Tuesday, 23 January 2024

Mays Buildings, St Martin's Lane and the surrounding area. Some Notes.


Post in Preparation.


 May's Buildings, St Martin's Lane.

Sometimes referred to as Great May's Buildings to distinguish it from Little Mays Buildings (which was on the East side of Bedfordbury).

A Court of 21 properties on the East side of St Martin's Lane behind numbers 40 to 42 St Martin's Lane.

Between St Martin's Lane and Bedfordbury built in 1739, on what was formerly Feathers Court.

One of eight courts which ran East West between the two streets.


The Courts between St Martins Lane and Bedfordbury.

Strypes Survey of 1720 -

A little beyond the Church is Moor's Yard, a large Place for Stablings, with several ordinary Houses, and hath a Paassage into Church Lane, and another into Thackham's Court, and so into Shandois Street; (of which more anon) and beyond this Street are several Allies and Places, most of which have a Passage into Bedfordbury, but are very narrow, ill built, and as ill inhabited, viz. - Dawson's Alley, near unto which is a new erected Water-house, designed to serve this End of the Town with Water, to be wrought by an Overshot Mill, &c. For the carrying on of which there are several Adventurers and Sharers; but how it will take, Time must produce.

Bedford Alley, Feather Alley, and Kenison's Alley; all three with Passages into Bedfordbury,





Goodwin's Court.

Goodwin's Court first appears in the ratebooks in 1690, replacing Fishers Alley which had occupied a similar position in preceding years, and it seems probable that the houses in the court and those on either side of it, i.e. the present Nos. 55 and 56, St. Martin's Lane, were erected in that year.

Kings Arms Court.

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Hop Garden.

 The Hop Gardens is a small court between Nos. 49 and 50, St. Martin's Lane, extending backward to Bedfordbury. Prior to 1649 it was known as Jenefer's Alley from the occupant of a house at the western end, Roland Jenefer. The ratebooks from 1652 to 1655 give the alley as Fendalls Alley, but from 1656 onward it appears as The Flemish Hop Garden (later the Hop Gardens). Perhaps named from an inn with that sign.

The Hop Yard indifferent good for Stabling, and hath an open Passage into Bedfordbury. King's Arms Inn, or Yard, a Place for Stablings. Goodwin's Court, but small, having about two or three Houses.



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Chymisters Alley.

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May's Buildings.

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Turner's Court.

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Charles Court.


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Dawson's Alley.


Strypes Survey - Dawson's Alley, near unto which is a new erected Water-house, designed to serve this End of the Town with Water, to be wrought by an Overshot Mill, &c. For the carrying on of which there are several Adventurers and Sharers; but how it will take, Time must produce.

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see - London Past and Present: Its History, Associations, and Traditions, by Henry Benjamin Wheatley and Peter Cunningham.

May's Buildings, St. Martin's Lane, east side, leading to Bedfordbury. Built in 1739, and so called after May, the builder, who lived in No. 43.

 Foote, in his Taste 1752, speaks of May's Buildings as inhabited by poor artists. The Sutherland Arms (No. 7) was the favourite place of meeting of "The Eccentrics," a club of privileged wits so called.


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Mays Buildings looking East into Bedfordbury.








View of May's Buildings looking West before the South side was demolished for the building of the Coliseum Theatre in 1904.


Illustration from The history of Harrisons the printers see -

The House of Harrison, pub. 1914.

https://ia600907.us.archive.org/16/items/houseofharrisonb00harrrich/houseofharrisonb00harrrich.pdf

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Locating May's Buildings.





John Roque's Map of 1746.

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A very useful plan/survey 

This is particularly useful showing the layout of the various courts east of St Martin's Lane





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Horwood's Revised Map of 1819 showing the proposed improvements.

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Ordinance Survey Map 1871.

Image Courtesy National Library of Scotland.





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Goads Insurance Plan.

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A Few Notes.

Thomas May (alias Broadmax, alias Knight) obtained in 1738, an Act of  Parliament authorising him to grant building leases of property in St. Martin's Lane and Feather's Court which had been left  him by  Henry May, his  kinsman, by his will dated 1727. 

 Leases were granted to Thomas Parton, bricklayer, who proceeded to erect May's Buildings.  

Thomas Parton was living in Mays Buildings in 1749 (see below).

The houses on  the  north side  were  taken over at various times between 1866 and 1913 by Messrs Harrison & Sons, printers.

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George Pyke. fl 1710 - 77, Clockmaker.

London Metropolitan Archives: Records of the Sun Fire Office:

Ms 11936/119/156086 (8 February 1757, George Pyke, clock maker and organ builder, Mays Buildings, St Martins Lane, total value £600).

