Monday 14 October 2024

John Francis Moore some notes Ref. The Rushout Monument Blockley Parish Church.

 



see my previous post -

https://bathartandarchitecture.blogspot.com/2024/10/rysbrack-and-rushout-monument-in.html


John Francis Moore (d. 1809) - Some Notes.

Moore was born in Hanover, Germany, but around 1760 he was in London, where in 1766 he exhibited as a member of the Free Society of Artists. The association – formally founded in 1762 – had arisen in the1750s from proposals to establish an academy and annual exhibition of contemporary British art. 

In its exhibition catalogues, Moore’s address is given as Berners Street, in London’s West End. The works he presented vary from clay models for large-scale monuments to marble busts, and from reliefs to architectural designs.

He was resident at York Buildings, New Road (now Euston Road) when he died.



Marble Bust of a Gentleman - Perhaps the right  Hon Charles Wolfran Cornwall (1735 - 1789).

Signed I:F:Moore, Fect.

65cm high, base 24cm diameter.

Dreweatts, Newbury,  The Tomasso Sale  - Day 1. Lot 112, 29 October 2024.

Provenance -

Private Collection Sotheby's London, 5 December 2012, lot 107.


 The Rt. Hon. Charles Wolfran Cornwall (1735-1789) was Speaker of the House of Commons from 1780 to 1789 having crossed the floor to join the government in 1774 in support of their opposition to the American Revolution. On his death in 1789, John Moore was commissioned to create his memorial in the chapel of the Hospital of St Cross, Winchester. 

Perhaps best known today for his full length portrait statue of William Beckford (1709-1770), builder of Fonthill Splendens in Wiltshire ( located in The Guildhall, London), Moore also produced memorials, chimneypieces and a few portrait busts. 

This example bears close comparison with a watercolour portrait of Cornwall from the series Speakers of the House of  Commons (National Portrait Gallery Reference Negative No. 43130). 

In addition to the present bust, only two other portraits by Moore are known today, that of Sir John Rushout in Worcester Infirmary from 1769, 

and the one in Spencer House, London, believed to represent William, 2nd Earl of Bessborough, from 1775.

Literature: I. Roscoe, E. Hardy and M. G. Sullivan, A Biographical Dictionary of Sculptors in Britain 1660-1851, New Haven/ London, 2009, p. 849, no. 55 as an 'Unidentified man in middle age'.).


https://londonartweek.co.uk/wp-content/uploads/2018/10/11/Moore-Bust-of-a-Gentleman.pdf











Images below Courtesy Sotheby's.































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The Perepetetic Fonthill Splendens Chimneypiece.

Piping Fauns either side of Tablet featuring Vertumnus and Pomona 

by JF Moore.

Sold from Fonthill 17 August 1807 prior to the demolition of the house.

Another with Daphne and Arethusa, the tablet showing Diana and Apollo?

From the Great Dining Room.




Currently the best image available of this chimneypiece available to me.


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The Monument to Margaret Rae.

North Wall, Worcester Cathedral.

1772.

Moved to its present position in the North Aisle in the 19th Century.





Photographs above taken by the author.


Preparatory Drawing of the Rae Monument.

Victoria and Albert Museum.



https://collections.vam.ac.uk/item/O1012531/drawing-moore-john-francis/

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Monument to William Baker (1705 -1770).

Bath Abbey.

On the wall of the South Aisle is a monument to Sir William Baker (1705-1770).  As a Director of the East India Company (1741-1753) and Governor of the Hudson Bay Company (1760-1770).





Preparatory Sketch for the Baker Monument.

Victoria and Albert Museum.


https://collections.vam.ac.uk/item/O1012556/design-moore-john-francis/

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List of Works - by no means definitive and needs to be checked



Elizabeth (†1783) and Mary (†1791) Jones  Funerary Monument †1791                  Stowey, Somerset.  

1776. Winefred Bridger and family members (designed by Stephen Riou). Funerary Monument. St Mildred, Canterbury, Kent.

1784 .Jane Affleck Funerary Monument. Finedon, Northants

1767-1771. Neo-classical Chimneypiece Saloon at Fawley Court, Bucks,

 1766. ‘Britannia reviver of Antique and prompter to modern Arts’. Relief.  Soc of A, presented by the artist.   Progress House, Coventry, Warks.

1761.Several chimneypieces for Audley End, Essex; north room, fish room and gallery              untraced.

1763. Chimneypiece With Doric columns and relief scenes from The Iliad, Audley End, Essex, library.  Carton House, Co Kildare.

1793. Joseph Blount  Funerary Monument. Mapledurham, Oxon.

1795. Thomas Wildman. Funerary Monument. St Mary, Twickenham, Middx.

1795. Peter Oliver. Funerary Monument ?  Marylebone Chapel, London.

1769. Apollo Statue. Exhib Free Soc, 151. Untraced.

1769.  Sir John Rushout, Bust. Worcester Infirmary.

post-1760 Benedict Conquest. Funerary Monument. Irnham, Lincs.

