Tuesday, 20 August 2024

Portrait Sculpture at Wilton House, Part 5. Martin Folkes.




 Post under construction.

 Portrait Sculpture at Wilton House, No 5. 


I am very grateful to the 18th Earl and Countess of Pembroke for allowing me to visit Wilton House with my camera and giving me free access to the sculptures outside visiting hours.

I am also very grateful to all the staff at Wilton, Charlotte Spender, Sandie Buxcie, and in particular the House Manager Nigel Bailey and all at Wilton who made me feel most welcome.



The Marble Bust of Martin Folkes (1690 - 1754.

Louis Francois Roubiliac.

1749.

This marble bust has always been paired with the marble bust of Sir Andrew Fountaine also at Wilton.


































 
































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Martin Folkes FRS, PSA ( 1690 -1754).

The Plaster Bust

British Museum.

Height 66.5 cms.

https://www.britishmuseum.org/collection/object/H_1762-0528-12


Plaster bust, purchased by Matthew Maty at The Posthumous Roubiliac Sale by Langford at St Martins Lane lot 10, 4th day. and presented to the British Museum.


The Twelve Busts at the British Museum by Roubiliac.

Bought by Dr Matthew Maty at the Four Day posthumous auction sale 12 - 15 May 1762 of the contents of the studio of Louis Francois Roubiliac at 66 St Martins Lane, Westminster held by Messrs Langford's of the Piazza Covent Garden on the premises at 66 St Martin's Lane  and presented to the British Museum in 1762.

 

Aileen Dawson has written extensively on the British Museum Collection of 18th, 19th and 20th century Portrait Busts.

 

see - Dawson, Aileen, Portrait Sculpture, a catalogue of the British Museum collection, c. 1675-1975, London, BMP, 1999.


see my post - Bath, Art and Architecture: 12 busts by Roubiliac in the British Museum. (bathartandarchitecture.blogspot.com)


A major difference is in the delineation of the eyes - those on the marble are blank - this suggests that the plaster was moulded directly from the missing terracotta.

Unfortunately the current photographs available from the British Museum  website are very old black and white studio snaps. I will endeavour to obtain better photographs in due course.















































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Martin Folkes.

The Earliest Known Portrait.

Jonathan Richardson the Elder (1667 - 1745).

76 x 43 cm

1718.

at the Society of Antiquaries since 1999.











Mezzotint.

339 x 247 mm

John Smith (1652 - 1743) after Richardson 

1719.




Smith - Lion and Crown in Russell Street. Covent Garden.












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Marrtin Folkes.

Mezzotint by John Faber.

After J Vanderbank.

1737.


Lettered below the image with the title, and "J. Vanderbank pinxt. 1736, / I. Faber Fecit 1737, / Sold by I Faber at the Golden Head in Bloomsbury Square". 


355 x 253 mm. British Museum.

NB. Bust of Isaac Newton on the wall Bracket behind.

In the Catalogue at the Welcome Library of the sale of the collection of Martin Folkes, FRS by Langford's of the Piazza Covent Garden, 7 and 8th May 1755, under Plaister figures, 7th May lot 4, a large bust of the earl of Pembroke, on a painted deal term, lot 5 ditto of Sir Isaac Newton on a ditto.

 If the plaster bust in the sale is the same one as illustrated in the Faber engraving and is by Roubiliac which seems the most likely then it is the earliest representation of the Roubiliac busts of Newton and probably the earliest illustration of a Roubiliac bust.

Along with the marble bust of Folkes there is also a marble bust of the 9th Earl of Pembroke by Roubiliac at Wilton; and there was  also a plaster bust of Newton now missing.

For more on the British Museum bust of Martin Folkes, the iconography of Martin Folkes and the other busts bought by Matthew Maty at the posthumous Roubiliac studio sale by Langfords of 1762 and presented to the British Museum see -

 

http://bathartandarchitecture.blogspot.co.uk/2015/05/the-twelve-busts-boughtby-dr-matthew.html






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Martin Folkes.

Jonathan Richardson the Elder.

Graphite on Vellum

179 x 134 mm.

