Saturday, 5 July 2025

The Three Graces - A Monument in Gillingham Dorset.

 


The Dirdoe Monument.

Approx 18 ft tall.

Frances Dirdoe, who died at 33 in 1733, standing between her sisters Rebecca and Rachel. She was the youngest of 15 children, and was the last of her family.

Frances Dirdoe d. 1733.

Probably by the Bastards of Blandford.

Perhaps John Bastard I (1687 - 1770).



The Monument has for some obscure reason been attributed to brothers Richard (1736 - 1813) or Francis Lancashire of Bath (fl 1770 - 1829) but stylistically it is much earlier and it cannot be accepted.

For a useful look at Bath Marble Masons see -

https://historyofbath.org/images/documents/PROCEEDINGS%2008%202019-20.pdf


























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Monument to Henry Dirdoe (1647-1724) in St Mary's Church, Gillingham, Dorset. 

By John Bastard of Blandford. Large, with three putto-heads at the top below a curved pediment. Inscription (translated from Latin): 'Here lies what is left of Henry Dirdoe, esquire, the last male descendant of his family, highly respected and long resident in this parish; who took in marriage, Dorothy, the only daughter and heiress of Roger White, a rich merchant and gentleman of Sherborne in this county and by her he begat five sons, Henry, John, Christopher, James and Edward, the last died in infancy, the rest, apart from John, all bachelors, died before their father without offspring and are buried near him except John whose remains the City of London received; and ten daughters, Dorothy, Sarah, Mary, Ann, Elizabeth, Catherine, Rebecca, Jane, Rachel and Frances who suvived him. Departed this life on the 18th May, 1724. Aged 77. Then his wife succumbed to fate on Oct. 21st 1727, aged 70, and is also buried here. This memorial tablet was erected by their daughters Mary and Catherine who their mother had appointed executors of her will. Arms: arms of Dirdoe of Milton-on-Stour (The Manor House, now "The Old House") (Argent, a chevron between three cranes/herons sable) (?, not listed in Burke's General Armory) quartering White (Gules, three crossess bottony in bend argent).


























Friday, 4 July 2025

The Statue of Aeneas and Anchises at Glendon, nr Kettering, Northamptonshire.

 



Aeneas and Anchises and Hercules and Cacus.

Attributed to Andreas Kearne.

Originally at Boughton, Northamptonshire.

A good reason for posting here is so that there is no confusion with other versions of these statues.
Glendon Hall has now been divided into four apartments.

It is currently not clear to me whether the statues are still in situ.



.....................

Andrew Kearne, seems likely to have been the sculptor at Lamport, Northamptonshire. He is known to have been working at Lamport when a chimneypiece was carved, with Vertue recording that he “carv’d many Statues for Sr Justinian Isum” at Lamport.


 

Vertue, MS 23.069, in “Vertue I”, 98. He is further recorded as being a competent sculptor in stone, and brother-in-law to Nicholas Stone. 

He created the lioness for the York Watergate (see below), and also a chimneypiece for Castle Ashby, not far from Lamport. Mark Girouard, A Biographical Dictionary of English Architecture 1540 – 1640, (London: Paul Mellon Centre for Studies in British Art, 2021), 188, 285. 

See also BDS, 683; Spiers, “Nicholas Stone”, 31. 



info above from -



......................

Aeneas and Anchises.

The Statue is perhaps loosely based on an engraving by Agostino Cerracci after Barocci (1595).
or less likely Gerard Audran (1640 - 1703). both engravings depict a bearded Aeneas wearing an helmet 

But the face of Aeneas possibly represents Charles I .

Image below from Country Life? November 1922.







I have lifted the text below from Northamptonshire Past and Present. 1977.

https://www.northamptonshirerecordsociety.org.uk/pdf/npp/volume-5/npp-v5-n5.pdf



The Development of Tudor and Stuart Garden Design in Northamptonshire.

J. M. Steane

Boughton. (SP896814) This is probably the finest formal garden layout in England. The original scheme was carried out by Ralph Montagu, the first Duke, between 1684 and 1709 and then it was modified and extended by his son, John, second Duke, appropriately called "the Planter" in the 1720s, 30s and 40s. 