Westminster City Archives: St Martin in the Fields, Rate Books:

1756. Vol.F537, Poor Rates Collectors Books, Bedfordbury Ward, p.19; FamilySearch Film #005134275, image 729. George Pyke recorded as a rate payer of Mays Buildings.

1760. Vol.F541, Poor Rates Collectors Books, Bedfordbury Ward, p.18; FamilySearch Film #005134277, image 410. George Pyke still recorded as a rate payer of Mays Buildings.

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1749.

A Copy of the Poll for a Citizen for the City and Liberty of Westminster.

 Available on line.

https://books.google.co.uk/books?id=yqRbAAAAQAAJ&pg=PA247&dq=%22Mays+Buildings%22&hl=en&newbks=1&newbks_redir=0&sa=X&ved=2ahUKEwjAjNvxqPuDAxW7efEDHWMIAF4Q6AF6BAgMEAI


Some inhabitants of May's Buildings. 1749.


Jonathan Judson, Woolen Draper.

James Shuter, Taylor.

Henry Simmond, Taylor.

John Loyd Shoemaker.

George Shelton, Butcher.

Benjamin Sutherland, Victualler.

Samuel Love, Woolen draper.

Robert Ellis, Goldsmith.

William Dowe, Staymaker.

Andrew Mackely, Chandler.

John Mitchell Cheesemonger.

Phinehas Spines, Hosier.

Jos Hayes, Peruke maker.

George Bickhan, Engraver (more of him later).

John Mackwell, Joiner.

James Massiot, Potter.

Thomas Maltwood, Shoemaker.

Daniel Scruby, Orangeman.

Tho. Siddal, Woolendraper.

David Constable, Perukemaker.

James Dawson, Taylor.

Edward Waywin, Carpenter.

Thomas Parton, Bricklayer (Builder of the houses in May's Court).


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May's Buildings from the Survey of London. 1940.


Nos.  42, 43 and  44, St. Martin's Lane. — 

These premises consist  of four floors and  basement. 

The  exteriors  are  in  red  brick. Nos. 42  and  44  have  a  moulded brick band at second floor level  and  a  brick  modillion cornice  to  the  floor above.  The  window  openings  have  brick dressings  and  segmental  heads with  the  frames  slightly  recessed.

 

No.  43  has  a  more elaborate front, consisting of fluted Doric pilasters.

 

These  three  houses  were  built  in  1739  by  Thomas  Parton, bricklayer, at the same time that May's Buildings were erected. 

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According to the St Martin's rate books and other sources the residents to 1800 were —

 

No.  42. St Martin's Lane  —

 John  Prignan  (1739-41),  Henrietta  Johnson  (1743), 

Henry  Dickes  (1744-45),

Wm.  Ayrton  (1746-48), 

George  Rigg  (1749-53), 

Wm.  Simpson  (1754-56),  Elizabeth  Simpson

(1757-66), 

John  Simpson  (1767-72), 

Charles  Conolly  (1773),  Barth.  Conolly  (1774-79), 

Jas.

Tomlinson  (1780-84), 

Sarah  Hamilton  (1785-87), 

R'.  Spence  (1789-90), 

Jno.  Gittos,  oil  and Italian  Warehouse  (1790-     ).

 

No.  43. St Martin's Lane — Inhabitants.

 Anthony Call  (1740-42), 

John Clark  (1743), 

Richard Thomson  (1744-45),

Catherine Cunningham  (1746), 

Wm.  Palmer  (1746-55), 

Jas.  Nunn  (1756-57), 

Lewis  Topp (1758-59), 

Jos.  Treble  (1760-  ?).



43 St Martin's Lane, built c. 1738. Erected by Thomas Parton.



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The same building in July 1859.

Thomas Wykeham Archer (1806 - 64).

The man with the blue bag exiting from Chymisters Alley.

https://www.britishmuseum.org/collection/object/P_1874-0314-379








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No.  44. St Martin's Lane — 

Williams (1742), 

Catherine Laroune  (1743-58), 

Danl. Payan,  jeweller, (1759-97),

 Hugh  Russell  (1798-     ).


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Bedfordbury.

Some notes.


 from Strype's Survey pub 1720.

Bedfordbury, on the Backside of St. Martin's Lane, of no great Account either for Buildings or Inhabitants; in which are these Yards and Places, viz. White Horse Yard, but ordinary; Bell Yard, only for some Stables. Goat Yard, also for Stablings. Key Yard, now converted into a Brewhouse; and Pipemakers Alley, (so called from a Pipemaker there dwelling) a very ordinary Place.