1767    James Brockman.       Funerary Monument. Newington, Kent.

1767.Faith Sawrey.    Funerary Monument. Bradford Cathedral, W R Yorks.

1770. William Baker. Funerary Monument. Bath Abbey, Somerset.

1771. Robert Hucks. Funerary Monument. Aldenham, Herts

1772. Margaret Rae.  Funerary Monument. Worcester Cathedral. (see images above).

1772.  Thomas Patten. Funerary Monument. St Elphin, Warrington, Lancs.

1773. Mary Langham, Funerary Monument. Cottesbrooke, Northants.

1773. Field-Marshal John Louis, 1st Earl Ligonier (†1770), Funerary Monument. Westminster Abbey, London, chancel ambulatory.

1775. William Jones. Funerary Monument. Ramsbury, Wilts.

1781. Admiral Edward, 1st Baron Hawke. Funerary Monument. North Stoneham, Hants

1782.Edith Thew. Funerary Monument. Symondsbury, Dorset.

1784. Rev Thomas and Mrs Wilson Funerary Monument St Stephen Walbrook, City of London

1786. Hon Barbara Clifford   Funerary Monument St Mary, Stafford.

1786. Lieutenant John Dalling. Funerary Monument, Earsham, Norfolk

1788. John Barrington. Funerary Monument. Hatfield Broad Oak, Essex.

1789. Rt Hon Charles Cornwall. Funerary Monument, St Cross, Winchester, Hants.

1797. Barbara, Countess of Scarborough. Funerary Monument ? St John’s Wood Chapel, Marylebone, London.

1801. Lady Maria Churchill. Funerary Monument. St Mary, Lewisham, London

1782.  Randolph Marriott. Funerary Monument. Darfield, W R Yorks

1766. A lady’s head, model  Bust. Exhib Free Soc, 206. Untraced.

1766. A child’s head, model. Bust. Exhib Free Soc, 207    untraced.

1766. Boys with a bird’s nest. Miscellaneous. Exhib Free Soc, 208. untraced.

1766. Unidentified gentleman. Bust. Exhib Free Soc, 209. untraced.

1766. Two bas-reliefs of cattle. Relief. Exhib Free Soc, 210. untraced.

1767. Model in clay.   Miscellaneous. Exhib Free Soc, 190. untraced.

1767. A shepherd and flock Relief. Exhib Free Soc, 191.  Untraced.

1767. A centaur, from a painting in Herculaneum.  Relief. Exhib Free Soc, 192. Untraced.

1767. A dog, model. Miscellaneous.  Exhib Free Soc, 193. untraced.

1768. Unidentified subject. Bust. Exhib Free Soc, 155. Untraced.

1768.  A group of boys with a bird’s nest and a cat . Miscellaneous. Exhib Free Soc, 156       untraced.

1769    A dog. Miscellaneous. Exhib Free Soc, 152   untraced.

1769    Medallion. Relief. Exhib Free Soc, 153. untraced.

1769. Unidentified subject. Bust.  Exhib Free Soc, 154. untraced.

1769. ‘A sketch in clay, from a drawing of Mr. Stuart’ Miscellaneous. Exhib Free Soc, 155.        Untraced.

1770.  ‘Portrait of a gentleman’  Bust. Exhib Free Soc, 173   untraced

1770. The Aldobrandini marriage, tablet for a Chimneypiece. Exhib Free Soc, 174. untraced.

1770. Bacchanalians, tablet Chimneypiece. Exhib Free Soc, 175. Untraced.

1770.  Chimneypiece. Exhib Free Soc, 176.untraced.

1770.    Somnus, tablet. Chimneypiece. Exhib Free Soc, 176. Untraced .

1770.    A dog, model in clay   Miscellaneous. Exhib Free Soc, 176. Untraced .

1771.    ‘An Elephant-after the Queen’s’, model. Miscellaneous. Exhib Free Soc, 174    untraced.

1771.    Somnus, a model. Miscellaneous. Exhib Free Soc, 175. untraced.

1771. ‘Tablet of beavers, after nature; a model’.     Relief. Exhib Free Soc, 176.  untraced.

1771.  ‘Celestial Victory, a monumental medallion, after a drawing by Captain Roiv’  Relief.  Exhib Free Soc, 177. untraced.

1771.  ‘Commercial Justice; a monumental medallion, after a design of Captain Roiv’              Relief. Exhib Free Soc, 178. untraced.