It had survived to such a remarkable extent largely because no one spent much time at Boughton between 1750 and 1900. 

The inspiration was mainly French (vistas, parterres, fountains) with a strong dash of Dutch (canals). Ralph Montagu had 'been Charles II's ambassador at the courts of Versailles and St. Cloud, and doubtless this was where he "formed the ideas in his own mind, both of buildings and Gardening". 

With the aid of his gardener, a Dutchman called Van de Meulen, and money from the dowries of two of the richest women of the kingdom, Ralph laid out over a hundred acres in the pattern of Le Notre: branching radial avenues, water in straight geometric canals, parterres, a cascade, ponds and fountains. 

As early as 1694 Charles Hatton wrote, "Here is great talk of vast gardens at Boughton: but I heardmy lord Montagu is very much concerned that ye water with wch he hoped to make so finefountains hath failed his expectations". There were two sources of water for the fountains. The highest pool which still survives South of the house, the Lily Pond, was fed from Warkton and provided a piped supply of water to the four fountains in the parterre seen in Stukely's plan and to those in the three pools at the West end shown on Delahaye's detailed survey of 1712 and Brasier's survey of 1715. 

The other source of water was a spring to the North-east of the house and a water course from Boughton wood: the former filled the Grand Etang, a rectangular earthen basin now dry and grassed over, which supplied the three fountain pools in the long garden to the North of the parterre. The latter flowed into the Dead Reach, a long arm which was dug from the river Ise to a point below the Grand Etang.

Morton, in his description published in 1712, mentions "below the Western front of the House ... three more remarkable Parterres: the Parterre of Statues, the Parterre of Basins, and the Water Parterre: wherein is an octagon basin whose circumference is 216 yards, which in the middle of it has a jet d'eau whose height is above 80 feet, surrounded by other jet d'eaux. 

On the North side of the Parterre Garden is a small wilderness which is called the "Wilderness of Apartments", an exceeding delightful place and nobly adorned with basins, jet d'eaux, statues, withthe platanus, lime tree, beech, bays, etc., all in exquisite form and order". 47 

The river Ise itself was canalised to frame the West end of the parterres. A right angle was dug taking the canalised river parallel with the Western approach avenue; at the corner was a short arm known as the Boat Reach. 

A further right angle led the river South of the Wilderness to the Cascade. Here the water was stepped down the cascade into the Starpond. 

In 1974/5 the sluice was renewed at this point, the water level of the Ise raised and the Star pond re-excavated. An elm sill was found at the top of the cascade. The stone cascade steps and surrounds of the pond were exposed.

A ceramic spigot, possibly one of the fountain spouts, and a number of elm pipes also came to light.


Lord Halifax wrote from Bushey Park in 1710 "I desire you would write to Boughton to Monsr Vandermulen to send me an exact account of the cascade, viz., how many feet the water falls, the dimensions of the steps, the breadth of each step, the distance from step to step, and, if he can, to make such a draft of the whole, by a scale, as we may follow the example as far our ·ground admits of it". 

Morton mentions that "to the Southward of the lower part of the Parterre Garden is a large wilderness of a different figure, having ten equidistant walks concentrating in a round area, and adorned also with statues. 

In one of the Quarters is a fine Pheasantery. The larger trees upon the side of the walks have eglantine and woodbine climbing up and clasping about the bodies of them". A number of minor water ways crisscross, creating islands which seem to have formed osier beds. In winter these can still be traced in the standing water of the partially flooded field.

The elaborately planted and ornamented parterres which figured on Stukeley's Westward view from the house of 1706 and the long garden by the side of the Dead·Reach were swept away by the second Duke in the 1720s. 

The Broad Water, a great rectangular pond about 200 metres East-west and 160 metres North-south, was dug and now occupied the space of the lower parterre with three fountains. The mount was built by William White from the upcast. This has ramped sides and is 70 metres by 75 metres at the base and 43 metres at the top. 

Stukely designed a mausoleum to be placed on the top in 1742. This was never carried out.

