Prince Hoare (c. 1711 - 1769).
The Hoare family were originally from Eye in Norfolk.
Prince Hoare received training in the workshop by
Peter Scheemakers (who was away from London and in Rome from 1728 until 1730).
His older brother William Hoare the painter and pastellist was in Rome from 1728 until 1737 and had first lodged with Peter Scheemakers and Laurent Delvaux at the Palazzo Zuccaro near Santa Trinita dei Monti on the Pincio, just north of the Piazza di Spagna. He settled in Bath in 1738 and had a house in Woods Queens Square.
Prince Hoare also
went to Rome in about 1741/2 and did not return to England from his grand tour until late 1749, when he was probably accompanied to Bath by Giuseppi Antonio (Joseph) Plura.
George Vertue mentions Prince Hoare as he returns from Rome 'where he had been to make his studyes about 7 or 8 years'.
In a letter from the British Resident in Florence, Sir Horace Mann. dated 26 August 1749, Mann is writing to Horace Walpole and damns Prince Hoare with faint praise:
"Hoare the sculptor I have had in my house is to accompany him [Mann's secretary, returning to England] ... I rather wish he may fall into good business in England. He is very clever in copying but I have seen nothing original of his doing.
Had he application equal to his skill, I believe he could make a figure at least in England, where sculpture is not at any great pitch".
In hindsight this looks like a fair assessment.
He found a wealthy wife, Miss Mary Coulthurst of Melksham who he married in 1751 - and who brought a considerable fortune of £6000 and thereafter he led the life of a sort of gentleman sculptor.
I suspect he never picked up a chisel again, relying on Joseph Plura and other assistants and later Richard Lancashire.
Less than two months after the death of Bath architect John Wood the Elder
in May 1754, a link was forged between the Wood family and the Hoare brothers when
Jane Maria, the Wood’s elder daughter, married Henry Coulthurst, clothier from
Melksham, at St. Swithin’s Church, Walcot. Bath.
Three years previously, in the same church, Prince Hoare had married Henry Coulthurst’s sister, Mary
It appears that Joseph Plura (see below) was responsible for much of the work attributed to Hoare.
The lack of application by Hoare hinted at in Mann's letter to Walpole is corroborated in passages from letters written by William Pitt Snr to Richard Grenville. Prince Hoare had been commissioned to design and carve a monument to the memory of Captain Thomas Grenville, brother to Richard, who had been killed in action at sea in 1747.
The first letter, dated 26 November 1752 from Bath, mentions that work is proceeding apace on the clay model for the statue, the figure promising "to be a very good one'.
The second letter, also from Bath but dated 29 January 1754, complains of repeated delays:
"you have already received a petition from Mr. Hoare praying further time: indeed it is a very necessary request however unjustifiable the cause of the necessity may be . . . your patience is like to be thoroughly tried, for a twelvemonth or more will be the least time necessary to allow the sculptor".
see - W.J. Smith, (ed.), The Grenville Papers, 4 vols., 1852.
Presumably it was never finally finished and erected.
This would appear to be a discussion of the monument which
George Grenville intended to erect to Thomas Grenville in Westminster Abbey. This monument was never
erected but a fine of £31 was paid to the Abbey to erect the monument in 1761 (Westminster Abbey Muniments,
Treasurers' Books 49311). see Craske
The Grenville Column, 1748; originally? set up in the Grecian
Valley, moved to this site in 1756. Captain Thomas Grenville, a nephew of Lord
Cobham, died in service aboard HMS Defiance at the First Battle of Cape
Finisterre, 14 May 1747.
The column carries a lead figure of Calliope, the muse of
Heroic Poetry - perhaps supplied by John Cheere - it most unlikely to be by Prince Hoare.
https://www.nationaltrustcollections.org.uk/object/91969
https://historicengland.org.uk/listing/the-list/list-entry/1289782?section=comments-and-photos
Prince Hoare's name does not appear in the Bath Mineral Water Hospital Minutes until May 1758, when he was elected one of the Governors.
The previous year, his bust of Ralph Allen had been presented by
Dr. Warburton, Allen's nephew-in-law, the gift being recorded in
the Minutes for 27 April 1757.
The
Gentleman's Magazine in the list of marriages for 1751 included 'Mr
Prince Hoar [sic] a celebrated statuary at Bath - to Miss
Coulthurst of Melksham, Wilts, £6,000' .
