Tuesday, 15 May 2018

Statue of Christopher Codrington by Henry Cheere, Codrington Library All Souls, Oxford




The Portrait Sculpture in The Codrington Library. 

at All Souls College, Oxford University.

Part 29.

Sir Christopher Codrington (1668 - 1710).
Full length Marble Statue.
Signed by Henry Cheere.
Erected in 1734.



https://archive.org/stream/b22652061_0002#page/186/mode/2up





















































All photographs above taken by the author.


Christopher Codrington (1668–1710)


Christopher Codrington.
Attrib. James Thornhill (1675/6 - 1734).
Oil on canvas.
127 x 99 cms

All Souls College, Oxford.


Image courtesy Art U.K.

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Christopher Codrington (1668–1710)


Christopher Codrington.

Attrib. James Thornhill (1675/6 - 1734).
Copy after?
Oil on canvas 76.1 x 63.5 cms

All Souls College, Oxford.

Image courtesy Art UK.


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Christopher Codrington (1668–1710)


Christopher Codrington.

Attrib. James Thornhill (1675/6 - 1734).
Oil on canvas.
237.5 x 151.5 cms

All Souls College, Oxford.
Gifted to the College by Nathaniel Lloyd.

Image courtesy Art UK.


Monday, 14 May 2018

Nicholas Hawksmoor and Giles Bennett - busts at the Codrington Library, All Souls College, Oxford.


Updated 8 Feb. 2021.

The Portrait Sculpture in The Codrington Library. 

at All Souls College, Oxford University.

Part 28.

Nicholas Hawksmoor (1661 - 1736).


Bronzed Plaster Bust.

Here attributed to Louis Francois Roubiliac.


(Currently with no documentary evidence).


With grateful thanks to Gaye Morgan, Chief Librarian and Conservator at the Codrington, All Souls Oxford for making this entry possible.

It appears that there is another bust - perhaps by the same hand and inscribed Giles Bennett, / Manciple  1736 that was in The Buttery at All Souls in 1925, but I have not yet had the opportunity to closely inspect it on my visits (see below).

Mrs Webb suggests that they were both made by Henry Cheere in about 1736.


see Poole. vol II, 1925.

https://archive.org/stream/b22652061_0002#page/190/mode/2up

I say Roubiliac at least for the Hawksmoor bust.

For refs to manciple Giles Bennett see -


Both of these busts are noted as at All Souls (Bennett in the Buttery) in A History of the University of Oxford Including the Lives of the Founders ...  By Alexander Chalmers pub.1810. 




















The Bust of Giles Bennett in the Buttery at All Souls, Oxford.

Height 53.3 cms

dated on the support 1737.


This bust has in the past again been attributed to Henry Cheere but I remain unconvinced.

Image below from art uk website -









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The Plaster bust of  Nicholas Hawksmoor.

All Souls College, Oxford.

Photographs taken by the Author.






















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The Roubiliac  Hawksmoor and Wither Busts Compared.




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The William Wither Monument.




Monument to William Wither. d.1732.

Wootton St Lawrence Church, Hampshire.

Bust with very similar drapery to that on the bust of Hawksmoor .

The church was rebuilt in 1863.

see Roubiliac and Cheere .... Malcolm Baker in the Journal of the Church Monuments Society Vol X 1995.





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Nicholas Hawksmoor, after a bust attributed to Sir Henry Cheere, 1st Bt, 1962, based on a work of 1736 - NPG 4261 - © National Portrait Gallery, London



Nicholas Hawksmoor.

Bronze .

1962

546 mm wide.

A modern cast taken from the original plaster at All Souls, Oxford.

Cast by the Morris Singer Foundry.

Given to the NPG by the Warden and Fellows of All Souls in 1962.

Image Courtesy National Portrait Gallery.

If it were up to me I would replace the socle with a smaller and less clumsy and insensitive version as in the black and white photograph above.

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The Busts on the Monuments of Thomas Missing and Charles Gounter Nichol.

Here again the two busts use the same drapery.

Shown here for comparison.

Two busts which have been attributed to Henry Cheere but are probably by Roubiliac.


The reuse of the drapery in further busts by using some sort of pointing machine seems to be a practised that was only used by Roubiliac.




..................

 Thomas Missing.

Marble Bust on the Monument.

Probably Louis Francois Roubiliac.

Holy Rood Church, Crofton and Stubbington, Hampshire.

Formerly Crofton.

1738.