The gardens were adorned in both phases of construction with statues. Thomas Drew, one of the masons, set up pedestals in the figure garden and the octagon. In the inventory made in 1709, the year of Ralph Montagu's death, there were listed 10 lead statues, 7 marble statues and 14 large vases. There are only two left now, probably those shown on Stukeley's drawing of 1706.

In the garden by the pool at Glendon Hall are two groups on impressive pedestals which came from Boughton, probably brought by the Booths who were the agents at Boughton in the 18thand 19th centuries. 

They are Aeneas and Anchises, Hercules and Cacus, attributed to Andreas Kearne.by Rupert Gunnis

The second Duke seems to have directed operations in the first years, helped by Booth theagent, Joseph Burgis who was paid £250 a year for looking after the gardens, William White and George Nunns, the Kettering surveyor. In the late 1720s Bridgeman was employed and a bird's eye view attributed to him is found in the Gough volume in the Bodleian library with Bridgeman's plans. 

One of the Duke's undated letters to Booth says "I wish you could get Mr. Bridgerhan to go down with you to see the ground of the Parke in order to see the scheme I proposed" .


J. M. STEANE.


Note -48 Report on the MSS of the Duke of Buccleuch at Montagu House, Hist. MSS Comm., vol. 1, 1899,


............................


The York Watergate. Westminster.

An unfinished proposal

 a design by Nicholas Stone (attrib. by Dr Adam White).

Drawing in the Soane Museum

A Lion carved by Andreas Kearne (fl. 1627 - 76).










John Cheere (attributed), a Lead statue of Queen Charlotte at Queen's Square, Bloomsbury, London.

 



This post to act as an aide memoire until I can take my own photographs.


Queen Charlotte.

(Sophia Charlotte; 19 May 1744 – 17 November 1818).

Wife of George III.

of Mecklenburg-Strelitz.

c.1775

She was the youngest daughter of Duke Charles Louis Frederick of Mecklenburg, Prince of Mirow (1708–1752), and his wife Princess Elisabeth Albertine of Saxe-Hildburghausen (1713–1761).

sister of Duke Adolphus Frederick IV,

 Mecklenburg-Strelitz was a small north east - German duchy part of  the Holy Roman Empire.


For some (not very good low resolution images see the art uk website -


https://artuk.org/discover/artworks/queen-charlotte-17441818-265478


The three images here below from the website of the estimable Bob Speel.

Photographs used with permission.

http://www.speel.me.uk/sculptlondon/queensq.htm













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Tuesday, 1 July 2025

The Busts of Dr Matthew Lee and John Belchier - Roubiliac.

 


This post under construction

I first posted on the bust of Lee July 2017.

https://bathartandarchitecture.blogspot.com/2018/07/bust-of-dr-matthew-lee-by-roubiliac.html


This was the first published essay on the subject of this bust - peculiarly it is not recorded in the Dictionary of Sculptors in Britain .. Roscoe et al, pub Yale 2009.

Mrs Esdaile states in Roubiliac, Oxford 1928  'placed on a bracket below the gallery of the college Laboratory... is thickly covered in paint which effectually prevents the search for a signature'.

Currently at the foot of the staircase in the Lee Building, the former Anatomy School, Christ Church College, Oxford now the Senior Common Room.

 

Placed in the building in 1758 (info from A Christchurch Miscellany, Hiscock, 1946).

This bust went unnoticed by Mrs Poole until she was alerted to it by Mrs Katherine Arundell Esdaile

see page 317, Catalogue of Portraits Oxford... Vol III, Mrs Reginald Lane Poole, 1925.

 

Noted in the lecture room in 1925, now in the hallway on the ground floor.

Mrs Poole says the bust was painted but I am informed there is no obvious evidence.

The bust is very dirty and could do with a gentle wash.

I suspect that neither ladies actually examined this bust.


...................

 A few unedited notes on Dr Lee.

 

 

Matthew Lee born in Northamptonshire matriculated in 1713 and studied medicine, graduating BA (1717), MA (1720), BM (1722) and DM (1726). He showed marked affection for the House, and the Chapter leased to him the lucrative tithes of the Rectory of Chippenham, which  no doubt secured his material comfort, since the tithes were additional to the income from his rewarding and extensive medical practices.

