Thursday, 24 July 2025

A Lead Sundial Figure of Father Time - sold by Messrs. Dreweatts of Newbury

 

From The Collection  from Flaxley Abbey: An Oliver Messel Commission. 

Flaxley, Forest of Dean, Glouc.

3 October 2022, Lot 290.

 152cm high overall.

The maker of the bronze sundial was Benjamin Martin who worked between 1738 and 1777 from one address in Chichester and five in Fleet Street and latterly as Benjamin Martin & Son until 1782 when the firm went bankrupt.


https://auctions.dreweatts.com/past-auctions/drewea1-10317/lot-details/b693e070-d186-46e1-af1f-af05009cdba9

Attributed to John Cheere from a model originally conceived by John van Nost!

The solid gnomon and dial above the crouching figure of Father Time or Kronos, the dial signed "B Martin London  and indistinctly engraved with the Boevey escutcheon of arms the base 92cm wide 74cm deepProvenance:Possibly acquired by Thomas Crawley-Boevey, 1st Bt. of Flaxley (1709-69), at the time of his marriage to Susanna (née Lloyd) in May 1743, and by descent at Flaxley Abbey, Gloucestershire.

It was sold at auction and removed from the premises of Flaxley Abbey, Gloucestershire.

Flaxley Abbey, Gloucestershire: Catalogue of the Valuable Contents, Bruton, Knowles & Co., 29 March - 5 April 1960, lot 1009.


There are two similar sundials of this particular kneeling form of Time. One, shown on a  receipt dated for 1743 by John Cheere, was at Blair Castle, Perthshire (RCAHMS SC 763911).

Another version of Father Time was formerly at St. Osyth Priory, Essex- however it has been noted that this one was of a slightly different form- with just one hand holding the plate above. It was listed in the house sale of 1920 as: 'A fine XVII cent. cast lead figure of Time supporting a sundial, 3' 6" high on a square stone base' (In fact, it was 18th century and life-size). The sundial failed to sell, and remained at St. Osyth Priory until 1986; its present whereabouts are unknown.


An almost identical sundial to this lot was offered for sale by Seago Antique Garden Furniture, formerly at 22 Pimlico Road London, and illustrated at the back of John Davis "Antique Garden Ornament" (Antique Collector's Club 1991). 

The Seago lead statue of Father Time is recorded with provenance for Fonthill House, Wiltshire, home of Alderman William Beckford. Unfortunately its current whereabouts is unknown and the maker of the sundial plate unrecorded.



















...........................


The trade Card of Benjamin Martin.

Image courtesy Science Museum.

https://collection.sciencemuseumgroup.org.uk/search?q=Benjamin%20Martin



......................


The Fonthill Lead Statue of Father Time.



................................

Chronos/ Time.

Limestone.

The Wings have been broken off.

1880 x 800 x 840 mm.

Anglesey Abbey, Cambridge.

The usual poor quality National Trust Image!

https://www.nationaltrustcollections.org.uk/object/516672






https://www.nationaltrustcollections.org.uk/object/516672


............................

The Duncombe Park Chronos / Time.

Probably by John van Nost.

Duncombe Park near Helmsley, North Yorkshire.

Probably Portland Stone.

The house was completed in 1713 for Thomas Duncombe (born Thomas Brown) to designs by the Yorkshire gentleman-architect William Wakefield.

 It was remodelled in 1843 by Sir Charles Barry. In 1879 the main block was gutted by fire and remained a ruin until 1895 when rebuilding was carried out by William Young.

The Sundial is perhaps contemporary with the building of the house in 1715.

It was possibly carved by John van Nost II (d.1729) the nephew of John van Nost I (d.1710).

or by Andreas Carpentier the assistant of John van Nost I

Al three had workshops at Stone Bridge Portugal Row by Hyde Park Corner.



https://commons.wikimedia.org/wiki/File:Duncombe_Park_Father_Time_Sundial_and_Ionic_Temple_01.jpg


Images below from the excellent di Camillo website.

https://www.thedicamillo.com/house/duncombe-park/










A Monument by Henry Cheere in St Mary's Church, Wotton under Edge, Gloucestershire, another to Richard Osborne here suggested as by Robert Taylor, and a third to William Tanswell inscribed Giuseppe Marcelli.

 


All the monuments in this church could be vastly improved with a very gentle wash.


The Mural Monument to Mrs Mary Blagden, Daughter of Daniel Adey of Comb.

Died 1761.

see my previous post for the Robert Taylor Monument to Daniel Adey.

https://bathartandarchitecture.blogspot.com/2025/07/robert-taylor-monument-to-daniel-adey.html


Another Cheere monument that displays the signature detail of the apron supported by acanthus leaf brackets and the use of  expensive Sicilian Jaspar and sienna Marble veneers.

The carving of the putti is of the finest quality.







...........................

Monument to Thomas Jones.

Chislet, Kent.

Image courtesy Conway Library.





...............................

Monument to John Strange

d.1757.

Leyton, Essex.

Image Courtesy Conway Library.




................................

David Polhill Monument.

Otford Kent.

1754.

Image courtesy Conway Library.










............................


Monument to Richard Osborne.

d. 1749.

Here suggested as by Robert Taylor.












.....................................

The Taswell Monument.

The Rev. William Taswell II (1733 -75). BA & MA Christchurch, Oxford.

It is inscribed Giuseppi Marcelli of Rome.

1775.

Taswell was the Vicar of Wotton Under Edge (18/12/1738 - 07/12/1775).

The apocryphal story is that the monument was captured at sea on a French ship by the Rev. Taswell (Gunnis).

Given his occupation this appears most unlikely.

https://theclergydatabase.org.uk/jsp/persons/DisplayCcePerson.jsp?PersonID=51664

William Taswell II was the son of Dr William Taswell I. DD. (d.1731). Rector of Newington and St Mary Bermondsey, whose short amusing but rather horrifying autobiography was transcribed by Rev Henry Taswell the son of William Taswell II. It gives accounts of the Plague and the Great Fire of London.


For the Autobiography of William Taswell I transcribed by Rev. Henry Taswell Vicar of Marden see 

https://ia800206.us.archive.org/30/items/autobiographyane00taswrich/autobiographyane00taswrich.pdf

........................


Of tangential interest - William Taswell I provided the inscription on the Equestrian Statue of Charles II at the Carfax Conduit by the Stocks Market Cornhill in the City, set up in 1672 .

The statue was made in Italy and originally represented John Sobieski, King of Poland, trampling a Turk. The head was replaced by Jaspar Latham to make it appear more like Charles II.

This most peripatetic of statues is now at Newby Hall,Yorkshire. It was removed to Nuneham Courtany (accordingwhen the area was cleared for the construction of the Mansion House in 1737. 

https://english18thcenturyportraitsculpture.blogspot.com/2016/07/equestrian-statue-at-newby-hall.html

.........