Thomas Missing built the south transept in 1725 to accommodate his family pews and mausoleum. He was MP for Southampton and the merchant responsible for victualling Gibraltar. He was presumably responsible for the shaped gable and segmental windows to the south transept shown in a mid C19 illustration in the National Monuments Record.




Noted in the London Magazine of November, 1738.

Thomas Missing, a Portsmouth merchant whose parentage has not been ascertained, was made a freeman and alderman there in January 1711. 

In March 1715 he obtained a lucrative contract for victualling the garrison at Gibraltar, which he held till his death. Five years later he was given similar contracts for troops in Nova Scotia and Newfoundland. Returned, presumably as a Whig, for Southampton in 1722, he was defeated in 1727. 

In September 1728 he proposed to the board of Trade that ‘as he hath a correspondence that way and hath with reputation carried over a great many to America’, he should be engaged to transport yearly a number of Protestant Palatines to Carolina ‘and victual them till they can support themselves’.3 

He died 6 July 1733.


Whilst the link is tenuous, the son of Thomas Missing another Thomas, was married to Anne Streatfield daughter of Henry Streatfield whose bust by Roubiliac is in the Mausoleum at Chiddingstone in Kent.


see - http://bathartandarchitecture.blogspot.com/2015/07/jonathan-tyers-and-his-bust-by-roubiliac.html


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The Gounter Nicoll Monument, Racton, Sussex.

c.1733/4.

The monument probably made in the workshop of Henry Cheere, the bust by Roubiliac.








The 18c memorial inscription reads

Here be the Remains  /  Of the Honourable Sr. CHARLES GOUNTER NICOLL  /  Knight of the most Honourable Order of the Bath;  /  Descended from a long Train of Ancestors  / Fam’d for their Religion, Loyalty and Virtue,  /   He had all the Qualifications  /  Of a compleat and accomplishe’d Gentleman, /  Amiable in his Person,  /  Gracefull in his Address. /  In Private,  /  He was easy, affable, condescending’  /  In Publick,  /  He was steady, uniform consistent;  /  Favour’d by this Prince,  /  And a Friend to his Country.  /  In this distinguish’d Situation, /  Esteem’d, belov’d and honour’d, /  He died the 24th Day of November 1733  /  In the 30th Year of his Age.

 

ELIZABETH, his belov’d Wife  /  Daughter and Heiress of WILIAM BLUNDEN Esqr.  /  (By whom He left two Daughters  /  ELIZABETH and FRANCES-CATHERINE)  /  Erected this to his Memory.


These images and words from



I will return to this subject once things become clearer and I can obtain better images.



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Friday, 11 May 2018

Sir William Blackstone statue by John Bacon Snr, Codrington Library.




The Portrait Sculpture in The Codrington Library. 

at All Souls College, Oxford University.

Part 27. 

The Life Size Marble Statue 
of Sir William Blackstone (1723 - 1780).

by John Bacon Senior (1740 - 99).

Blackstone's Formulation  - "It is better that 10 guilty persons escape than one innocent suffer"

He wrote the massive 'Commentaries on the Laws of England' in 1765. The statue depicts him holding this work.

Made a Fellow of All Souls in 1743.
M.P. for Hindon, Wiltshire

For a short biography see - http://www.wikiwand.com/en/William_Blackstone

Commissioned in 1780, the Statue cost £539.

Put up in the Vestibule and then in the Anti chapel
It was moved into its present position in the Library in 1873.

Blackstone was the principal force behind the completion of the Codrington Library, work on which had stalled before he became Bursar in 1747.

He succeeded in using Nicholas Hawksmore's plan of uniting the Baroque Gothic Exterior with a Neo Classical Interior. He was responsible for employing Thomas Roberts the best plasterer in Oxford at the time to  complete the stucco works, and Robert Taney to finish the shelving.

For much more on the architectural programs at All Souls see -

All Souls...... The Chichele Lectures - Howard Colvin and J.S.G.Simmons pub. Oxford, 1989.

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For John Bacon Senior see - the Doctoral Thesis of 2007 of  Sarah Burnage of York University where she makes much of the early inspiration of Bacon by Roubiliac

http://etheses.whiterose.ac.uk/14231/1/639415.pdf

It seems that she unable was unable to include the statue of William Blackstone in this work.


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William Blackston by John Bacon Senior.

Usually I try and refrain making value judgements on the works illustrated in this blog, but in this case I have to say that this statue should be considered one of Bacon's masterpieces. The photographs (below) taken by the author hopefully illustrate my opinion. All images are fairly high resolution and large format.






