 

Candidate for the Royal College of Physicians on 12 April 1731, became a Fellow on 3 April 1732

 

Having married a young lady from London in 1730, he moved to the capital, where he practised even more successfully. Lee does not at this stage appear to have had great interest in the scientific aspects of the profession; his contribution was to come later, in his will.

 

Matthew Lee was a Westminster School and Christ Church physician, who graduated MB in 1722, delivered the Bodleian oration in 1723, and received his DM in 1726.

 

He lived in part of Frewin's house in New Inn Hall Street, so probably gained his clinical practice with him. However, when James Keill died in 1719, he left Lee his microscope and all his medical books, and as Lee was a Northampton man, he may have studied with Keill as well.

 

Dr Lee moved to London in 1730, became a fellow of the College of Physicians and Harveian orator, and succeeded Noel Broxholme as physician to Frederick Prince of Wales, but neither he nor Sir Edward Wilmot recognised the gravity of the Prince's fatal illness. Prince Frederick died in 1751 from an infected cyst possibly initiated two years previously by a blow from a cricket ball.

 

It is thought that the creation of the Anatomy Laboratory had originally been suggested by John Freind, physician to Queen Caroline, who gave a course in Chemistry in 1704.  His will directed that, if his son should die without children, £1000 would be given for the building of an Anatomy School at Christ Church and for the salary of a Reader in the subject. It is not clear what happened to this benefaction but the son died unmarried in 1750 and it is probable that the bequest was indeed made to Christ Church, since 1750 is the commonly quoted date of the foundation of the Matthew Lee Readership (the Freind bequest would in any case have been inadequate for the purpose intended).

 

This bequest was later augmented by some £10,000 by Matthew Lee.

 

Matthew Lee died in 1755 and left the bulk of his estate (over £20,000) to Christ Church for the advancement of Westminster students and for the endowment of a Readership in Anatomy.

 

 Nevertheless, there were strict conditions: the holder of the post was to have been educated at Westminster, to hold the degree of MA having studied physick, to be a layman, to reside in Oxford for at least six months annually, to instruct only in Anatomy, Physick and Botany, and to dissect two bodies each year (for which the Trust provided an additional £40 per annum as running costs). The dissections were public spectacles: the Dean could nominate four Students and two Commoners to attend without charge, all others being required to pay a fee.

 

 Dr Lee's  Readership of Anatomy was established in 1767 at Christ Church College, Oxford


https://bathartandarchitecture.blogspot.com/2018/07/bust-of-dr-matthew-lee-by-roubiliac.html

































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The Bust of John Belchier at the Royal College of Surgeons Lincolns Inn Fields.












....................


I have touched on the subject previously but it is worthwhile returning, of Roubiliac using the same bust or upper part of the body on different busts.

As far as I can tell this method of duplicating the upper part of the torso is unique to Roubiliac.

Here are couple more examples -

Nicholas Hawksmoor 

Plaster Bust.

In the buttery at All Souls College Oxford





The Marble Bust of Thomas Missing,

on the Monument to him in the Church at Wootton St Lawrence, nr Basingstoke







............................

Anonymous Lead Bust.

Victoria and Albert Museum.

Here attributed to Roubiliac





The Marble Bust of James Lawes.

It is inscribed by John Cheere and dated 1737.

on the Monument  in St Andrew Parish Church. Halfway Tree, Kingston, Jamaica.

This is the only bust inscribed by either Henry or John Cheere.

John Cheere also inscribes the monument to the mother in law of James Lawes in St Peters Parish Church, Vere, Jamaica.

The Monument to Mrs Deborah Gibbons (nee Favell) d . 1711.

Mother of  Elizabeth Lawes later Home, Countess of Home (née Gibbons; 1703/04 – 15 January 1784).

The monument is inscribed by John Cheere and was ordered by Elizabeth Lawes perhaps at the same time as that of her husband in 1737.

see my previous post - https://bathartandarchitecture.blogspot.com/2025/04/a-monument-inscribed-by-john-cheere-in.html

For Monuments in the West Indies see -

https://ia601306.us.archive.org/20/items/monumentalinscri00lawrrich/monumentalinscri00lawrrich.pdf











........................
 

