Sunday, 24 August 2025

Some 18th Century Monuments in All Souls College Chapel, Oxford - some notes and images.

 


Post under construction

Like many of my posts what started out as a brief look at the All Souls Chapel monuments morphed into a much wider investigation into the Sculpture and Architecture at All Souls.


For a very useful overview see -

https://www.asc.ox.ac.uk/sites/default/files/2024-07/AllSoulsCollegeChapelGuide.pdf


Here is not the place to go into the architectural developments at All Souls but there are many and various sources on line

For Talman at All Souls see -

https://georgiangroup.org.uk/wp-content/uploads/2021/02/GGJ_2008_08_FAIR_sec.pdf


A good place to start with the architecture is All Souls an Oxford College and its Buildings by Howard Colvin and JSG Simmons pub. Oxford University Press. 1989.

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The Mural Monument to Radclyffe Howard.

1768.

Suggested here as sculpted in the workshop of Robert Taylor (1714 - 88) at Spring Gardens, Charing Cross.

Former apprentice /assistant to Henry Cheere and later distinguished architect..


https://bathartandarchitecture.blogspot.com/2025/06/sir-robert-taylors-designs-for-church.html





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Facing one another across the outer chapel.

The monuments of the Architect George Clarke and Dodington Grevile (a Tory parliamentarian opposed to the extension of religious toleration who helped with funding).


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For some of the designs for funerary monuments by Henry Cheere see -

https://bathartandarchitecture.blogspot.com/2025/06/drawings-of-funeral-monuments-by-henry.html

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George Clarke.

One of the 24 Busts commissioned bny William Blackstone in 1749 and supplied by John Cheere in 1750.

The bust is probably based one of the various  portraits by or after Godfrey Kneller.

https://bathartandarchitecture.blogspot.com/2018/04/bust-of-george-clarke-codrington.html












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The Monument to George Clarke by Henry Cheere as reported in the Daily Post, 3 June 1738.






Dr George Clarke (1661 - 1736). 

Fellow of All Souls College. M.P. for the University of Oxford, Architect.

George Clarke (1661-1736), Fellow of All Souls from 1680 until his death, Tory politician - MP for Oxford in 1685, Winchelsea in 1702, and East Looe in 1705.

 Clarke returned to the House of Commons as MP for Oxford University at a by-election on 4 December 1717 following the death of William Whitelock.[3] He was re elected in 1722, 1727, and 1734, by which point he had lost his left eye and was losing sight in the other.

 An architect and collector, he held various offices under the Tories, including secretary at war to William III, before being appointed to the commission of the Admiralty in 1710. 

 He was also secretary to George, Prince of Denmark.  At the death of Queen Anne, however, he lost office. 

 Nonetheless, Clarke remained MP for Oxford University and he was able to indulge his architectural interests, playing a part in most of the University building projects of his time.

 He became the University’s leading authority on aesthetic matters, designed Oxford Almanacks, and was involved in all major building projects.

 He designed the Warden’s Lodgings at All Souls and completed Henry Aldrich’s designs for the Library at Christ Church; he worked with Hawksmoor and Thornhill at Queen’s College; and collaborated with Hawksmoor on the Codrington Library at All Souls. 

 He collected not just books, but also drawings and prints – all of which were left to Worcester on his death in 1736.

 He inherited books and papers from his father Sir William Clarke (Secretary at War to the Commonwealth and Charles II), collected books, manuscripts, prints, drawings, and paintings, and acquired most of Inigo Jones’s library.

 Disgusted by quarrels at All Souls, he left the bulk of his estate to the newly founded Worcester College, whose buildings he designed.


see my post - https://bathartandarchitecture.blogspot.com/2018/04/bust-of-george-clarke-codrington.html

















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Dodington Grevile (1679 - 1737) of Bulford, Wilts. a brief biography adapted from -

5th but 2nd surviving son of Fulke Greville, 5th Baron Brooke, and brother of Hon. Algernon, Hon. Francis and Hon. Robert Greville.  He was educated at Rugby School. 1694; Wadham, Oxf. 1697; All Souls, BA 1699, Fellow 1701, MA 1703; Middle Temple 1697.  he died unmarried.