Bedfordbury in 1873.

A street running parallel to and East of St Martin's Lane and linked to St Martins Lane by 7 courts

The entrance to May's Buildings is in the middle of the drawing.




Bedfordbury West side showing the entrance to Lemon Tree Yard, and Mays Buldings.




This image from watercolour world.

https://www.watercolourworld.org/collections/936e72e0-8c96-3c20-9621-f3b9d726c604/?s%3DBedfordbury&pos=1

Given modern technology it is difficult to understand why they post such poor quality images!


Lemon Tree Yard. Presumably looking West.

Emslie.

1880.

Image courtesy watercolour world.





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St Martin's Lane looking East.

The Entrance to Mays Buildings on the right.



Harrisons have  now expanded to take over most of the North side of May's Buildings.

c. 1880.

42, 43 and 44 St Martins Lane.

Published here with permission.

Image courtesy London Picture Archive.

For an history of Harrisons see -

The House of Harrison,. 1914.

https://ia600907.us.archive.org/16/items/houseofharrisonb00harrrich/houseofharrisonb00harrrich.pdf

James Harrison was at 6 Lancaster Court in 1801. the end house adjoining the gate to the St Martin in the Fields graveyard. The court was demolished in about 1829, after a time in Orchard St, Westminster in 1840 the company moved to 45 St Martin's Lane.


"The court was about 18feet wide narrowed down to about 8 feet at both ends by the overlapping of the corner houses in the main thoroughfare. Some of the houses were fitted with oak panelling, elaborate plastering, and handsome staircases with carved banisters, and in one of them was found a handsomely designed leaden cistern and a pump dated 1740. 

Of the eleven houses which formed the north side of the court the first two were taken by the Firm, rebuilt, and occupied in 1866, about the time when Orchard Street, Westminster, was pulled down, and gradually the whole of this side of May's Buildings was absorbed for the purposes of the printing offices

 Nos. 15 and 16 in 1866. No. 20 in 1873. No. 14 in 1 88 1. No. 18 in 1890. Nos. 17 and 19 in 1891.No. 21 in 1896. No. 12 in 1898. No. 13 in 1910. No. 22 in 1913".


"Immediately at the back of the long extended workshops of 45 and 46, St. Martin's Lane, there stood a court or blind alley which was entered from Bedfordbury, and which, as we have said, in conjunction with the yard of 45, St. Martin's Lane, once formed a thoroughfare between the two main streets.

In the year 1899, when it was absorbed for building an additional printing office, it consisted of five small houses to which access could only be had through a very narrow passage. It was inhabited by an exceedingly rough class of people, such as occupied many of the slums round Covent Garden. The Vestry of St. Martin's had the privilege of providing a lamp-post for lighting the court, and of cleansing it, but rarely of collecting their rates; and the police passed down the narrow passage on extremely rare occasions and with the utmost caution"..............


"When the property was being purchased the Firm's Solicitors naturally tried to describe it by its proper name, and searched the old documents to ascertain what was the correct form of the name, of which several versions had been used. As many as thirteen different spellings were discovered amongst these papers, of which we recall a few :Chemister Alley.

Chymister, Chemisters  Chemists, Kemster Alley. Kemster's, Kenister,Kenaster. In Stowe's Survey of London, 1755, we find the name given as Keniston's.




Nearly facing it at the opposite side of Bedfordbury was a similar court known as Pipemakers' Alley. May's Buildings was also continued on the opposite side of Bedfordbury as Little May's Buildings, but all these slums were pulled down in 1880 for the erection of Peabody Buildings".












Images above from Harrisons

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National Archives Reference to Mays Buildings. 1757.

https://discovery.nationalarchives.gov.uk/details/r/ea61b83e-70ab-44fa-bbe0-5f268d752c93

Goodwood Estate Archives – West Sussex Record Office.

Reference:  GOODWOOD/E409-412

               

Bargain and Sale Enrolled, 21 April 1757, for the making a tenant for the suffering of several Recoveries; (ii) Exemplification of a Common Recovery, Easter Term 1757; (iii and iv) Settlement by Lease and Release, 27, 28 April 1757, pursuant to several Recoveries. The descriptions of the properties are very full in the documents; the parties to the settlement (no. GOODWOOD/E412) were:

 

(a)    Thomas Knight of Godmersham, co. Kent, esq. (formerly Thomas Brodnax, afterwards Thomas May); (b) Thomas Knight, only son and heir of (a); (c) Christopher Hull of Cliffords Inn, London, gent.; (d) John Kirril of Sevenoaks, co. Kent, esq. and John Knowler of the Inner Temple, London, esq.; (e) Thomas Lambard of Sevenoaks, esq. and Jacob Sawbridge of Canterbury, co. Kent, esq.