A reduced version of the V and A and Aires Busts

The Kirkleatham Plaster Bust of Congreve.

The Bronzed Plaster Bust of William Congreve supplied by John Cheere to Chomley Turner of  Kirkleatham Hall, Yorkshire in 1749.

 Now with York Museums.

 Height 16.75"

There is another version of this bust at Blair Castle described as






.................................



Sir Andrew Fountaine.

Terracotta.

Norwich Castle Museum.





..................


Thomas Winnington (d.1746).

Stanford on Teme. Worcester.








................


The Bamber Monument.

Barking.





..............

The Three Busts of Jonathan Tyers, John Ray and Henry Streatfield.





Jonathan Tyers.

Terracotta.

Victoria and Albert Museum

A Marble bust of Tyers  was Lot 77 - Sotheby's 24 June 1927.

The marble bust is now in Birmingham Museums Stores.


This terracotta and the marble version in the Birmingham Museum were almost certainly commissioned by Tyers himself.  These two busts were recorded in the possession of the Tyers's grandson, and then passed by descent to the Reverend Jonathan Tyers Barrett of Brandon House, Suffolk.

 The busts were sold at the Brandon House sale in September 1919.

 The purchaser at this sale was Mr R. Levine of Norwich, whose son, Mr G. J. Levine, sold the terracotta to the V&A in 1927 for £50.

 The marble bust was sold at Sotheby's on 24 June 1927 (lot 77), but in 1956 it was acquired by the Birmingham City Museum and Art Gallery from Sabin, a London dealer. (probably Frank Sabin).







John Ray.

Terracotta British Museum.


For the marble in the Wren Library Trinity College Cambridge see -







A Second Terracotta Bust of Ray was offered for sale by Sotheby's London  - Lot 65 - 5 July 1990.

This bust has the fur collar.

 Presumably it was unsold - it appears again on the market Lot 145 22 April 1993.

 Inscribed under the right shoulder Roubiliac Sc.

 It would be useful to inspect this bust - It is possible that it is a finished prototype for the marble but on the other hand I suspect that it might be another cast from the original marble at the Wren Library.

 Where is it now?




...............


The Marble bust of Ray in the Wren Library.

with the added detail of the fur collar.








Henry Streatfield.

Terracotta.

in the Streatfield Mausoleum at Chiddingstone, Kent.




Sunday, 29 June 2025

Three Henry Cheere Monuments at Winchester Catherdral, Old Alresford Hants and Fifehead Magdalen, Dorset.

 


.

These three remarkable monuments by Henry Cheere each deserve a post of their own but to save time I will post them here.

All three monuments are notable for the extremely fine quality of the carving, the excellence of the design and the use of the rare and expensive veneers of Sicilian Jaspar and Brocatella marbles.

All photographs taken by the Author.


The Monument to Dean Thomas Cheyne (d.1760) in Winchester Cathedral,

and the monument to Jane First Lady Rodney (d. 1757) at Old Alresford, Hants.

and the Newman Family Monument in the Newman Chapel at Fifehead Magdalen, North Dorset.


1. Monument to Dean Thomas Cheyne (d 1760).

Designed by Henry Cheere.

Winchester Cathedral.

For the shear exuberance of the carving there is little to equal it.

The full flowering of the Rococo in a Church Monument.














The Iconography should be compared with the Roubiliac Monument to Mary Myddleton at Wrexham. 


https://bathartandarchitecture.blogspot.com/2018/10/roubiliac-monuments-in-wrexham-church.html



































............................


The Monument to Jane Rodney (1730 - 57).
nee  Compton

Wife of George Bridges Rodney (1718 - 92). Rear Admiral of the Blue.

She died in childbirth aged 27 leaving two young sons.

St Mary's Church.

Old Alresford. Hampshire.

For an useful short biography of the family see -


This was a very difficult monument to photograph - the light was very low and I had no access to stepladders etc.

The monument is very dirty - I would advise a gentle wash with a little dilute Fairy Liquid.

I suspect that the staining of the bust has been caused by a liberal application of bird or bat poo in the past





























































...........................


The Monument to Sir Richard Newman and his family.

c.1750.

