Monday, 10 May 2021

 


This post under construction.


Samuel Tufnell (1682 - 1758) - Art and Architecture.


 Langleys, Essex.

(not to be confused with Langley Park Norfolk)

Part 2.

see my previous post -

https://bathartandarchitecture.blogspot.com/2021/04/two-busts-of-samuel-tufnell-mp-1682-1758.html


East Front


Image from Aerofilms 1949

 

The original house at Langleys is of uncertain date, but it belonged to the Everard family in the C16. 

In 1711 it was acquired, along with 87 acres (c 36ha) of land, by Samuel Tufnell who, according to Morant (1768), was the son of a very rich and eminent London merchant.

Tufnell paid £5498

 Tufnell demolished part of the mansion and rebuilt the house in its present form, to designs by William Tufnell (resident architect at Westminster Abbey, no relationship yet proved).

 Whilst work on the house was underway Charles Bridgeman (d 1738) was commissioned to lay out the grounds, although apart from a receipt confirming he was paid £156 7s 2d for the work, no further documents or plans survive to give any detail of what was done (Account book, ERO).










West Front












Engraving of Langleys

c 1819.
___________________


The Old Library at Langleys.

Part of the original Everard 17th century house retained by Samuel Tufnell when the house was rebuilt. The superb plasterwork of c.1603.




NB. The white painted plaster bust of Alexander Pope on the bookcase as mentioned in Wimsatt's Portraits of Alexander Pope.

see - http://bathartandarchitecture.blogspot.com/2014/01/the-roubiliac-type-leadbusts-of.html




The bust of Pope this time is on the far left on top of the bookcase along with 4 others

A black painted bust and three white painted busts.

Horace, Virgil, and unidentified perhaps Isaac Newton. 





From in English Homes Latham 1907 (see extract below).





___________________




Image taken for Country Life 1942




Crop of the above photograph of the Library.

_______________






The photograph above and below clearly showing the bust of Pope and bust of Horace (another Horace of this type by John Cheere is at York Museum from Kirkleatham).

The socles of the busts of Pope and Horace match and therefore must have come from the same source (probably John Cheere?).







_______________________




Photographs from Historic England showing the magnificent plasterwork in the old dining room and library in the earlier part of the house retained by Samuel Tufnell when the house was rebuilt.


_______________________


Article below from the Connoisseur Magazine January 1958.

https://archive.org/details/connoisseurill140141lond/page/212/mode/2up


A good general introduction to Samuel Tufnell, the Tufnell Family and Langleys.
















#


















_____________________________________


Langleys, 1907, extract from -

In English Homes Volume II Charles Latham, 1907.

Available online at https://archive.org/details/in-english-homes-vol-2-31295007279283




























Research Notes: lifted entirely from - https://thesignsofthetimes.com.au/32/58386.htm

 

John TUFNAILE, esq. of London, merchant, and of Monken Hadley, in the county of Middlesex. 2

 

------------------------------------

 

John Tuffnayl is named as a beneficiary in the Will of his late sister Katherine Houblon of St. Olave, Southwark, (co. Surrey), widow (proved Jul 1644).

 

------------------------------------

 

On 24 Oct 1689 John Tufnaile St. Martin Outwich, London was granted Letters of Administration of his late wife Elizabeth's personal estate. 5

 

------------------------------------

 

Abstract of the Will of John Tufnaile of London, Merchant, written 1 Jul 1699, proved 20 Nov 1699. 6

 

Desires to be buried in the parish churchyard where he now lives as near to his late wife as possible.

 

Gives, devises & bequeaths £4,000 to his current wife, pursuant on an agreement made between them shortly before their marriage.

 

Also gives & bequeaths to her all the pearls, diamonds and other jewells he presented her, and a further sum of £500 in trust for his son Samuel who is not yet 21 years old.

 

Gives & bequeaths to his brothers[-in-law] Samuel Moyer, Edward Northey and William Jolliffe Esq. all his messuages, lands, tenements and hereditaments until his son Samuel comes of age.

 

Gives & bequeaths to his daughter Rebecca his best pearl necklace that belonged to her late mother.

 

Gives & bequeaths to his daughter Elizabeth his other pearl necklace and a pair of diamond pendants that belonged to her late mother.