1772.  Portrait of a lady, monumental medallion   Relief.  Exhib Free Soc, 125 untraced.

1772.  Portrait of a lady and gentleman, monumental medallion. Relief. Exhib Free Soc, 126.                Untraced.

1772 King George II, medallion. Relief. Exhib Free Soc, 261. untraced.

1772. King George I, medallion. Relief. Exhib Free Soc, 260. untraced.

1772.  King George III, medallion. Relief. Exhib Free Soc, 262. untraced.

1773. The triumph of Bacchus, tablet. Chimneypiece. Exhib Free Soc, 118. Untraced.

1773. A faun offering a sheep to Pomona, tablet , Chimneypiece. Exhib Free Soc, 119               untraced

1773. Britannia. Relief. Exhib Free Soc, 120.untraced.

1773.  Aristotle, ‘a deception for a library’  Miscellaneous. Exhib Free Soc, 122. untraced.     

1773. Monumental medallion. Relief. Exhib Free Soc, 123. untraced.

1774. Portrait of a nobleman, clay model   Bust. Exhib Free Soc,179. untraced.

1774.  Portrait of a nobleman, clay model Bust. Exhib Free Soc,180. untraced.

1774. Group of children, with a cat and bird’s nest. Miscellaneous. Exhib Free Soc, 181.         Untraced.

1774. Monumental medallion representing piety, Relief. Exhib Free Soc, 182    untraced.

1774. Monumental medallion of King William III and Queen Mary II. Relief. Exhib Free Soc, 183. untraced.

1774.King George I, medallion. Relief. Exhib Free Soc, 184   untraced.

1774. Monumental medallion of a young gentleman, model. Relief. Exhib Free Soc, 185.        Untraced.

1775. A nobleman, probably William, 2nd Earl of Bessborough, Bust. Spencer House, London.

1775.  Unidentified nobleman. Bust. Exhib Free Soc, 159. untraced.

1775 ‘The soldiers rushing upon Archimedes in his study; a tablet, study’. Relief.  Exhib Free Soc, 163. Untraced.

1775. ‘Alexander ordering the works of Homer to be deposited in a casket-a model, a tablet’.                Relief.  Exhib Free Soc, 164. Untraced.

1776.  Portrait of a young lady. Bust.  Exhib Free Soc, 166   untraced

1776. ‘Portrait of a young gentleman’ Bust. Exhib Free Soc, 167. untraced.

1767. Description unavailable. Chimneypiece. King’s Weston, near Bristol. Untraced.

post-1755. Chimneypiece.  With two figures of piping fauns and tablet of Vertumnus and Pomona flanked by oak garlands. Fonthill Splendens, Wilts. private coll.

post-1755. Chimneypiece ‘with the most remarkable death scenes from The Iliad, intermixed with figures in low relief’ Fonthill Splendens, Wilts. Manor House, Beaminster, Dorse.t

1770-1772. William Beckford. Statue. Guildhall, City of London, great hall, acc 41.

1787.George, 14th Earl of Shrewsbury. Funerary Monument. Heythrop, Oxon.

1777. 1791. Catharine Macaulay as ‘History’ Funerary Monument. St Stephen, Walbrook, City of London. Warrington Library, Lancs, (formerly Town Hall), foyer.

pre-1788 Reredos. (Wogan family memorial). Redenhall, Norfolk, north chapel.

1775 (†1762) Funerary Monument Robert, 2nd Earl Ferrers (†1717) and his second wife, Selina. Ettington, Warks.

1788 Thomas Halsey, father and son. Funerary Monument. Great Gaddesdon, Herts.

1771.Hon Funerary Monument Chaloner and Hon Catherine Harris Saxton, W R Yorks.

1776. Unidentified nobleman. Bust . Exhib RA, London, 191.        Untraced.

1777. An Italian greyhound. Statue. Exhib. RA, London, 239. untraced.

1767. Model in clay.  Exhib Free Soc, 190. Untraced.

1767.  William Beckford. Statue. Fonthill, Wilts. Ironmongers’ Hall, City of London.

post-1755. Chimneypiece With figures of Daphne and Arethusa, and a tablet showing Apollo and Diana. Fonthill Splendens, Wilts, Great Dining Room. private coll.

1767. Mary Mason (designed by James Stuart). Funerary Monument. Bristol Cathedral.

1783 Lord Hawke’s children Funerary Monument Saxton, W R Yorks.

1791. Mary Anne Chichester. Funerary Monument. Arlington, Devon.

1766. Chimneypiece Green and red veined alabaster Newburgh Priory, N R Yorks.

1764.  Chimneypiece With ‘Terms and Festoons of Statuary’ Newburgh Priory, N R Yorks.

1767. Goats, model Statue Exhib Free Soc, 194. untraced.


Sunday 13 October 2024

Rysbrack and the Rushout Monument in Blockley Parish Church.

 



Michael Rysbrack and the Five Marble Busts on the Rushout Monument.

St Peter and St Paul, Parish Church of Blockley, Gloucestershire.

Mural Monument at the East End of the North Aisle.

Erected c.1790.

The photographs here taken by the author in the fading afternoon light.

Sir John Rushout, (1685 - 1775), sometime Treasurer of the Navy, 

Lady Ann Rushout ne Compton (1695 - 1766).

Elizabeth, Countess of Northampton (1683 - 1750).

Lady Alice Rushout, ne Pitt, (1683 - 1750) wife of Sir James Rushout.

Sir James Rushout (1644 - 1698).

The Biog. Dictionary of Sculptors in Britain pub Yale 2009 states the busts of Sir John and Sir James Rushout  and the three female busts are earlier busts by Michael Rysbrack. The monument itself is signed by John Francis Moore (d. 1809).