Designed by Henry Cheere.

St Mary Magdalen Parish Church, Fifehead Magdalen. North Dorset.

As in most of my posts regarding Henry Cheere - I have to voice my suspicions that Henry Cheere whilst a very good designer and consummate business man not to say social climber was not the actual sculptor of the works that are attributed to him but employed a large workshop in Palace Yard Westminster and also subcontracted much of the work - Thomas and Benjamin Carter provided much of the decorative elements of his chimneypieces.

 Am I doing Henry Cheere a disservice - was he a great portrait sculptor as well as a designer of funeral monuments and architectural features? - research continues.

The three busts were carved by a different hand to the reliefs which don't exhibit the same degree of skill.

Sally Strachey's report states

"The inscription was originally carved with the dates of the daughters’ deaths empty. These were then carved in as each one passed away. In total there are four letter cutters hands at work here. With the letter cutting being light, the monument was in place when this was done" see -




This was another difficult monument to photograph but in this case because of too much light - making it very difficult to obtain a good overall photograph at the time (late afternoon).




This is the last and grandest of the Newman monuments in the Newman chapel which was installed around 1750 to commemorate Sir Richard Newman (1676 - 1721) and family - 

his wife Frances (nee Samwell: d. 1730).

his son Sir Samwell Newman (b.c1696 -1747) who never married and died intestate. 

and his three daughters: Frances (d. 1775), Barbara (d. 1763) and Elizabeth (d. 1774).

................



Sir Richard Newman, 1st Baronet MP. JP. DL. (c. 1675-1721), of Evercreech Park, was MP for Milborne Port in 1701.

 

 Sir Richard Newman Bt (d.1721) was the eldest son of Richard Newman (d.1695) of Evercreech Park and Fifehead. He was educated at Sherborne,and Pembroke College, Oxford.


http://newman-family-tree.net/Col-Richard-Newman-of-Fifehead.html

 On 1 June 1696 Sir Richard Newman married Frances, daughter of Sir Thomas Samwell, 1st Bt, and had three sons and four daughters.

The Newman Chapel  dates back to around 1693 when it, and the vault below, were built by Richard Newman (1620 - 1695). 


The vault below the chapel is believed to contain the remains of several members of the Newman family who lived in the long-demolished Fifehead Manor that was situated next door to the church. 

Richard's father Richard (1584-1664) and his grandfather Thomas (c.1560-1649), are memorialised on the chapel's east wall, while his son Richard (1650-1682) is memorialised on the west wall. 

On the north wall of the Newman Chapel is the magnificent monument designed Henry Cheere, and made in his Westminster workshop c. 1750.

It commemorates Richard's grandson Sir Richard Newman Bart. (1675-1721), his wife Frances and their four children.

Richard Newman is said to have taken the rank of Colonel during the English Civil War and to have assisted King Charles Il to escape capture by Cromwell's soldiers after the Battle of Worcester in 1651, however no evidence supporting either legend has been found. 

Richard Newman purchased the freehold of the Fifehead estate following the restoration of King Charles in 1660, perhaps with money received from the King as a reward for service. 

Hitherto the estate had been leased through four generations of Newmans from the Abbey of St Augustine's of Bristol over the preceding 130 years; the families connection with the village goes back much further, to a John Newman who was Rector of Fifehead from 1405 to 1408.

It is odd that the chapel's builder, Richard (1620-1695), has no memorial in his chapel. 

Some 50 years after his death, Sir Henry Cheere's grand monument was installed on the north wall, and it has been suggested that it replaced a previous monument.


..................


The Newman Family History.

For an invaluable website detailing the history of the Newmans see - http://www.newman-family-tree.net/


..........................


The Newmans in Old Palace Yard Westminster.


Henry Cheere owned a house next door to the Newman family in Old Palace Yard, Westminster and knew them well, and therefor their busts might represent accurate likenesses.


There are three references to Newman properties in Westminster


Sir William Honeywood was son-in-law to Richard Newman of Fifehead (1620-1695). 