(b)    ……………………………..

34 tenements, etc. called Mays Buildings and Little Mays Buildings in St. Martin's Lane and Bedford Bury in St. Martin in the Fields and St. Paul Covent Garden, all in co. Middx. and late the estate of Henry May of the Middle Temple, London.

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Some 18th Century Trade Cards Mays Buildings.















Image below courtesy Lewis Walpole Library.





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George Bickham Junior. Mays Buildings.

https://data.historicaltexts.jisc.ac.uk/view?pubId=ecco-1241702800

For a fan with Bickham's engravings see

https://theprintshopwindow.wordpress.com/2013/04/09/george-bickham-the-younger-printed-fan-leaf-c-1750/








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William Rufus Chetwood (d. 1766) writer, publisher and bookseller lodged at the Golden Ball, Mays Court in 1741.

see - https://www.grubstreetproject.net/people/1763/


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Bedfordbury - The East Side.

Images from Sows Survey of 1755

Adapted from the original map of 1720







The Parish Boundary between St Martin in the Fields and St Paul's Covent Garden is the straight line Running North South.


Bedford Court.


An 18th Century plan.





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Some Trade Cards at the British Museum which don't turn up in internet searches.
They have been pasted into an interesting 18th Century notebook of 85 pages with several interesting cards of traders in the Strand and elsewhere.




Henry Pfahler. Married Jan 18 1731

Wife Mary Nipping 

by M'' William Wilson,

 .

Daughter Frances baptised St Paul's Covent Garden 26 Dec 1739.

John Henry baptised St Paul's Covent Garden 7 March 1741.

Henry baptised St Paul's Covent Garden 19 November 1743.


https://www.britishmuseum.org/collection/object/P_1982-U-4528





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Little May's Buildings on the East side of Bedfordbury,

This court ran Eastward into Bedford Court.

Horwood's Map of 1799.

Bedford Court was an L shaped court running East accessing Bedford Street between no 16 and 17 Bedford Street.

and South into Chandos Street between no 23 and 24 with further access Westward to Little Mays Building.





Bedford Court.

1879.

John Phillips Emslie.

Images below used with permission London Picture Archive.

Bedford Court Looking South towards Chandos Street.




Bedford Court Looking East towards Henrietta Street.





Bedford Court.



This original, L-shaped, part of the court was included in the site leased by the fourth Earl of Bedford in 1631 to Richard Brigham, the King's coachmaker. Brigham did not appropriate all the hinterland of his plot to the houses on his street frontages in Bedford Street and Chandos Street but left a large irregular open space, which in the 1670's was still used as a 'stable and coach house yard' by his successor, Thomas Brigham, also a coachmaker: (fn. 1) at a much later period, after the site had been rearranged, a firm of Victorian coachmakers had their premises in this area. (fn. 2)

 

On the north side of Brigham's open yard (that is, just behind the present Post Office building at Nos. 17–19 Bedford Street) Remigius Van Leemput, the Flemish painter, lived from about 1647 until his death in 1675: his large house is shown, as that of 'Mr. Remee', on Lacy's map (Plate 2). (fn. 3)

 

In 1688 the fifth Earl had this incompletely exploited part of his estate cast into a regular court of houses and shops. Building leases of eleven sites for forty-one years were granted in July to William Beech, a vintner, and of one more site in September to Nicholas Spelden, a coach harness maker. The houses were to be of the second rate as categorized in the Act of 1667 for rebuilding the City after the Fire. The leases contained some building specifications, required the lessee to examine and if necessary reinforce the natural foundations, to make a sewer from his house, and to contribute to the cost of the sewer and paving which the Earl was to provide in the court. Some few noxious trades were prohibited. (fn. 4)

 

As these leases indicate, Bedford Court was not the insignificant backwater of ramshackle little houses that usually resulted from seventeenth-century urban 'in-filling'. Strype in 1720 treated it respectfully: 'a very handsome large Court, with an open Square in the Midst: Its Houses, which have not been very many Years built, are very good, and well inhabited; being a great Through-fare, and a Place of Trade'.  In 1726 the occupations in the court included those of upholsterer (two), tailor (two), mantuamaker, staymaker, mercer, peruke-maker, grocer, pastry-cook, and coffee-house-keeper.

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A Catalogue of Valuable and Curious Libraries Lately Purchased, in Most Languages and Faculties, ... Which Will Begin to be Sold ... on Tuesday the 13th of October 1741: By William Sare, Bookseller, at Cæsar's Head, in Bedford-Court.