It is currently unclear to me just which if any of these busts were sculpted by Moore - he and his workshop were capable of very fine work, but there is a bust by Moore of Sir John Rushout presented to Worcester Infirmary in 1769 which suggests that he was responsible for the bust of Sir John on the monument.

The techniques used in the carving of all the busts suggest to me that they were all carved in the same workshop.

Sir John was a major benefactor to Worcester Infirmary contributing £500 in 1767 and £5 annually afterwards.



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The Rushouts and Northwick Park, some very brief notes.


Northwick Park belonged to the Childe family from about 1320 to 1683. The estate was bought by Sir James Rushout, the son of a Flemish merchant who had made a fortune in London, in 1683, who remodelled the old house in 1686.

The next remodelling was completed by Sir John Rushout, 4th Baronet (1685 - 1785), in 1728-30 to a design by Lord Burlington complete with a Palladian east front and entrance hall in the 1730s.

The 5th Baronet, later 1st Baron Northwick, employed architect John Woolfe to carry out further improvements in the 1770s and William Eames to landscape the parkland. It passed down the family line, with a further remodelling in 1828-30, until George Rushout, 3rd Baron Northwick, whose widow, Augusta, left the estate to her grandson, Captain George-Spencer Churchill in 1912.

Subsequently after being occupied by American forces in World War II it had a chequered history before being converted into apartments.

For a good overall biography see - https://en.wikipedia.org/wiki/Sir_John_Rushout,_4th_Baronet

For Sir John Rushout and his parliamentary career see -

https://www.historyofparliamentonline.org/volume/1754-1790/member/rushout-sir-john-1685-1775



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To be continued ...................




Odds and Sods to be added

Tuesday 8 October 2024

Pair of Lead Candle Sconces with Reliefs at Wilton House.



The Pair of Rococo Gilded Lead Candle Sconces with Reliefs at Wilton House.

Mid 18th Century.

Cast and hand chased.

Here attributed to John Cheere (1709 - 87).


Height approx. 24 inches

I am unaware of any other versions of these objects.

Currently located in the cloister at Wilton House.


I am very grateful to the 18th Earl and Countess of Pembroke for allowing me to visit Wilton House with my camera and for giving me free access to the sculptures at the house outside visiting hours.

I am also very grateful to the staff at Wilton House, Charlotte Spender, Sandie Buxcie, and in particular the House Manager Nigel Bailey and all at Wilton who made me feel most welcome.













Probably derived from an engraving .


Peter Boel, Dogs Attacking Boar, n.d., etching on paper, image: 7 1⁄4 x 12 1⁄2 in. (18.5 x 31.7 cm).  

Image courtesy Smithsonian American Art Museum.

https://americanart.si.edu/artwork/dogs-attacking-boar-54564

The original is in the Museum of Fine Arts Houston.

https://emuseum.mfah.org/objects/121261/hounds-bringing-down-a-boar




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Tuesday 24 September 2024

The Lead Equestrian Statue of Marcus Aurelius at Wilton House.



 The Lead Equestrian Statue of Marcus Aurelius at Wilton House.

Some very Rough Notes.

I am very grateful to the 18th Earl and Countess of Pembroke for allowing me to visit Wilton House with my camera and for giving me free access to the sculptures at the house outside visiting hours.

I am also very grateful to the staff at Wilton House, Charlotte Spender, Sandie Buxcie, and in particular the House Manager Nigel Bailey and all at Wilton who made me feel most welcome.

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Without documentary proof it is difficult to date the Equestrian statue but it has been at Wilton since before 1722 and could be Seventeenth Century.

I suspect it was cast by John van Nost I or a contemporary at Hyde Park Corner.

Detailed engravings had been available  since the mid 16th Century.


The Triumphal entrance arch and flanking lodges at Wilton House were was originally constructed as an eyecatcher on a hill south of the house c. 1758-62 by Sir William Chambers south of Wilton House, and moved to its present position in 1801 by James Wyatt who also added the two lodges. 

The triumphal arch was built to carry the equestrian lead statue of Marcus Aurelius and the 18th century Italian wrought-iron gates were bought in 1855 by Sidney Herbert.



The William Chambers Engraving.





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The Drawing of the Statue in 1722 by William Stukely

image courtesy Bodleian Library.




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The (not entirely accurate) engraving by Cary Creed.


The Marble Antiquities, The Right Honble. the Earl of Pembrokes, at Wilton are too many to be drawn by but several hands there being statues, bustos, bass-reliev's and miscellanies ...

Carey Creed (1708 - 71), 

1731.


https://archive.org/details/gri_33125008756591/page/n3/mode/2up?view=theater




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The statue is a direct copy of the bronze equestrian statue now in the in the exedra of the Palazzo dei Conservatori, Musei Capitolini, Rome (4.24 metres tall).


The Wilton version Life Size? no size available.

It might be instructive to compare the modelling of the  horse with that of Hubert le Sueur's bronze statue of CharlesI at Charing Cross and the carved wooden horses in the Line of Kings at the Tower of London.