The History of Parliament's website describes Sir William as "m. 15 July 1675, Anna Christiana (d. 1736), da. of Richard Newman of Tothill Street, Westminster and Fifehead Magdalen, Dorset". This is the only reference  that places Richard in Tothll Street. Perhaps it has the name wrong and Tothill Street should read Tufton Street.

 

Richard Newman of Evercreech Park 1650 - 1682, left a will in which he stated that he will "give unto my wife Mrs Grace Newman my House in Tufton street in the City of Westminster".

 

His father Richard Newman 1620-1695 left a later will saying: "I give and bequeath unto the said Sir William Honeywood and Peter Walter and to their Executors Administrators and Assigns for and during the remainder of my tenure therein All? those? my four Messuages or Tenements with their appurtenances situated in Tufton Street in the Parish of St Margaret Westminster? in the several occupations of myself, Francis Holles Newman my son, Edward Scott my Son in Law and heretofore of one Mrs Corfe". It went on to say "I give and bequeath unto my said daughter in law Mrs Grace Newman the house wherein she now dwells situate in Tufton Street aforesaid". It sounds from these extracts that the family possessed four (or even five) messuages or dwellings in Tufton Street.

 

Raymond Mercier also reported that Richard Newman 1620-1695 had a dwelling in Tufton Street which was probably inherited by his son. It may also have been owned by his father Richard Newman of Fifehead d.1664 since it appears to be he that is described in the purchase contract for Evercreech Park as Richard Newman of the City of Westminster. [My own view is that it was Richard (1620-1695) that purchased Evercreech Park, but I may be wrong. CJEN 2023]

 

Old Palace Yard:- In an Act of Parliament drawn up in 1754 to empower a committee of the estate of Elizabeth Kitchen to make leases during her lunacy, mentions the four children of Sir Richard Newman of Evercreech, viz: Sir Samwell, Frances, Barbara and Elizabeth, living in a tenement at the Old Palace Yard, Westminster. The Act describes the dwelling in quite disparaging terms: "Freehold Messuage or Tenement, in the said Parish of Saint Margaret, Westminster, is in such a decayed and ruinous State and Condition, that it will be absolutely necessary to pull down, rebuild, or substantially repair, the same: But it is apprehended, that no Person will take a Lease thereof, for the Purpose aforesaid, without having a long Term of Years granted of the said Premises."


Before the restoration, it was clear that the dates of the deaths of Sir Richard's three daughters were painted on? (inscribed) after the monument's completion whereas Sir Samwell's death in 1747 was recorded in the original text. It can therefore be deduced that the memorial was commissioned by one or all of the daughters sometime after the death of  Samwell in 1747 and before Barbara's death in 1763. 


The inscription was carved by a letter cutter who was not aware of the correct spelling of Samwell Newman.













......................

The Monument was erected after the death of Samwell Newman in 1747.

There seems to have been some confusion as to the identity of the male busts.

The Bust of Richard Newman (d. 1721) presumably the right hand bust.


The Bust of Samwell Newman (d. 1747) presumably the bust at the apex.






...............





The Bust of Frances Newman nee Samwell: d. 1730).

Wife of  Sir Richard Newman (1676 - 1721).















.........................


I would suggest that the three busts were sculpted by a different and much more accomplished hand to that of the three reliefs.

The three portrait reliefs are very unusual in that they depict the three daughters who did not die until some time after the making of the monument.






............


The Restoration of the Newman Monument.

Carried out in 2018.

For the excellent and comprehensive reports by Sally Strachey Historic Conservation see 








.......................

The Mural Monument to Richard Newman (d. 1664)
and  his father Thomas Newman (d.1649).

On the East Wall of the Newman Chapel.

c.1664.

Sizes - Height 135.5 cm x width 60 cm.



......................



Richard Newman (1650 - 1682).

Aged 32 - he predeceased his father Richard Newman d. 17

Restored mural monument on the West Wall of the Newman Chapel recording the removal of his leaden coffin to the vault.









............................


Fifehead Manor.

History of Dorset. pub 1870. p58 notes that "The Mansion, in part taken down about 1806 and the remainder converted into a farm house, was perhaps situated in as pleasant a spot as any in the county of Dorset, on a gentle eminence surrounded by avenues of lofty elms, commanding on the east a picturesque view of Stour Provost