 

And as touching and concerning such part of his moneys, goods, chattels and other estate whatsoever which by the custom of the City of London he has the power to give, devise and dispose of, he gives devises & bequeaths the same to his said son Samuel on condition that out of the same he pay to his sisters £4,500 each, and to John's brother and sister Moyer £30, to John's brother and sister Northey £30, and to John's brother Jolliffe £20, to John's brother and sister Merrick £20, to John's brother and sister Burrell £20, to John's cousin John Hiccocks £10, to his cousin Harbert Springet £20 and to his cousins Richard, Anthony & William Springet £10 each, to Mr Barrow, minister, £20, to his cousins George, John & Elizabeth South £10 each, to Dr Fleetwood £20, to John's four servants now living with him £5 each.

 

And in case after the payment of his debts and funeral expenses and the legacies before given his said son Samuel shall have the remainder of his goods, chattels and personal estate which shall make up his part and share thereof which he can or may claim by the customs of the City of London the sum of £11,000, then he shall pay to his sisters £500 each in addition to what hee has already given them.

 

Constitutes and appoints his son Samuel executor of his last will and testament.

 

Appoints his said brothers[-in-law] Samuel Moyer, Edward Northey and William Jolliffe guardians of his said children until his son Samuel reaches the age of 21 years.

 

Witnesses: Wm Fleetwood, Harbt. Springett, Wm Martin his clerk.

 

 

  Marriage Information:

 

John married Elizabeth JOLLIFFE, daughter of John JOLLIFFE, Alderman of London, Esq., and Rebecca BOOTHBY, on 2 Dec 1680 in St. Martin Outwich, London, England. (Elizabeth JOLLIFFE died shortly before 24 Oct 1689.)

 

  Marriage Notes:

 

Deed, 1680 7

 

Deeds of Messuage, adjoining messuage called "King's Head", and lands (16a.), land (13a.) containing conduit, and messuage called "Kings Head", all in Deptford (co. Kent); and messuage, formerly in 2 tenements, in Monken Hadley (co.Middx.)

[Pre-nuptial Settlement on mar. between John Tuffnayle, merchant, and Elizabeth Jolliffe,, spinster (one of daughter of John Jolliffe, esq., decd.), all of London; recites 1636]

 

---------------------------

 

John Tufnaile and Elyzabeth Jollife 3

 

  Marriage Information:

 

John also married Lettice MERICK on 23 Aug 1693 in Canterbury, Kent, England. (Lettice MERICK died between 7 Dec 1722 and 21 Jun 1726 in Beckenham, Kent, England.)

 

  Marriage Notes:

 

Prenuptial Settlement, 5 Aug 1693 8

 

(i) John Tufnaile of London, merchant; (ii) Lettice Merick of London, spr.; (iii) Francis Merick of Norcott (co.Middx.), esq.; (iv) Edward Northey of Inner Temple, London, esq.; and (v) Sam. Moyer of London, merchant

Recites intended marriage between John and Lettice; John agrees to spend £7,000 within 1 yr. of mar. in purchasing houses and lands as settlement

 

 

Sources

1 The Visitations of Essex &c. - Part II, by Hawley, 1552, Hervey, 1558, Cooke, 1570, Raven, 1612, and Owen and Lilly, 1634. To which are added Miscellaneous Essex pedigrees from various Harleian manuscripts: and an appendix containing Berry's Essex pedigrees (1878), Tufnell, p. 721.

 

2 A Genealogical and Heraldic History of the Commoners of Great Britain and Ireland, Enjoying Territorial Possessions Or High Official Rank: But Univested with Heritable Honours, Volume 2, John Burke, 1835, Tufnell, of Langleys, p. 182.

 

3 England, Select Marriages, 1538–1973.

 

4 Kent, England, Extracted Parish Records, 1539-1876.

 

5 Essex Record Office, Reference: D/DTu 198.

 

6 UK National Archives, Prerogative Court of Canterbury, PROB 11/453/198.

 

7 Essex Record Office, Reference: D/DTu 323.

 

7 Ibid., Reference: D/DTu 318.


Thursday, 15 April 2021

Terracotta Statuettes of Duquesnoy and Van Dyck


A Pair of Terracotta Statuettes of Duquesnoy (du Quesnoy - il Fiamingo and Van Dyck

by or after Michael Rysbrack.

with dealers Blairmans in 1958.

with further information regarding the life size terracotta and marble busts of du Quesnoy by Rysbrack.

(updated 1 June 2023).



Whilst searching for information on the life and times of Samuel Tufnell (see my previous post) I came across the Blairman's advertisement below for a pair of terracotta statuettes (below) in the Connoisseur Magazine of January 1958.