The Bath Journal June 1751 further
endorses his happy choice, 'the beginning of last week was married Mr.
Hoarean eminent statuary, to Miss Coulthurst of Melksham an agreeable young lady with a handsome fortune', and Prince Hoare describes himself as 'gentleman' in the marriage
register for 26 May 1751.
He lived in some style in the south wing of Ralph Allen's town house, now 2 North Parade Passage, moving to Abbey Green in 1766.
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It is believed that much of the works attributed to Hoare were achieved by his very able assistant Joseph Plura.
Joseph Plura was a sculptor of not inconsiderable talent,
perhaps not in the first rank, but the bust of Gratiana Davenport gives an indication of
his skills and the sculpture of Diana and Endymion (now in the Holburne Museum,
Bath) is undoubtedly his masterpiece.
Joseph Plura, until the purchase of Diana and Endymion by the Holburne from London dealer Daniel Katz remained largely unnoticed, overshadowed by his employer, the rich and more socially elevated Prince Hoare.
http://collections.holburne.org/object-1997-1
On death of Joseph Plura in London in 1756, the sculpture was
brought back to Bath by his wife, it remained in his daughter's family until the end 19C;
Coll. Hugh Honour & John Fleming in mid 1950's; sold by them to a French
dealer, and later with London dealer Daniel Katz.
Talbot Ivory of Lacock Abbey wrote to his friend the
Architect Sanderson Miller on 13 August 1754.
"When at Bath
fail not to see a piece of sculpture of Endymion on Mount Patmos, the
performance of Mr Plura a statuary" (Warwick County Archives CR 125 B
letter 405).
Talbot Ivory was a relative of Sharington Davenport of Worfield, Shropshire,
which goes some way to explain the connection of Joseph Plura and the making of
the very fine bust of Gratiana Davenport by him (see below).
https://bathartandarchitecture.blogspot.com/2018/08/the-busts-of-gratiana-davenport-by.html
.....................
The Jacob Barclay Monument.
Prince Hoare.
..........................
A list of works by or from the workshop of Prince Hoare - not thoroughly checked.
Monument to Jacob Selfe at Melksham (1730) a doubtful attribution given the date.
A Bust of Plautilla signed and dated P. HOARE
Ft. FLOR:AE MDCCIL and copied from an antique bust in the Uffizi. 1749.
Memorial to Bishop Isaac Maddox in Worcester Cathedral
(d.1743). -
I was so impressed by the Roubiliac Monument to Bishop Howe at Worcester that I failed to give this monument due attention it deserved - and also the light was failing!
Monument to Mary Hilliard at Kilmersdon (1745).
Monument to John Long at St Andrews, Heddington Wilts(1746). no images available on line.
....................
Memorial to Lady Cobb at Newton St. Loe, nr Bath (1749).
............................
Monument to Jacob Barclay at Weston, Somerset (1750), (illustrated above).
Statue of Richard Nash at the Pump Room, Bath (1752).
https://bathartandarchitecture.blogspot.com/2018/08/beau-nash-statue-in-pump-rooms-bath-by.html
Marble bust of Philip Stanhope, (1694–1773), 4th Earl of Chesterfield
(1740). English Heritage, Ranger's House Blackheath - provenance John Horan County Galway Ireland formerly with dealer Joanna Barnes.
Various statuary groups for Sir Robert Throckmorton for his
houses at Buckland and Coughton (1754).
Bust of Ralph Allen in Bath Mineral Water Hospital (1757).
https://bathartandarchitecture.blogspot.com/2018/08/bust-of-ralph-allen-by-prince-hoare.html
Bust of Ralph Allen by Prince Hoare - Guildhall, Bath.
https://bathartandarchitecture.blogspot.com/2018/08/bust-of-ralph-allen-by-prince-hoare_14.html
............................
Monument to the Eyles family in Devizes Parish Church (1757).
Monument to Thomas Dawtrey at Petworth (1758).
Four goddess statues at Stourhead commissioned by Henry
Hoare (1759).
Various chimney-pieces for Corsham Court (1760-1765)[1]monument to Thomas Collins at St Leonard's Church in Exeter
(1761).
Bust of Richard Beau Nash at the Guildhall, Bath (1761).
https://bathartandarchitecture.blogspot.com/2018/08/beau-nash-bust-by-prince-hoare.html
Monument to Alexander Pope in St Mary's Church, Twickenham
(1761).
Images below courtesy website of Bob Speel - http://www.speel.me.uk/chlondon/twickenhamch.htm
........................