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From Speculum Romanae Magnificentiae.

 Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?))

  1548.

Image Courtesy Metropolitan Museum New York.

https://www.metmuseum.org/art/collection/search/693776






For an overview of the Equestrian Sculpture in England, Ireland and Europe in the 17th and 18th Centuries see the series of posts on the subject.

 

 

https://bathartandarchitecture.blogspot.com/2016/08/giacomo-leoni-project-for-triumphal.html 

Project for a triumphal arch for George I.

https://bathartandarchitecture.blogspot.com/2016/08/equestrian-statue-of-prince-frederick.html 

John Cheere at Hartwell House.

https://bathartandarchitecture.blogspot.com/2017/10/george-i-marble-bust-by-michael.html 

George I at Stowe – lead by Cheere? Rysbrack?

http://english18thcenturyportraitsculpture.blogspot.com/2016/06/lord-chesterfield-etc-caricature.html  

Caricature with wooden horse.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/the-equestrian-statue-of-george-i-john.html  

Essex Bridge. Dublin, van Nost.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-william-iii-by.html 

Peter Scheemakers, Hull.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-george-i-by-van.html 

Now at the Barber Inst formerly Dublin

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-charles-i-by_22.html 

Charing Cross, Bronze by Hubert le Sueur.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/two-equestrian-statues-of-charles-ii.html    

Windsor Castle and College Green Dublin, Grinling Gibbons.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-at-newby-hall.html  

Formerly at the Stocks Market London, Anon Italian sculptor.

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-george-ii-formerly.html  

Bronze on St Stephens Green, John van Nost III.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-i-in.html 

Lead, John van Nost II, Grosvenor Square.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-i-at-stowe.html  

John van Nost II.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-i-formerly.html 

The Leicester Square van Nost II – originally from Canons House.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-i-hackwood.html 

George I, Hackwood Park. John van Nost II

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-william-iii.html   

John Cheere, Lead,  William III, Petersfield

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-prince-frederick.html 

John Cheere, Prince Frederick, Hartwell House

 http://english18thcenturyportraitsculpture.blogspot.com/2016/08/equestrian-statue-of-george-ii-by-john_3.html 

Lead. George II, Cork, John van Nost III.

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/andrew-snape-equestrian-anatomy.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/rysbrack-plaster-equestrian-statue-of.html 

Equestrian William III, Rysbrack Plaster Model, Bristol Museum.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/the-line-of-kings-tower-of-london.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statue-of-james-ii.html and Irish Equestrian Statues. 

James II, by Larson.

 

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/list-of-english-and-irish-equestrian.html

 

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/two-equestrian-statues-by-joseph-wilton.html

..........

 

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/regisole-pavia.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-of-william-iii-after.html 

Miniature equestrian bronze William III, Rijksmuseum

http://english18thcenturyportraitsculpture.blogspot.com/2016/08/the-torrie-ecorche-bronze-equestrian.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/horsemen-on-rearing-horses-survey_1.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/small-bronze-equestrian-statue-of-louis.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/the-equestrian-statue-of-louis-xiv-at.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/the-equestrian-statue-of-bartolemeo.html        Verocchio, Venice.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statue-of-gattamalata.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statue-of-heni-iv-on-pont.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statues-of-marcus-nonius.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/a-reduced-equestrian-statue-of-louis.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/roman-marble-equestrian-statue-of.html                

Caligula, British Museum.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/reduced-model-of-equestrian-statue-of.html           

Le Hongre, Dijon.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/equestrian-statue-of-louis-xiv-by.html                     

Coysevox, Paris.

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/how-to-cast-equestrian-statue-in-bronze.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/09/jean-baltazar-keller-1638-1702.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statue-of-louis-xv-by.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statue-of-louis-xiv-by.html             

Martin Desjardin, Lyon.

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statue-of-louis-xv-by_2.html      

Edme Bouchardon, Paris.

 http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statue-of-louis-xv-bordeaux.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/miniature-lead-equestrian-statue-of_15.html 

Lead Miniature by van Nost, Dublin Castle.

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/george-ii-st-stephens-green-dublin.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/henri-iv-on-pont-neuf-paris-done.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/10/equestrian-statuettes-of-louis-xiii-and.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/11/larson-equestrian-statue-redux.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/a-bronze-equestrian-statuette-of-gaspar.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/engravings-of-charles-ii-equstrian-and.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/a-general-on-horseback-hubert-le-sueur.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/pierre-hubert-archeveque-stockholm.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/saly-and-equestrian-statue-of-frederick.html

http://english18thcenturyportraitsculpture.blogspot.com/2016/12/small-iron-equestrian-statuette-at.html

http://english18thcenturyportraitsculpture.blogspot.com/2017/01/terracotta-equestrian-statuette-of.html

http://english18thcenturyportraitsculpture.blogspot.com/2017/05/how-to-make-equestrian-statue.html

http://english18thcenturyportraitsculpture.blogspot.com/2017/12/le-sueur-bronze-head-of-henri-de.html

http://english18thcenturyportraitsculpture.blogspot.com/2017/07/sir-john-hawkwood-niccolo-da-tolentino.html

Saturday 21 September 2024

Wilton House in the 18th Century - Some Drawings.