At All Souls Greville’s intellectual abilities, assisted by gifts of venison to the high table, won him a fellowship in 1701. In 1705 he was encouraged to turn his attentions towards Parliament and, in partnership with his eldest brother Francis, defended the family interest at Warwick against a Whig threat. 

In a list of the 1705 Parliament he was classed as a ‘True Churchman’, probably on the basis of his brother Francis’ known High Churchmanship and previous vote in favour of the Tack. On 25 Oct. Dodington himself divided against the Court candidate for the Speakership and on 4 Dec. was teller with the Tory Member for Coventry, Sir Christopher Hales, 2nd Bt., against giving immediate consideration to proceedings of the Scottish parliament concerning a union of the two kingdoms. 

Subsequently, however, it is difficult to distinguish his recorded activity in the Journals from that of his brother Francis, though it is probably the latter, as the more experienced parliamentarian, who is represented in most Journal references. Dodington was classed as a Tory early in 1708, and before the 1710 general election was recorded as having voted against the impeachment of Dr Sacheverell. 

On the death of Lord Brooke in 1710 Greville inherited his estate and property at Twickenham, and also succeeded him in the recordership of Warwick.3

 

Greville was marked as a Tory in the ‘Hanover list’ of the 1710 Parliament and was subsequently listed among the ‘Tory patriots’ who in 1711 opposed the continuance of the war. Additionally, he featured as one of the ‘worthy patriots’ who in the first session of this Parliament exposed the mismanagements of the previous ministry. He was also a member of the October Club. In July 1712 he presented the corporation of Warwick’s address lauding the peace negotiations; he was introduced to the Queen on this occasion by the Duke of Beaufort, who had married Greville’s niece. On 18 June 1713 he voted for the French commerce bill, and was noted as a Tory in the Worsley list and two other analyses of the House compiled in 1715. The closeness of Greville’s association with the Beauforts is well illustrated by the Duke’s nomination of him in 1712 to act as a trustee and guardian over his two young sons in case Beaufort died before they reached majority. Within two years Greville was indeed called upon to fulfil these responsibilities, the Duke dying prematurely from drink in May 1714. Significantly, too, in July Greville was added to the commission of the peace for Monmouthshire, the heartland of the Beaufort political empire.

 

After the 1715 election Greville continued to serve for Warwick as a Tory until he stood down at George II’s accession. 


He died at his town house at Bath on 11 Mar. 1738 and was buried in the chapel of All Souls, to which he had been a generous benefactor. He left his considerable estate to his nephew Fulke (Greville), the bulk of it comprising property in Oxfordshire, Hampshire and Wiltshire. He also bequeathed £1,000 to the Society for the Propagation of the Gospel, to which he had been a subscribing member. 

His monumental inscription at All Souls recalled his virtues of character, intellectual resources and benevolence to the poor, and particularly emphasized that as a Member of Parliament he never pursued his own private interests but always those of his constituents, neither bought nor sold votes and was faithful to his country and the Church.


In 1716 Dodington Grevile paid £262 10s for Thornhil's decorations in the Chapel at All Souls.

In 1733 Dodington Grevile paid for the completion of the gateway  gateway on the West front at All Souls built in Hawksmoor's "Monastick Manner" which were not completed until 1734 with the help of Dodington Greviles  £750 given on the understanding that he would receive £30 per annum.



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The Monument to Doddington Greville.

c. 1737/8.

All Souls Chapel.

or Dodington Grevile (1678 –1737).

Here attributed to the Westminster workshop of Henry Cheere given the evidence of the superlative carving, the subtle use of the coloured marbles and the hairy paw foot to the Sarcophagus.

























The hairy Paw foot of the Sarcophagus is a signature detail of the larger scale funerary monuments of Henry Cheere. Variations can be seen on several Cheere monuments including.

The Bamber Monument - St Margaret of Antioch Church Barking. Essex.

https://bathartandarchitecture.blogspot.com/2019/04/bust-of-dr-john-bamber-by-roubiliac.html

The Thomas Winnington Monument - Stanford on Teme. Worc. 

https://bathartandarchitecture.blogspot.com/2024/11/thomas-winnington-roubiliac-at-stanford.html

and the monument to John Merrick at Norwood.