1735.

Verso: dated by the artist in graphite: "18 Dec.1735.", inscribed "Martin Folkes Esqr" and by Jonathan Richardson II in graphite: "Aft.[erwards] Presidt of the Royal Society".

 Inscribed on Richardson's mount in pen, and on backing sheet by Horace Walpole, with the identification of the sitter








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Martin Folkes.

John Vanderbank (1694 - 1739).

127 x 102 cms.

Private Collection.










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Martin Folkes

1741 - 53.

Mezzotint by James McArdell (1729 - 65).

after Thomas Hudson.

357 x 253 mm





James McArdell (Dublin born) was at the Golden Head, Henrietta Street, Covent Garden from about 1746.

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Martin Folkes.

William Hogarth.

73.5 x 62 cms.


Presented by the sitter in 1742.






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Martin Folkes.


Painted and engraved by William Hogarth (1697 - 1764).

1741.

317 x 233 mm.



An excellent Mezzotint of this portrait was made by John Faber of the Golden Head in Bloomsbury Square in 1742.





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Bronze Medallion of Martin Folkes.

Jacques-Antoine Dassier (1715 - 59).

1740.

Victoria and Albert Museum.














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Martin Folkes.

The Medallion struck in Rome

c. 1730's?

Folkes was in Rome 1733 - 35 "with his wife and daughters, dog, cat, parrot and monkey" (Stukely).

Whilst on the road from Narni to Rome they family lost the "Dutch dog" - Folkes confessed  (it) "has given me far more uneasiness than I think such a sort of thing should"  - the dog was returned a few hours after their arrival in Rome on the 31 October 1733









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Folkes is buried in Hillington Church, Norfolk.

His memorial of 1788 is in south aisle of the choir of Westminster Abbey.


The memorial is signed - designed  William Tyler (c.1728 - 1801) who was an apprentice of Roubiliac and sculpted by Robert Ashton (d. 1805). Ashton had his workshop in Vine Street, Piccadilly possible tat previously occupied by Scheemakers

His mural memorial to Sir John Cust (d.1770) at Belton is an excellent example of the work of Tyler.

William Tyler R.A. was one of three sculptors, along with Joseph Wilton (1722 – 1803) and Agostino Carlini (c.1718 – 1790), who were Founder Members of the Royal Academy in 1768. He exhibited at the Academy between 1769 and 1800.








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Born on 29th October 1690 in London, a son of Martin Folkes (d.1705) and his wife Dorothy (Hovell).

He was educated privately and at Clare Hall, Cambridge (matriculated 1709); MA (Com. Reg. 1717); Saumur; Oxford DCL (1746); Incorporated at Cambridge (1747)


He never had the need to earn his own living as he inherited a great deal of money from his father. 



When he was quite young he became Vice President of the Royal Society, 1723 and served under its President Sir Isaac Newton. He succeeded Hans Sloane as president in  1741.

He was a Fellow of the Society for Antiquaries (1720, President 1750-1754).

In 1739 he was elected one of the founding vice-presidents of London's charitable Foundling Hospital for abandoned children, a position he maintained until 1747.


Folkes was a prominent Freemason, being appointed Deputy Grand Master of the Premier Grand Lodge of England during the year 1724–1725.

for a brief look at Folkes and Freemasonry see - https://www.1723constitutions.com/the-context/the-enlightenment/martin-folkes-prs/


In 1714 he married the actress Lucretia Bradshaw and they had one son Martin who died in 1740 and two daughters Dorothy and Lucretia.

Folkes’s book, the Tables of English Silver and Gold Coins (1763) was the first attempt to compile a work recording English coinage.


He travelled to Italy with his family (1733-1735) and to Paris (1739); died of a paralytic attack; 

he left £200 and his seal ring to the Royal Society; the sale of his library, prints, drawings, gems, pictures, coins, etc lasted 56 days; 

Memberships:

French Academy (1742); Fellow of the Society for Antiquaries (1720, President 1750-1754); Spalding Society; Acadmie Royale des Sciences, Paris (Foreign Fellow, 1742)





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