Post under Construction.

Portrait Sculpture at Wilton House Part 9.


Some Illustrations of Wilton House in the 18th Century.

Information here ref. George Vertue from Yale University Library.

https://digital.library.yale.edu/catalog/33100018



Drawings showing the floor plan and views of the walls on which were hung paintings and against which statues and other artwork were placed.

The second drawing is titled "Plan of rooms that contains [sic] the statues & the pictures" in ink above, and the fourth drawing is titled "View of one end of the great room design'd by Inigo Jones" in ink below. 

The first drawing depicts a large painting by Van Dyck on the wall at a different end the great room, described in the printed text as "a landskip [sic] with dogs, and in the clouds are three angels ...".

 

Bound by Horace Walpole in his copy of: Gambarini, C. Description of the Earl of Pembroke's pictures. Westminster : A. Campbell, 1731.

Bound in old mottled calf. With slipcase.

Provenance

Bought by Horace Walpole at the Vertue sale (March 1757); Strawberry Hill sale (1842) to H.G. Bohn for William Beckford. With Walpole's bookplate (BP1). Maggs; October 1931.


The Drawings of the Double Cube Room by George Vertue (1684 - 1756).

Drawn between 1731 and 1756?

The busts represented in these drawings are almost certainly antiquities.






The seat furniture shown here with protective coverings - the magnificent furniture by William Kent did not arrive until after 1822 and was made originally for Wanstead House. 

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The Double Cube Room in 1904 showing the antique busts on Pedestals.

The terracotta busts of the 6th Earl by Scheemakers and Francis Bacon by Roubiliac are now on pedestals against the wall.










Tuesday 10 September 2024

Portrait Sculpture at Wilton House, Part 8. The Statuette of Inigo Jones.

 


Post under construction.

The Plaster Statuette by/after Michael Rysbrack on the Chimneypiece in the Ante Room at Wilton House.

It appears to be unique - I have as yet not discovered any further examples.

Photographs of the statuette taken by the author.

I am very grateful to the 18th Earl and Countess of Pembroke for allowing me to visit Wilton House with my camera and for giving me free access to the sculptures at the house outside visiting hours.

I am also very grateful to the staff at Wilton House, Charlotte Spender, Sandie Buxcie, and in particular the House Manager Nigel Bailey and all at Wilton who made me feel most welcome.

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The first mention of a portrait in three dimensions of Inigo Jones is that of a bust by James Marshall (1598 - 1675).

Marshall whose address was Fetter Lane, according to John Aubrey made the bust for the monument to Inigo Jones in St Benets Church, Pauls Wharf. City of London which was severely damaged in the Great Fire of London and rescued by James Marshall - it has since disappeared.

St Benets was rebuilt and reopened in 1683 by Christopher Wren.There is an excellent mural monument to  Baronet Sir Robert Wyseman d.1684 believed to have been carved by Grinling Gibbons with a very good portrait relief by Arnold Quellin. 

see - http://www.speel.me.uk/chlondon/stbenetspaulswharf.htm

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The Plaster Statuette of Inigo Jones.

This figure follows very closely the statue by Michael Rysbrack at Chiswick House.

This very fine statuette has long been given to John Cheere but evidence of an earlier statuette of Inigo Jones from 1728 might suggest that it is an early cast by another hand.

In a letter to Sir Edward Littleton in 1758 Rysbrack stated that the casting in plaster was "a thing entirely out of my way"

For the project by Joseph van Haken to launch plaster editions of the Rysbrack's statuettes of van Dyke, Rubens and du Quesnoy mentioned in the Daily Advertiser 19 December 1743.

see - https://bathartandarchitecture.blogspot.com/2015/11/the-rysbrack-statuettes-of-rubens-van_7.html


George Vertue wrote in 1743 -  'Mr Van acken – whose draperys silks satins Velvets, gold & embroideryes which he dos paint for several of them painters extreamly well- and is a great addition to their works and indeed puts them so much on a Level that its very difficult to know one hand from another'

 

From the above news clipping it is clear that van Aken had a business relationship with Michael Rysbrack. Whilst the terracotta statuettes were clearly in his possession, the plaster reproductions were being sold from Rysbrack's business premises at Vere Street, Oxford Market. 

It is unclear who cast these statuettes but it is unlikely that they were made by Peter Vanina, who was first recorded working for Rysbrack after 1753. In 1758 when Sir Edward Littleton approached Michael Rysbrack for plaster copies of his own portrait bust, Rysbrack replied that making multiples was ‘a thing Entirely out of my way’, going on to say that he had consulted ‘Mr Vannini, the Caster in Plaster of Paris. (Whom I Employ when I want). Peter Vanina owned a pair of the statuettes of Rubens and van Dyck which were disposed of from his house in Dover Street in his 2nd sale of 3 July 1770 on the occasion of 'his going abroad', (Rupert Gunnis 1951).