For more on Cheere and the use of the central urn see -

Arlingham. Glouc.

https://bathartandarchitecture.blogspot.com/2025/09/the-monument-by-henry-cheere-in-st-mary.html



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The Stone? Relief of Dodington Grevile.


https://artuk.org/discover/artworks/doddington-greville-16791738-275561/search/venue:all-souls-college-university-of-oxford-7507/page/5


This is perhaps the maquette for the marble relief on the West Front Gatehouse illustrated below.










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The Relief of Dodington Grevile on the Domed Tower of the West Front Gatehouse at All Souls.

The Relief is on the East side of the building facing into the Quad - there is a corresponding portrait relief on the west side of the building facing the Radcliffe Camera.

The corresponding relief on the East side is that of Archbishop Chichele (1364 - 1443)

see my post -

https://bathartandarchitecture.blogspot.com/2018/05/bust-of-henry-chichele-archbishop-of.html














All Souls North Quad, University of Oxford, looking west with the Radcliffe Camera beyond.

The marble relief of Dodington Grevile is beneath the dome on the ivy clad western gate house.

Image c. 1880 below from Francis Frith Collection. Syracuse University Art Museum.





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The Portrait Relief of Archbishop Chichele.

On the  Gate House West Front of All Souls College, Oxford.

Images below from the Art UK website.

https://artuk.org/discover/artworks/archbishop-henry-chichele-c-13621443-275560

The information on the website is very sparse - no size given 

They say 17th Century Stone - but this needs to be confirmed.

Having visited Oxford to view the bust of Lee at Christchurch it seems to me that this very weathered relief is the original marble from the West Front at All Souls which has been replaced with a rather inferior version (see below).










The original marble relief on the West front has been replaced.







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Nicholas Hawkmoor Drawing of February 1733/4.

The Cupola above the West Gate at All Souls

Photo: © The Warden and Fellows of All Souls College, Oxford. Terms of use: All rights reserved. Permission to reproduce images, including online.





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Some 18th Century images from the Water Colour World website - https://www.watercolourworld.org/


The  Hawksmoor West Front and Gatehouse.

1789.

Image courtesy V and A.












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All Souls College, St Mary’s Church, and the Radcliffe Camera (Design for the 1777 Oxford Almanack)




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Rowlandson





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The Mural Monument of Marow Knightly.

It is inscribed aged 20, died 1731.

Another monument which has all the hallmarks of an early production from the workshop at Westminster of Henry Cheere, but so far I have no evidence for this attribution.

The use of the coloured marble and the carved bracket supports and the shaped apron with putti which Cheere would adapt and develop on later monuments might strengthen this attribution.
























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The Mural Monument to Stephen and Elizabeth Niblett. 

c.1766.

It is attributed to Nicholas Read (d. 1787) apprentice of Roubiliac (1746).

Biographical Dictionary... Yale 2009 - refs Gunnis but gives no further info.

If not Read I would suggest perhaps William Tyler (d.1801) also an apprentice of  Roubiliac.

 It is the first and only memorial of a woman in the chapel - the unusual design is both bold and unique the unusual shape of the background - usually an obelisk was repeated albeit in a slightly different form on the monument to Henry Herbert, Lord Pembroke previously standing in the church at Wilton - the background has been removed, and also on the monument to Andrew Fountaine at Narford, Norfolk both by Roubiliac.

To the right of two lamps an academic gown is cast over a pile of books, all superbly sculpted in white marble. 

Niblett was elected Warden (head) of All Souls College, Oxford in 1726, a post he held until 1766. 

During his time as Warden of All Souls College, he was also Vice-Chancellor of Oxford University from 1735 until 1738.

The Nibletts lived in the warden’s lodgings for forty years and died within fifteen months of each other.



For reference - the Roubiliac Monument to Andrew Fountaine at Narford.



The original form of the Monument to Henry Herbert, Lord Pembroke in Wilton Church.



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Elizabeth Niblett. (d. 1765)

Anonymous portrait.