Monument to Anne Carey at Steeple Aston, Oxfordshire (1762).
Monument to Lord John Trevor at Bromham, Bedfordshire (1764).
..........................
The Marble Bust of Jeremiah "Jerry" Peirce, (1696-1768)surgeon,
at Harrogate, North Yorkshire (before 1765).
The Photographs from the Mercer Gallery, Harrogate below kindly provided by Dr Roger Rolls.
Son of a London Merchant Taylor, Jerry Peirce was born at
Ludgate Hill, London in 1696. Little is known of his early life until 1731 when
he was made Freeman of the City of Bath. This suggests that he was taking
surgical students as apprentices
He was appointed as the first surgeon to the Bath Gen
Hospital when it first opened in 1740 and was also a governor from 1739. He was
also a fellow of the Royal Society and presented a paper there on amputation of
the lower limb
He commissioned the Bath architect, John Wood, to design him
a country villa on Lansdown. It was called Lilliput Castle and was visited by
the Prince of Wales in 1750. It has since been incorporated into a larger house now called Battlefields
Peirce also had a town residence at 9 Gay Street in 1766 and
had 3 stables in John Street. He was interred in St Swithen’s church, Walcot,
Bath
(Info from "Diseased Douched and Doctored - Thermal Springs
, Spa Doctors and Rheumatic Diseases" by Dr Roger Rolls.
https://historyofbath.org/images/BathHistory/Vol%2012%20-%2002.%20Spence%20-%20For%20True%20Friends%20-%20Jerry%20Peirce's%20Patriot%20Whig%20Garden%20at%20Lilliput%20Castle.pdf
"Peirce was appointed surgeon to Bellott's Hospital in April 1733, alongside Dr Edward Harington4 as physician. Peirce was to replace the recently deceased apothecary and surgeon Francis Bave of Northgate Street. He was the brother of Dr. Charles Bave, whose practice, on Lower Borough Walls, devolved upon Peirce's friend and colleague Dr. William Oliver (1695-1764)"( this needs fact checking).
John Wood donated the architectural plans for the hospital,
and building works commenced in the summer of 1738. In recognition of his professional generosity, Wood was
elected a Governor of the hospital in October 1739.
As a trustee, Peirce attended meetings from at least March
30th 1738. Although the minutes specify the
election of other trustees, no such record remains for Peirce and his
attendance at the weekly meetings was erratic.
On May 1st 1740, Peirce was appointed surgeon, alongside his
friend Oliver and Bellott' s colleague Harington as physicians.
The medical world was quite close knit, but with no
overseeing authority (Royal College of Surgeons of England) until 1843,
positions were obtained by personal recommendation and to apprentices.
For example, in 1742, Alexander Pope wrote to Allen asking that he
vote for Mr. Cleland to gain one of the surgical positions available at the
hospital as 'its seems. Mr Pierces Prentice
is to be the other.' A physician and a surgeon were nominated on a weekly rota
to handle admissions.
Alexander Pope gave a legacy of £150 to the hospital, minuted in the
hospital papers on May 7th 1755.
Peirce remained as Senior surgeon and governor until 1st May1761, resigning
alongside Dr Oliver.
The plaster bust of Jerry Pearce was formerly at the Mineral water Hospital Bath and is missing presumed stolen.
https://bathartandarchitecture.blogspot.com/2023/08/the-bust-of-jerry-pierce-by-prince-hoare.html
The images below are from The Paul Mellon Photographic
Archive
https://photoarchive.paul-mellon-centre.ac.uk/search/Pierce
This an excellent resource for old photographs of sculptural objects where
other photographs might not be available.
............................
Jerry Pierce and William Oliver with patients at Bath Hospital by William Hoare (1707 - 92).
Gift from the artist in 1761.
H 129 x W 173 cm.
Royal National Hospital for Rheumatic Diseases (Royal
Mineral Water Hospital). Bath.
...........................
The Monument to Paul Bertrand at St Swithin's Church, Walcot, Bath.
Prince Hoare.
Bath Records Office , transcripts of Walcot Church Rate Books from 1742-56 show William Hoare's name consistently next or next but one to that of silversmith and
toyman Paul Bertrand whose house is known to have been in Queen Square (Bath
Journal, 10 November 1775).
..... ...........................
The Monument to Jerry Pearce d.1768 at St Swithin's Church, Walcot, Bath.
Prince Hoare.