The crisp tool marks particularly on the back of the column illustrate that it had been cast from a piece mould taken directly from the terracotta.

Cheere did not establish his business at Hyde Park Corner until 1738.








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The Statuettes of Palladio and Inigo Jones for Henry Hoare of Stourhead


In 1727 Rysbrack sold Henry Hoare of Stourhead a bust and statuettes of Inigo Jones and Palladio, both bust and statuettes have now disappeared.

 An Agreement between Rysbrack and Henry Hoare 10 October 1727 states  'a bustow of Inigo Jones in Statuary marble' £35 0 0d, a pedestal £2 10s and two figures of Inigo Jones and Palladio in plaster £ 1 10s.

 In Langford's sale of 1766 for Rysbrack,  p.4 First day lot 69. Two figures of Palladio and Inigo Jones the original models for the figures of Lord Burlington at Chiswick House.

 Info here from Roman Splendour ..... Jervis and Dodd, pub. 2014.

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The Preliminary Drawings by William Kent.

for the Statues of Palladio and Inigo Jones for Burlington House.

Victoria and Albert Museum.









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The Rysbrack Statue of Inigo Jones and Palladio at Chiswick House.

Designed by William Kent and carved by Michael Rysbrack. 

c. 1720/23.

Life Size - Portland Stone.

The Statue of Inigo Jones Paired with a statue of Palladio.

They were installed  initially on the main façade of  Burlington House, Piccadilly designed by Colen Campbell and completed  in 1720  shortly after the return of Burlington from  his Italian Grand Tour .

They are described by Cambell in his third volume of Vitrivius Britanicus of 1725 standing in "two niches in flank fronting each other where the noble patron has prepar'd the statues of Palladio and Jones in honour to an art of which he is the Support and Ornament".

They were shortly after moved to Chiswick House. In 1728 and  were recorded by a French visitor as standing in one of the pavilions "in one of those buildings two rather good figures of Inigo Jones and of Palladio".


A pair of  marble busts by Guelfi were also supplied to Burlington in 1729 - it has been suggested in the past that these are the busts at Chatsworth but I find this difficult to believe given the quality of his known busts. If these busts are not copies of the top sections of the Rysbrack figures by Guelfi -then they are missing.

See the article by Richard Hewlings the Architectural Historian Formerly with English Heritage.

 The English Heritage Historical Review, Vol II. 2007. Publication of this journal has sadly ceased.

For nearly everything one needs to know about Kent see the excellent William Kent Designing Georgian Britain Edited by Susan Weber, pub. Yale 2014. Expensive but worth the price of entrance.

For more and the complete article The Statues of Inigo Jones and Palladio at Chiswick House by Richard Hewlings in The English Heritage Historical Review, Vol II. 2007.

see my post.

https://bathartandarchitecture.blogspot.com/2017/08/soane-museum-5-bust-of-inigo-jones.html

I am extremely grateful to Richard Hewlings and his wife for their warm welcome and generosity on my visit to their home and for providing me with this article.






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The Royal Institute of British Architects Statuette of Inigo Jones.

This Statuette is entirely different from the Wilton House version.

with the figure here supported by a round column.


 Photograph from the RIBA Journal Vol 38. 7th Feb. 1931.






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The reproduction of the RIBA plaster cast of the Statuette of Inigo Jones.





This statuette is a cast of a plaster cast believed to have been taken from the terracotta statuette in the RIBA collection.

This statuette was cast from a plaster cast of the original terracotta by Mark Latrobe of Plasterworks in Cross Street in Islington, for the late Ben Weinreb in about 1995. 

The story told to him was that the RIBA terracotta was damaged in the Blitz of WWII and had been restored and cast by staff at the British Museum although Charles Hind of the RIBA casts doubt on this.


The original at the RIBA and a 4 or 5 of these 1990's plaster casts are to my knowledge the only versions of this statuette extant.

Katherine Esdaile published on the statuette in the RIBA Journal Vol 38 of 7 Feb 1931.

I'm afraid that very little of what Mrs Esdaile wrote can be entirely relied upon. She states the RIBA statuette is of plaster when I am reliably informed by Charles Hind that it is of terracotta. She also states that the figure of Inigo Jones on the Walpole Cabinet is the same as this statuette (see below).

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The Lead Statue at Holker Hall.






















From the English Fireplace by L.A.Shuffrey. pub. Batsford. 1912.

 

 

M Webb in Michael Rysbrack 1954 notes that this statuette was gilded.


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The Kirkleatham Plaster Statuette of Inigo Jones.

Supplied in 1749 by John Cheere to Chumley Turner of Kirkleatham Hall.

 

 

One of a series of 19 Bronzed Plaster Casts - 10 statuettes and 9 busts 

each statuette approx. 40 - 46 cms tall.


The Art UK website whilst it has some excellent multi views of these objects it does not have this statuette of Inigo Jones but shows a statuette of Spencer.


