys (c 1719 - 71) 

After 1746.

Anson after Pond.

NPG.




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George Anson

Engraving by Jacobus Houbraken. 

after J. Wandelaar.

line engraving.

1751.

NPG











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This version engraved by Houbraken.

after Wandelaar ad vivum

Pub. Fouquet, Amsterdam.






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George Anson.

Anonymous (Houbraaken?) portrait engraving.

Based on the Wandalaar Portrait 

National Maritime museum






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George Anson.

Engraved by and sold by James Macardell (c.1728 - 65).

after Sir Joshua Reynolds (1723 - 92).

Mezzotint.

Published 1755.



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George Anson.

Francis Coates (1726 - 1770).

Pastel.

c. 1750.

Shugborough.





George Anson.

Joshua Reynolds.

Sittings recorded for February 21st and 25th 1755.

Shugborough.

National Trust.

https://www.nationaltrustcollections.org.uk/object/1271068








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George Anson.

Studio of Joshua Reynolds.

This picture is one of a group left to Greenwich Hospital by Admiral Sir Hugh Palliser, Governor of Greenwich Hospital, in 1796.


National Maritime Museum.



They say -

A three-quarter-length portrait to the right showing Anson in flag officer’s full dress uniform, 1748–67,


In the right background are the yachts of the squadron he commanded which brought Princess Charlotte to Britain in 1761?






In the right background are the yachts of the squadron he commanded which brought Princess Charlotte to Britain in 1761.

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Anson

Copy of a Portrait at Shugborough by William Hoare

in the Royal Collection.



A low resolution image of the Shugborough portrait is available here -

https://artuk.org/discover/artworks/admiral-sir-george-anson-16971762-baron-anson-of-soberton-132286

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George Anson.

Copy of a relief   after James Tassie (1735 - 99).

Plaster Relief of 1894.

Image copyright National Galleries of Scotland.

https://www.nationalgalleries.org/art-and-artists/1742?search=Anson&search_set_offset=5






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Portrait Traditionally Identified as Admiral George Anson.

Thomas Hudson (1701 - 79).

There appears to be some doubt as to whether it represents Anson or is by Hudson!

National Maritime Museum. Royal Museums Greenwich.

They suggest prior to 1748.






For another portrait at the National Maritime Museum see -



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George Anson.

Gold Medallion.

1747.

Thomas Pingo (1692 - 1776).

Medal commemorating the Defeat of the French fleet off Cape Finisterre and Admiral Anson's voyage around the world. 1747

4.3 cm (diameter).

Obverse: Bust of Admiral Anson left being crowned by Victory standing on the prow of a galley. GEORGE LORD ANSON Below: VICT. MAY III MDCCXLVII


Image below courtesy British Museum.





This image below from the Royal Collection.













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Peter Scheemakers and the Ansons at Shugborough.

Hadrian's Arch, c. 1765.

These images are currently the best I can find of the busts on the version of  Hadrian's Arch at Shugborough.

Designed by James "Athenian" Stuart after the original at Athens.

In 1760, Thomas Anson suffered a great loss, with the death of his close friend and sister-in-law, Elizabeth York, and again in 1762, with the death of his brother George. 

Thomas memorialised them both by adding their busts in the outer arches. In the central arch, Thomas added an ‘aplustre’, a commemorative plaque. It depicts naval trophies and other attributes linked to his brother’s illustrious life.





































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Stuart, James. 1762. The antiquities of Athens, v. 4, London : Printed by J. Haberkorn.


Excellent high resolution Image below from The Smithsonian Libraries.










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The Shepherdess's Tomb.

with a relief by Scheemakers after a painting Et in Arcadia Ego by Poussin.

This peculiar folly has been the subject of much speculation, which I will not comment on here but will refer the reader to an excellent article in the Georgian Group Journal by James Stevens Curl.


Below is a link to the Georgian Group Journal article




The monument, commissioned by Thomas Anson, was built sometime between 1748 and 1756. The outer form of the monument is a portico featuring two doric columns. These support an entablature decorated by a frieze comprising three metopes depicting laurel wreaths, and two containing carvings of stone heads. One head shows a smiling bald-headed man; the other bears a likeness to the goat-horned Greek god Pan. The entablature is topped with an antefix using an anthemion design.

 

Inside the portico is a rusticated arch, which frames a relief carved by sculptor Peter Scheemakers. The relief is a copy of the Poussin painting Et in arcadia ego and shows a woman and three men, two of whom are pointing to a tomb. 

After an engraving of a painting known as 'Les Bergers d'Arcadie' or 'Et in Arcadia ego', executed c.1638/40, acquired by Louis XIV in 1685 and now in the Musée du Louvre, Paris.


On the tomb is carved the Latin text Et in arcadia ego ("I am also in Arcadia" or "I am, even in Arcadia"). 

The carving displays a number of small alterations from the original painting, including the addition of an extra sarcophagus placed on top of the main tomb. 

Below the relief is a stone plaque displaying a ten-letter inscription. The inscription is broken into two lines. There are eight letters on the first line, and two below on the second line, placed at either end of the letters on the first line. The letters on the second line, D M, were commonly used on Roman tombs to stand for Dis Manibus, meaning "dedicated to the shades".









Image below showing the hands of the Shepherds appearing to merge into the inscription.














A Reminder of Death in the Middle of the Prosperity of Life.

Engraving after Poussin by Bernard Picart (1673 - 1733).

Rue St Jacques, au Buste de Monseigneur, Paris

 Image below from the British Museum.

https://www.britishmuseum.org/collection/object/P_1874-0808-1822

For the Original painting in the Louvre see -

https://collections.louvre.fr/en/ark:/53355/cl010062528






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Thomas Anson (c. 1695 – 30 March 1773).

The Library at Shugborough.


Images from Country Life Magazine. 25 February 1954.












Thomas Anson, FRS  the older brother of  George Anson was a British Member of Parliament, traveller and amateur architect.


The Anson brothers were the sons of William Anson (1656–1720) and Isabella Carrier, who was sister-in-law to Thomas Parker, 1st Earl of Macclesfield. 

The family estate was Shugborough Hall in Staffordshire. 


Admiral George Anson, 1st Baron Anson was his younger brother and along with their cousin, George Parker, 2nd Earl of Macclesfield, they were taught mathematics and navigation by Isaac Newton's friend, the mathematician William Jones, who was later to propose Anson's membership for the Royal Society in 1730. Anson went up to St John's College, Oxford, and later studied law at the Inner Temple.

Upon his father's death, Anson abandoned law and began the first of many travels to the continent. In 1732 Anson and his friend the Earl of Sandwich formed a riotous dining-club called the Society of the Dilettanti, which also had the more serious purpose of encouraging study of Greek architecture. In 1740 Thomas briefly joined his brother George on The Centurion, as he and his crew began their circumnavigation of the globe. Anson left them in order to travel to Egypt. This qualified him for the Egyptian Society and the Divan Society, the latter being a wild drinking-club of which Lord Dashwood and Lady Mary Wortley Montagu were avid members.

He was elected to the House of Commons for Lichfield in 1747, a seat he held until 1770.

In 1748 Anson was sent to Versailles by Lord Sandwich with secret correspondence for the Duc de Choiseul and Madame de Pompadour.

In 1762 he succeeded to the vast fortune of Spanish treasure amassed by his brother. 

This enabled him to further indulge his passion for architecture at Shugborough. 

Anson died unmarried in March 1773. 

The Anson estates were passed on to his nephew, George Adams, who assumed the surname of Anson and was ancestor of the Earls of Lichfield.