.............................
The Monument to Anne Chilcot d. 1758.
St Peter's Tawstock, Devon.
Ann WREY, the daugther of Chichester WREY and Margaret PYNE
married Thomas CHILCOT (? -1766) at Siddington St Mary, Gloucestershire on 14
Sep 1749.
Thomas was organist of Bath Abbey from 1728 until his death 38 years
later. The inscription to Thomas CHILCOT is missing from the monument as a
consequence of a dispute between the executor of his will and the children of
his first marriage.
Thomas was buried at Tawstock on 1 Dec 1766. Ann WREY was
buried at Tawstock on 9 Jul 1758.
According to Matthew Craske a trust fund was set up for the maintenance of this monument - see -
https://files.core.ac.uk/download/30695800.pdf
Near this place lie the Remains
of Mrs ANN CHILCOT
Wife of Mr Thos CHILCOT
Organist of Bath
And Daughter to the Revd
Mr CHICHESTER WREY
late Rector of this Parish
by his first Wife Margaret
Daughter of ROGER PYNE
of this County Gent:
She was a Woman of Great Piety
Constant in the Duties of Religion
both Public and Private
and ever inclin'd to Acts
of Humanity and Benevolence
She died much lamented
June 30th 1758 Ætat : 39
Her Disconsolate Husband
as a Testimony
of his Conjugal Affection
Erected this Monument
to her Memory
https://sites.rootsweb.com/~ukdevon/TawstockInsideMIs.htm
.....................
Monument to Thomas Chaplin (d.1747), St Vedast, Tathwell, Lincolnshire.
of Tathwell House.
Conway Library
Photographs from 1963.
Whilst it is more elaborate the basic form of this monument particularly with the relief is very similar to that used by the Fords of Bath -
This suggests to me that the relief may have been carved by Joseph Plura who married John Ford I's daughter.
Image below from -
...........................
A Terracotta Bust
I am not convinced by the attribution of this bust to Prince Hoare-
https://www.walterpadovani.com/portfolio-item/prince-hoareportrait-of-sir-horace-mann/
A very fine terracotta bust but probably not by Prince Hoare.
...................................
Prince Hoare - Some Bath Press cuttings
Bath Chronicle 19 April 1770, - Property: to let - house
near North Parade, Bath lately in possession of Mr Prince Hoare. Details from
Mr Edw. Parker, wine merchant in Westgate St, Bath.
This refers to the house known as Ralph Allen's Town House.
..............................
Bath Chronicle -1st November 1770 - Notices: Mauge &
Lancashire, successors to Mr Prince Hoare, statuary (& his principal
workmen for many yrs), now trading at same yard in monuments, chimney pieces,
works in marble, wood & stone.
................................
Bath Chronicle - 14 February 1793 - Services: F Lancashire
& Son, Albion Pl, Upper Bristol Rd, Bath, statuaries, carvers in general
& stone masons. Large wareroom with chimney pieces of different coloured
marble, urns, vases, monuments etc on view.
......................................
Bath Chronicle - 6 November 1783 - Art: Bath Academy -
meeting of 4 Nov at the Three Tuns Tavern, Stall St, Bath unanimously thanked
John Palmer, esq., - Hoare, esq., George James, esq., & Mr Ch. Harris,
statuary, London.
This note refers to William Hoare but is interesting from
the point of view that Charles Harris Statuary (of the Strand, London) was
involved in an Academy at Bath.
Ref. Charles Harris in the Strand see -
https://bathartandarchitecture.blogspot.com/2025/03/charles-harris-of-strand-plaster-casting.html
.............................
Bath Chronicle - 16 October 1783 - Art: meeting of principal
artists of Bath at Three Tuns on Tue 14 Oct. We hear they have begun a
subscription to establish an Academy or School for the study of Antique Statues
& the Living Model.
Bath Chronicle - 30 October 1783 Art: Bath Academy (in the
manner of the Royal Academy London) - meeting of subscribers at Three Tuns
Tavern in Stall St at 7pm on 4 Nov & then 1st Tue every month. Printed
plans at the public libraries & Mr Wm. Lloyd's; list of subscribers may be
seen at Mr Wm. Lloyd's in Abbey Green.
........................................
For an useful, brief, if slightly dated history of the Hoares in Bath see -
https://historyofbath.org/images/BathHistory/Vol%2001%20-%2004.%20Newby%20-%20The%20Hoares%20of%20Bath.pdf