Illustrated below is a very low resolution image of the York Museums, Kirkleatham figure supplied by John Cheere.

Milton inscribed Cheere Ft 1749.



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Catalogue of the Effects etc belonging to Francis Cotes by Langford and Sons, on the premises South side of Cavendish Square 21 February 1771 and the following three days.

Page 13, on Saturday the third day of the sale in the Pupils Room continued from page 10

 Lot 35. Three fine casts from Rysbrack of Fiamingo, Inigo Jones and Palladio.

The Fiamingo presumably the cast first available from Rysbrack and van der Haken along with Rubens and van Dyck which were advertised in the Daily Advertiser 19 December 1743.

The Inigo Jones could be one of the two versions, but I am so far unaware of the survival of any statuettes of Palladio (another was supplied to Henry Hoare at Stourhead along with a plaster statuette of Inigo Jones and a marble bust of Inigo Jones all three pieces have gone missing.



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A Statuette of Inigo Jones is listed in the 1777 Plaster Sculpture Catalogue of  Charles Harris of the Strand.

 Size 1' 10".

 They also sold busts of Inigo Jones 'Large as Life' and 24" which could be paired with busts of  Palladio.

 

see - http://english18thcenturyportraitsculpture.blogspot.co.uk/2016/01/charles-harris-catalogue.html

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There is no mention of plaster casts of either the figure or the busts of Inigo Jones in the Catalogue of Robert Shout of c. 1815.

This does not mean that Shout and Co did not produce earlier versions the company was in existence by 1785.

see my blog entry for the Shout printed Catalogue and the bust of Palladio at the Soane Museum and its earlier variants.

https://www.blogger.com/blog/post/edit/702151177689238318/6621006501656627815

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The Rysbrack Busts at Stowe and Chatsworth Compared.




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of Tangential Interest.

The Bust of Inigo Jones at Carpenters Hall. City of London.

c. 1780. Ref. Dictionary, Rupert Gunnis.


A bust of Inigo Jones was provided to the Carpenters Hall, City of London 

by John Bacon the Elder (d.1799).

 

There is an extremely fine terracotta bust of Inigo Jones at the Royal Institute for British Architects.

It is attributed to Matthew Noble (1817 - 76) on the Art UK website.

I suggest that this bust of Inigo Jones is in fact by John Bacon the Elder.

Images of it are available online -

https://artuk.org/discover/artworks/inigo-jones-15731652-275409


and the RIBA website - https://www.ribapix.com/Inigo-Jones_RIBA138811

which describes the bust as 18th Century.

They say acquired from James Noble (1794 -.1875) in 1873.

It has an almost illegible painted inscription - Noble 1873.

H 45 x W 20 x D 25 cm

James Noble Fellow of the RIBA was the principal assistant to CR Cockrell.

Nobles address in 1843 was 45, Half Moon Street, Piccadilly

As far as I can tell the two Nobles were not close relatives.


I would suggest that this inscription refers to when it was presented to the RIBA and not the sculptor and that this very fine bust was modelled by John Bacon the Elder.

Another pointer to Bacon is the use of a buff coloured clay - Bacon was long associated with the Coade Manufactory in Lambeth and the clay used here has the appearance of the Coade type buff  terracotta.

































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Again of Tangential interest -

The Bust of Inigo Jones by John Bacan I on a Keystone above the Entrance Gateway to Carpenters Hall.


William Jupp the elder (d. 1788), architect, exhibited two designs for gentlemen's seats at the Society of Artists in 1763 and 1764. He rebuilt the London Tavern, Bishopsgate Street Within, after the fire in 1765. In 1780 he designed the new entrance hall and staircase of Carpenters' Hall, London Wall, for which the stucco decorations were executed by Bacon. It is richly decorated in basso-relievo with emblematic figures and implements used in Carpentry, curiously and prettily grouped, and with headsof Vitruvius, Palladio, Inigo Jones, and Wren, designed by Bacon.

https://www.ribapix.com/design-for-the-entrance-to-carpenters-hall-london-wall-and-throgmorton-street-city-of-london_riba36894

.....

Historical Account of the  Worshipful Company of Carpenters …… by Edward Basil Jupp 1848

https://ia601907.us.archive.org/30/items/historicalaccoun00jupp/historicalaccoun00jupp.pdf

For a very useful overview see

https://www.londonlives.org/static/CarpentersCompany.jsp




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The Wedgwood Collection bust of Inigo Jones.

no size on the website.

The eared socle suggests a late 18th or 19th Century version by Shout or Sarti.

Presumably approx 22 inches.

https://collections.vam.ac.uk/item/O1388810/bust/









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For much more on the portrait Busts and statues of Inigo Jones see -


https://bathartandarchitecture.blogspot.com/2017/08/soane-museum-5-bust-of-inigo-jones.html

https://bathartandarchitecture.blogspot.com/2017/08/soane-museum-5-continued-bust-of-inigo.html



For a list of my posts on 18th century portrait sculpture see - 


https://bathartandarchitecture.blogspot.com/2019/02/chronological-list-of-roubiliac.html