All Souls College, Oxford.

Inscribed on the back Stephen Niblett S.T.P. Coll. Omn. Anim. Custos Witts pinxit 1744.


https://artuk.org/discover/artworks/mrs-elizabeth-niblett-d-1765-221553





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Of Tangential interest.

The Gurnell Monument, St Mary's Church, Perivale.

Another monument from the workshop of Henry Cheere using the central urn.

It uses the typical shaped apron carved brackets and coloured marble veneer, in this case Convent Sienna.

John Gurnell, d.1748, aged 36 and his wife Ann [Harrison] Gurnell, d.1750 aged 38.

Merchant of Throckmorton St, City of  London and Anne daughter of John Harrison Lord of the Manor of Greenford Parva or Perivale.

John Gurnell was a member of the Gurnell banking family.

Image courtesy

http://www.speel.me.uk/chlondon/perivalech.htm












Tuesday, 12 August 2025

The Plaster Bust of the Poet Paul Whitehead at West Wycombe Park.

 

Post currently under construction.

Louis Francois Roubiliac (1703 - 62).

For the busts of Sir Francis Dashwood at West Wycombe here suggested as by Roubiliac given the evidence of the socle type used on two of these busts.

see my last post

https://bathartandarchitecture.blogspot.com/2025/08/three-busts-of-francis-dashwood-at-west.html


The Plaster Busts of the Poet / Satirist Paul Whitehead (1710 - 74).


Two versions of the Paul Whitehead bust were put up for sale in the sculptor's posthumous sale, 12-15 May, 1762, being lot 14 of the first day - a plaster bust and Lot 15 of the third day again in plaster.

A mould for these busts was also sold Lot 63, Day 2.

Paul Whitehead, Sir Francis Dashwood and John Wilkes (elected 1754) and William Hogarth were all members of the Sublime Society of Beefsteaks. (Membership limited to 24) -

All had their busts modelled by Roubiliac.

Paul Whitehead wrote the epitaph on the 1749 monument to the Duke of Argyle (d. 1743) in Westminster Abbey by Roubiliac.


The socle of this bust is the variation of the fairly standard square plan tapering version used in England throughout the mid 18th Century, but with the circular Dassier type medallion on the front as seen in the Roubiliac busts of Sir Andrew Fountaine of 1747 (Wilton House and Narford Church, Norfolk), the marble bust of the Countess of Pembroke of c. 1750 (Wilton House), the marble bust of Henry 9th Earl of Pembroke (Wilton House), the bust of Martin Folkes (Wilton House) the Marble bust of Lady Grissel Baillie inscribed 1746 (at Mellerstain House) and the marble bust of Lady Murray 1747 (also at Mellerstain) and the drawing of the bust of Lord Ligonier by Nollekens at the Harris Museum and art Gallery.

These round panels also appear on the reverse side of several medallions by the Swiss Jaques Antoine Dassier (1715 - 59).

 Jaques Antoine Dassier had come to England in 1741 where he had assumed the position of third engraver to the Royal Mint (April 1741). He had issues a prospectus reported in the press both in England and abroad for 13 medals (only 12 were produced) in 1741.

 

It has been suggested by Eisler (in The Medals of the Dassiers of Geneva / Les médailles des Dassier de Genève pub 2010) that the medallions were modelled in wax in England and struck in Geneva. This might suggest a link between the Gossets and the Dassiers.

For an in depth look at the Dassier Medallions see -

https://bathartandarchitecture.blogspot.com/2015/10/jacques-antoine-dassier-16-medallions.html

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I have in previous posts looked in some depth the types of socles used by Roubiliac - see my previous post on the busts of Sir Francis Dashwood at West Wycombe Park.

https://bathartandarchitecture.blogspot.com/2025/08/three-busts-of-francis-dashwood-at-west.html

and a brief look at the Roubiliac Socles on the Wilton House busts with detailed photographs see.

https://bathartandarchitecture.blogspot.com/2024/09/the-socles-on-busts-by-roubiliac-at.html

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The Nollekens Drawing of the bust of Lord Ligonier probably at the posthumous sale of Roubiliac in May 1762at the Harris Museum and Art Gallery, Preston, Lancs. Illustrating the use of the Dassier type medallion on the socle.




