The Chimneypieces of Sir Robert Taylor.
Sir Robert Taylor (1714–1788),
Sculptor, Architect, and Founder of the Taylor Institution, Oxford.
William Miller (c.1740–c.1810) (possibly after).
Taylor Institution, University of Oxford.
The purpose of this website is to illustrate and discuss English sculpture of the 18th century - I will of course touch on the work of Taylor as an architect and property developer but here is not the place to go into detail - I will leave that to others.
Taylor is important as an architect and designer in that he commenced as a late Palladian working with Henry Cheere as apprentice and assistant, fully embraced the Rococo in the 1750's particularly with his designs for chimney pieces and graduated as an architect to the neo classical.
For much more on his architecture see - Thorncroft Manor, Leatherhead by Richard Garnier
Georgian Group Journal Vol XV1, 2008 pp 59 - 88.
https://georgiangroup.org.uk/wp-content/uploads/2020/10/GGJ_2008_06_GARNIER.pdf
Initially, he specialised in sculpture and funerary monuments, and he was chosen in a competition to carve the pediment of Mansion House, beating both Roubiliac and his old master Cheere to the commission.
His most famous work in the field of funeral monuments was the monument to LT General Guest in Westminster Abbey, dated 1751.
At the time of the building Act of 1774, Taylor was working on Ely House in Mayfair, Here he created shallow recesses between it and its neighbours — a seemingly insignificant device but one that gives the house a sense of depth and detachment, allowing cornices to return unimpeded, and the string courses and stone blocks to be silhouetted.
By repeating this visual trick in the upper
sections, with increased gaps, he creates a taper, giving the building its
sense of vitality and upward movement.
Taylor executed a number of commissions for the Duke of
Grafton, including Grafton House in Piccadilly, which was demolished in 1966.
Of the 14 houses he built in Grafton Street, Mayfair, four survive, early
examples of his principles put into practice, with balanced and elegant
frontages that belie the grand interiors within.
One of these was built for Admiral Lord Howe, for whom Taylor and his pupil Samuel Pepys Cockerell later designed Admiralty House off Whitehall.
Taylor was knighted in 1784, having been appointed surveyor for a
number of bodies and institutions, including the Admiralty, Greenwich Hospital
and Customs and Excise.
In
due course, Taylor’s own memorial would be placed in Poet’s Corner, the
inscription pronouncing that ‘his works entitle him to a distinguished rank in
the first order of British architects’.
Binney says Sir Robert became a Sheriff of London in 1783 and is wearing Sheriff’s robes in the portrait. The Oxford Dictionary of National Biography also attributes the painting to William Miller.
Much of his output has been lost — in particular his Rococo chimneypieces.
It appears that only six that we know of so far have survived. A further three are shown in photographs from 35 Lincoln’s Inn Fields taken during the Survey of London in 1912, the building was destroyed in the Blitz of 1940.
Nonetheless, those black-and-white photographs reveal what they looked like. We know, that there was was one pure English Rococo chimneypiece in the front room on the ground floor, one in the middle room on the first floor, and a large stone one in the basement kitchen?
Designs for Chimney-Pieces with Mouldings & Bases at
Large,
Also pasted in the volume are 15 sheets of drawings in pencil and ink of chimney-pieces etc. of which 5 are probably by Sir William Chambers
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https://collections.soane.org/THES79738
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The Jamb Taylorian Limestone Chimneypiece.
Carved in a fine-grained limestone around 1750 by Sir Robert Taylor. Researches suggests this chimneypiece was once in the dining room of 36 Lincoln’s Inn, one of two grand houses designed by Taylor on this street. These properties were designed as a pair.
This building was
demolished in 1859, whilst number 35 was lost in the blitz.
Possibly from the dining room considering the Bacchic iconography.
In the Survey of London in 1912 there is a record for a remarkably similar stone chimneypiece of this style in the basement of 35 Lincoln’s Inn, having been moved from the principal room when the building was reconfigured for office use.
https://www.jamb.co.uk/blog/a-highly-important-18th-century-chimneypiece-by-sir-robert-taylor/
https://www.westlandlondon.com/antiques/fireplace-period/rococo/view/14549.asp
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The Jamb Taylorian Chimneypiece.
Jamb - Pimlico Rd, London.
White Statuary Marble with Sicilan Jaspar Inlay.
Internal height 48⅝in (123.5cm) width 48¾in (124cm).
Footblock to footblock 68⅞in (175cm).
Shelf depth 9½in (24cm).
The Jamb websiteAn almost identical chimneypiece was designed by Taylor for
35 Lincoln's Inn Fields in 1754, but which was later demolished.
https://www.jamb.co.uk/fireplaces/antique-chimneypieces/georgian/g497/
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For more on Taylor with particular reference to Trewithin, Cornwall see -
Christopher Hussey, ‘Trewithen Cornwall – II’, Country Life Magazine, 9 April 1953, p. 1073.
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For the catalogue of Taylor's Architectural books see -
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