Post currently under construction.
Louis Francois Roubiliac (1703 - 62).
For the busts of Sir Francis Dashwood at West Wycombe here suggested as by Roubiliac given the evidence of the socle type used on two of these busts.
see my last post
https://bathartandarchitecture.blogspot.com/2025/08/three-busts-of-francis-dashwood-at-west.html
The Plaster Busts of the Poet / Satirist Paul Whitehead (1710 - 74).
Two versions of the Paul Whitehead bust were put up for sale in the sculptor's posthumous
sale, 12-15 May, 1762, being lot 14 of the first day - a plaster bust and Lot 15 of the third day again in plaster.
A mould for these busts was also sold Lot 63, Day 2.
Paul Whitehead, Sir Francis Dashwood and John Wilkes (elected 1754) and William Hogarth were all members of the Sublime Society of Beefsteaks. (Membership limited to 24) -
All had their busts modelled by Roubiliac.
Paul Whitehead wrote the epitaph on the 1749 monument to the Duke of Argyle (d. 1743) in Westminster Abbey by Roubiliac.
The socle of this bust is the variation of the fairly standard square plan tapering version used in England throughout the mid 18th Century, but with the circular Dassier type medallion on the front as seen in the Roubiliac busts of Sir Andrew Fountaine of 1747 (Wilton House and Narford Church, Norfolk), the marble bust of the Countess of Pembroke of c. 1750 (Wilton House), the marble bust of Henry 9th Earl of Pembroke (Wilton House), the bust of Martin Folkes (Wilton House) the Marble bust of Lady Grissel Baillie inscribed 1746 (at Mellerstain House) and the marble bust of Lady Murray 1747 (also at Mellerstain) and the drawing of the bust of Lord Ligonier by Nollekens at the Harris Museum and art Gallery.
These round panels also appear on the reverse side of
several medallions by the Swiss Jaques Antoine Dassier (1715 - 59).
It has been suggested by Eisler (in The Medals of the
Dassiers of Geneva / Les médailles des Dassier de Genève pub 2010) that the
medallions were modelled in wax in England and struck in Geneva. This might
suggest a link between the Gossets and the Dassiers.
For an in depth look at the Dassier Medallions see -
https://bathartandarchitecture.blogspot.com/2015/10/jacques-antoine-dassier-16-medallions.html
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I have in previous posts looked in some depth the types of socles used by Roubiliac - see my previous post on the busts of Sir Francis Dashwood at West Wycombe Park.
https://bathartandarchitecture.blogspot.com/2025/08/three-busts-of-francis-dashwood-at-west.html
and a brief look at the Roubiliac Socles on the Wilton House busts with detailed photographs see.
https://bathartandarchitecture.blogspot.com/2024/09/the-socles-on-busts-by-roubiliac-at.html
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The Nollekens Drawing of the bust of Lord Ligonier probably at the posthumous sale of Roubiliac in May 1762at the Harris Museum and Art Gallery, Preston, Lancs. Illustrating the use of the Dassier type medallion on the socle.
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For my first post on the 18th Century Portrait Busts at West Wycombe see -
I think I've improved since this early post!
https://bathartandarchitecture.blogspot.com/2015/07/frederick-louis-of-wales-1707-51.html
I am very grateful to Sir Edward Dashwood of West Wycombe
for allowing me the opportunity to visit West Wycombe in July 2015 and to photograph the
sculpture.
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The Secrets of the Convent
Engraving by Matthias Darly. 1765.
Image courtesy British Museum.
https://www.britishmuseum.org/collection/object/P_1868-0808-4373
A satire on Francis Dashwood's patronage of Paul Whitehead, and on the "Monks of Medmenham". Both men shown dressed as monks.
Dashwood offers a chalice to a version of the statue of the Capitoline Venus Pudica, "Mater Omnium
Sanctorum" while Whitehead approaches holding his book
"Manners", an anti-Walpole satire published in 1739, and "The
History of St Hubert"; on the floor, at right, lies an open book letterd
"By Ovid mongst many more wonders / Hymns / A Soldie[r] & A Sail[or] /
A Tink[er] / & a Taylo"; the verse below refers to Whithead's appointment
as deputy wardrobe keeper to the king, and to Lord Bute's influence.
Whitehouse was secretary and steward of the "Order of St Francis"; in 1761 Dashwood had procured for him the post of Secretary to the Treasurer of the Chamber, said to have been worth £800 a year.
Stephens quotes an advertisement for the print in the Public Advertiser, 22 January 1763; the price is 6d. and publication details are given as "Matt. Darly at the Acorn in Ryder's Court, near Leicester Fields".
According to
Patrick Woodland (ODNB) this print was the first to expose the libidinous
activities of Dashwood's "Monks of Medmenham".
Note - Versions of the Venus Pudica had been available in England since the 17th century includina full size bronze by Hubert le Sueur.
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The Marble Bust of Martin Folkes at Wilton House showing the Dassier type medallion on the socle.
with the date of 1759.
For more on the busts at Wilton House and their variants see -
https://bathartandarchitecture.blogspot.com/2024/09/the-socles-on-busts-by-roubiliac-at.html
The Plaster Bust of Henry Herbert, Earl of Pembroke in the Library at Wilton House
It again utilises the Socle with Dassier type Medallion as used on the marble at Wilton House.
The same type socle is used on the marble bust in the Cloister at Wilton - I was unable to photograph it on my visit to Wilton as the side of the Socle with the Dassier type medallion has been turned to face the wall.
I am very grateful to Malcolm Baker for supplying me with this image.
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The Mellerstain House Marble Busts of Lady Grissel Baillie (1745 - 47
and Lady Murray which utilize the socle with the Dassier Medallion.
The terracottas of these two busts at Tyninghame have the plain square section waisted socle.
They are niches in the Library designed by Robert Adam (1770 - 75)
Daughter of 1st Earl of Marchmont and Grandmother of Grizel,
Countess Stanhope. 1745.
Lady Murray.
Louis Francois Roubiliac.
The Marble Bust.
Inscribed 1746.
Image courtesy Art UK website.
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Of tangential interest ....
The plaster bust of Lady Murray at Mellerstain.
Presumably cast from the terracotta at Tyninghame House illustrated with very old photographs below.
I have tried several times to locate the pair of terracottas but have so far been unsuccessful.
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The Tyningham, Terracotta Busts.
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For the wax portrait reliefs by Isaac Gossett (1713 -99) see -
My first post on the subject -
https://bathartandarchitecture.blogspot.com/2016/06/group-of-wax-portrait-reliefs-of.html
and a much more in depth look at my return to the subject
https://bathartandarchitecture.blogspot.com/2025/02/wax-portraits-by-isaac-gosset-missing.html