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For my first post on the 18th Century Portrait Busts at West Wycombe see - 

I think I've improved since this early post!

https://bathartandarchitecture.blogspot.com/2015/07/frederick-louis-of-wales-1707-51.html


I am very grateful to Sir Edward Dashwood of West Wycombe for allowing me the opportunity to visit West Wycombe in July 2015 and to photograph the sculpture.
































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The Plaster Bust of Paul Whitehead- sold Christie's, London, Lot 142, 4 July 1989.
with the more typical socle of the mid 18th Century.

The image below courtesy the Paul Mellon Photographic Archive.







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The Secrets of the Convent

Engraving by Matthias Darly. 1765.

Image courtesy British Museum.

https://www.britishmuseum.org/collection/object/P_1868-0808-4373


A satire on Francis Dashwood's patronage of Paul Whitehead, and on the "Monks of Medmenham". Both men shown dressed as monks. 

Dashwood offers a chalice to a version of the statue of  the Capitoline Venus Pudica, "Mater Omnium Sanctorum" while Whitehead approaches holding his book "Manners", an anti-Walpole satire published in 1739, and "The History of St Hubert"; on the floor, at right, lies an open book letterd "By Ovid mongst many more wonders / Hymns / A Soldie[r] & A Sail[or] / A Tink[er] / & a Taylo"; the verse below refers to Whithead's appointment as deputy wardrobe keeper to the king, and to Lord Bute's influence.

Whitehouse was secretary and steward of the "Order of St Francis"; in 1761 Dashwood had procured for him the post of Secretary to the Treasurer of the Chamber, said to have been worth £800 a year. 

Stephens quotes an advertisement for the print in the Public Advertiser, 22 January 1763; the price is 6d. and publication details are given as "Matt. Darly at the Acorn in Ryder's Court, near Leicester Fields". 

According to Patrick Woodland (ODNB) this print was the first to expose the libidinous activities of Dashwood's "Monks of Medmenham".

Note - Versions of the Venus Pudica had been available in England since the 17th century includina full size bronze by Hubert le Sueur.

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The Marble Bust of Martin Folkes at Wilton House showing the Dassier type medallion on the socle.

with the date of 1759.




For more on the busts at Wilton House and their variants see -

https://bathartandarchitecture.blogspot.com/2024/09/the-socles-on-busts-by-roubiliac-at.html


The Plaster Bust of  Henry Herbert, Earl of Pembroke in the Library at Wilton House

It again utilises the Socle with Dassier type Medallion as used on the marble at Wilton House.

The same type socle is used on the marble bust in the Cloister at Wilton - I was unable to photograph it on my visit to Wilton as the side of the Socle with the Dassier type medallion has been turned to face the wall.

I am very grateful to Malcolm Baker for supplying me with this image.





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The Mellerstain House Marble Busts of Lady Grissel Baillie (1745 - 47

and Lady Murray which utilize the socle with the Dassier Medallion.

The terracottas of these two busts at Tyninghame have the plain square section waisted socle.

They are niches in the Library designed by Robert Adam (1770 - 75)


Lady Grissel Baillie.

Daughter of 1st Earl of Marchmont and Grandmother of Grizel, Countess Stanhope. 1745.







Lady Murray.

Louis Francois Roubiliac.

The Marble Bust.

Inscribed 1746.

Image courtesy Art UK website.




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Of tangential interest ....

The plaster bust of  Lady Murray at Mellerstain.

Presumably cast from the terracotta at Tyninghame House illustrated with very old photographs below.

I have tried several times to locate the pair of terracottas but have so far been unsuccessful.



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The Tyningham, Terracotta Busts.









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For the wax portrait reliefs by Isaac Gossett (1713 -99) see -

My first post on the subject -

https://bathartandarchitecture.blogspot.com/2016/06/group-of-wax-portrait-reliefs-of.html

and a much more in depth look at my return to the subject

https://bathartandarchitecture.blogspot.com/2025/02/wax-portraits-by-isaac-gosset-missing.html