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Sir William Blackstone
Long attributed to Joshua Reynolds but now thought to be by a lesser hand

c. 1755


Provenance Philip Goode (b. 1782), solicitor of Howland Street, London, by 1858;1 he bequeathed his ‘original portrait of Sir William Blackstone by Sir Joshua Reynolds’ to his wife and thence to his younger son; sold by order of Chancery [Joseph v. Goode etc], Furber, Price & Furber, 22 October 1873 (‘valuable portrait of Judge Blackstone painted by Sir Joshua Reynolds’); Price & Furber, sold Christie’s, 31 January 1874, lot 300; purchased from Graves, March 1874.


1 The sitter’s grandson, William Blackstone (1810-81), had sold the Gainsborough portrait in 1835, see M. Davies, National Gallery Catalogues, The British School, 1946, p 62; NPG 388 was possibly sold by the family at the same time.

This description from the NPG website


National Portrait Gallery
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Sir William Blackstone (1723–1780)


Sir William Blackstone.
Tilley Kettle.
Oil on Canvas.
125 x 99 cms.

Gift of the Vinerian Professors and Scholars 1781.

Bodleian Library

Image from Art UK.



Sir William Blackstone (1723–1780)


Sir William Blackstone
Oil on Canvas
76 x 63 cms.
St Peter's College 
Oxford.

Image from Art UK


Sir William Blackstone (1723–1780)


William Blackstone

Copy after the Gainsborough original in the Tate Gallery.

Oil on Canvas 75 x 66.2 cms
All Souls College.


Image from Art UK.

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Portrait after Gainsborough (Waterhouse 67), seated half-length to right in an oval frame on plinth, wearing wig, robes and bands and holding papers in his hand; proof before date added.  1775 Etching and engraving

Sir William Blackstone
Engraved by J Hall after Gainsborough.

222 x 158 cms,
1775
British Museum.

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Portrait of Sir William Blackstone after Gainsborough (Waterhouse 67), seated half-length to left, wearing wig, robes and bands and holding papers in his hand, in square frame with cherubs, shield, ornaments, classical medals below; publication line cut off?  1778 Engraving with etching
Sir William Blackstone
Engraving after the Gainsborough Portrait of 1774.

183 x 125 mm
1777.

British Museum.


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Of tangential interest, for Blackstone and Wine at All Souls see


http://oxoniensia.org/volumes/1969/haslam.pdf


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Thursday, 10 May 2018

The Urns by John Cheere in the Codrington Library, All Souls, Oxford.




The Codrington Library Sculpture.

Part 26.  


The 24 Plaster Busts Portrait Busts by John Cheere


   The 25 Plaster Urns.

All Souls College, Oxford University.


On 17 Jan 1750 (Recorded in  Acta in Capitulis - All Souls Records, ), twenty-five bronze vases and twenty-four bronze 'bustoes' of college worthies were ordered from John Cheere to decorate the top of the library shelves.







The Stucco decoration supplied by Mr Roberts who also supplied the ceiling decorations which were removed in the 19th Century.














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There are 7 more of these urns at Lydiard Tregoze House, Wiltshire, 

confirming the attribution of the busts there to John Cheere.

Supplied 1743.

 H 47 x W 25 x D 25 cm.









Sir John Mason bust by John Cheere Codrington Library, All Souls, Oxford




The Codrington Library 24 Plaster Busts by John Cheere

All Souls College, Oxford University.

Part 25. Sir John Mason (1503 - 66).

First Lay Chancellor of the University of Oxford 1552 -56 and 1559 - 64.

MP for Reading 1547.

For a useful biog. from Dictionary of National Biography 1909 see -
http://www.luminarium.org/encyclopedia/mason.htm

For a good general history of All Souls see - 

All Souls College by C.Grant Robertson 1899.

available on line and easily searchable.

https://archive.org/stream/allsoulscollege01robe#page/n9/mode/2up


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Sir John Mason (1503–1566).jpg


Posthumous portrait of Sir John Mason

attrib. Samson Strong.

Oil on Panel.

88.8 x 71.2 cms

Commissioned by the Governors in 1607.

Christs Hospital, Abingdon.

The Cheere bust below is obviously derived from this portrait.

I can find no other contemporary or 18th century images of Sir John Mason.


























Tomb of John Mason; a wall monument of an inscribed tablet, with a tall base and tall entablature, containing a coat of arms with mantle, helm, and crest of a mermaid holding a mirror; two cartouches at top, on the left with coat of arms, and on right inscription in memory of John Mason; illustration to William Dugdale's 'History of St Paul's' (London, 1658 ed.)  Etching



Monument to Sir John Mason.

St Paul's Cathedral.


Image British Museum.