It is very difficult to tell from the photograph whether these are original terracottas by Rysbrack - the size is of these two is suspicious given the size (24.4 inches) of the original terracotta of Rubens which is undoubtedly by Rysbrack.

It seems more than coincidence that a pair of these figures of the same size were sold by Sotheby's, Lot 99 - 4 December 1956.

Described as terracotta it was subsequently discovered that they were painted plaster,





Duquesnoy and van Dyck.

Described as Terracotta? almost certainly plaster.
Height 21.5 inches.

I have written at some length in a series of 32 posts on the statuettes and portrait busts of Duquesnoy, Rubens and van Dyck by Rysbrack.


For the magnificent terracotta statue of Rubens by Michael Rysbrack height 24.4 inches see -

http://bathartandarchitecture.blogspot.com/2015/11/the-rysbrack-statuettes-of-rubens-van_19.html



_____________________________



Burlington Magazine - 5 October 1963.

Photograph of a statuette of du Quesnoy from the Burlington Magazine. Sold lot 99, Sotheby's 4th December 1956 paired with a statuette of van Dyck (subsequently shown that both were of plaster not terracotta). Height 21.5 inches, 55 cms approx.

 

Both of these statuettes still remain unaccounted for.

 

Photograph above lifted from the Burlington Magazine - 5 October 1963.





Scan of the Sotheby's Catalogue entry, Lot 99 - 4th December, 1956.

 

For more on the plaster statuettes of Rubens, van Dyck and du Quesnoy see previous posts from 2015 - 2016.

 

I am very grateful for everyone in the Sculpture Department at Sotheby's for providing me with this image.

see -

http://bathartandarchitecture.blogspot.com/2015/12/the-rysbrack-statuettes-of-rubens-van_13.html














A terracotta Statuette of Francois du Quesnoy (il Fiammingo).

Bristol Museum and Art Gallery.

Photographed by the author.

 

He is shown holding his mallet and leaning against 'The Belvedere Torso'.


_____________




 

It is my feeling that as the Bristol terracotta of van Dyke (above), this is also a cast of a cast - the detailing particularly of the hair and face is rather coarse for a closer look see.


http://bathartandarchitecture.blogspot.com/2015/12/the-rysbrack-statuettes-of-rubens-van.html



For a discussion (with a couple of factual inaccuracies which are corrected here) about the sculpture of du Quesnoy (il Fiammingo) by Rysbrack see - Burlington Magazine - 5 October 1963.

_________________


The Rysbrack bust of Duquesnoy




The black and white photographs here were lifted from the article in the Burlington Magazine - 5 October 1963 written by FJB Watson in memory of Isabel Webb.

 

The terracotta bust was acquired by the Royal Ontario Museum, Toronto in 1954.

Sold lot 43 at the Rysbrack sale of 20th April 1765, the marble version (see below) was sold, lot 65 at the same sale. 

The unsigned marble (below) is now in the de Ciccio Collection, in the Museo di Capodimonte, Naples where it was put on display in 1959. 

The terracotta of Rubens was sold in the same sale lot 44 - it again came to light at a sale at Christie's lot 17, 29 June 1961.

George Vertue in his notebooks had noted "three busts in marble - he had done.- of - Rubens - Quellin & Vandyke - are highly finish. and masterly done - are standing proof of his great skill". 

The reference to Quellin being a mistake for du Quesnoy.



































The colour photographs above very kindly supplied by London Sculpture Dealer Stuart Lockhead.

https://www.stuartlochhead.art/

__________________


The Life Size Terracotta Bust of Francois du Quesnoy.

By Michael Rysbrack.

Signed and dated Mich. Rysbrack. 1743.

61.5 x 51.3 cms.

 

Now in the Royal Ontario Museum, Toronto, Canada.
































_______________


Photograph from the Paul Mellon Photographic Archive.


Whilst it almost certainly represents du Quesnoy rather than van Dyck it is not a version of the 1743 Rysbrack marble bust of du Quesnoy now in the Capodimonte Museum, Naples. or the Toronto terracotta.

Perhaps an earlier? studio version. The form of the socle or base is not the usual Rysbrack method of supporting a bust.

As yet its recent history since it's sale at Sotheby's remains a mystery.

__________________


Van Dyck after Rysbrack by Wood and Caldwell.



                                                 

Image here courtesy Stockspring Antiques.