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J Jarvis Trade Card.



Engraved by George Child.

 

https://www.britishmuseum.org/collection/object/P_Heal-100-40



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The Twelve Months of Flowers, hand coloured engravings by Robert Furber after Peter Casteels (1684 - 1749) on laid paper, sold by J. Jarvis, Bedford Court, Covent Garden 35 x 24cm.

First published in 1730.

J Jarvis (fl. 1725 - 55) at the Crown Bedford Court - Print publisher and seller; in 1746, sold an unauthorised print after Hogarth's painting, "Taste in High Life". Trade card in Heal Collection (Heal,100.40) advertises "J. Jarvis... Sells all sorts of Prints, Maps, &c. Either Colour'd or Plain, Also Frames & Glazes Prints in the neatest Manner and at the lowest Price. Likewise All Sorts of Stationary-Wares, Bibles, Common Prayers, Books for Accounts, Plays & Pamphlets." (info BM)

https://www.britishmuseum.org/collection/term/BIOG145041



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Little May's Buildings on the East side of Bedfordbury,

Looking Eastward to Bedford Court,

John Phillips Emslie.

September 1879.

An excellent drawing that provides all sorts of incidental detail. 

Showing substantial four storey houses with basements.
















Images used with permission.
London Picture Archive.
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Little Mays Buildings, 1872.




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The Horse and Groom, 31 Bedfordbury.

Described as a sporting house in Fistiana, 1868.

Bedfordbury East side looking South to Chandos St. 1873.







The same view as above Bedfordbury the East side looking South into Chandos St. 1870.







Images used with permission.


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Brewers Court, A Court on the East side of Bedfordbury.

Between 33 and 34 Bedfordbury on Horwoods Map of 1799.





Thomas Tattenham, Chimney Sweep.

at his house in Brewer's Court, Bedfordbury.




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A short list of some Public Houses in Bedfordbury in the first half of the 18th Century.

Pubs attested in the first half of the 18th century in the area covered by the

Strand Bermudas. Data taken from Garrod and Garrod (2002: 72—81).

info from Garrod and Garrod



Bear & Staff, 11 Bear St. 1714.

Black Horse, 10 later 11 Bedfordbury. C.1721.

Cock & Bottle 21 Bedfordbury. 1736.

Golden Fleece, Sheltons Court, Bedfordbury. C 1738.

Goldsmith's Arms, 42 Bedfordbury. 1745.

Green Man 20 New Street. C. 1743.

Half Moon & Candles 36 Bedfordbury. C. 1704

Horse & Groom. 31 Bedfordbury. 1739

King of Prussia's Head. 23 Bedfordbury. 1740.

Lemon Tree. 4 Bedfordbury. C.1737. (see image of the Lemon Tree Yard)

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St Martin's Lane.1938.

Starring Charles Laughton and Vivian Lee.

https://www.youtube.com/watch?v=YgqyiRdtd84


Friday, 19 January 2024

A Fire in St Martin's Lane 13 October 1728. Some notes on the North East Side of St Martin's Lane.




(Post in Preparation).


 Fire at the Property of Daniel Bell between St Martin's Lane and Rose Street.

12 October 1728.

Including a few notes on Rose Street formerly White Rose and Red Rose Street, Conduit Court, Lazenby Court and the area on the corner of St Martin's Lane and Longacre and Great Newport St.

This post presents a useful opportunity to have a closer look at the courts at the Northern end of St Martin's Lane's East side, including the locations of the workshops and dwelling houses of Messrs. Harache, Cobb and Vile, Chippendale and Roubiliac in the mid 18th century and the Stone Masons Yard of Nicholas Stone in the 17th Century.


https://bifmo.furniturehistorysociety.org/entry/bell-daniel-1724-34

The Fire -13 October 1728.

 A violent fire broke out at a Currier's in Rose Street, an Alley running South at the West end of Longacre, which consumed the house of Cabinet Maker Daniel Bell and 3 others … "& Mr. Bell, an eminent cabinet maker's house that lay backward towards St. Martin's Lane, with the workhouses belonging thereunto, and a great quantity of valuable foreign wood lying in his yard for carrying on his business at which he employed several scores of people every day, so that this loss alone is reckoned to amount to some thousands of Pounds". 

The Daily Journal of 15 October 1728 however, reported that the fire started at Mr Negus's, a Leather Dresser's in Rose St, and consumed nine houses, Mr Bell, away in Brompton at the time, proving ‘the greatest sufferer’. 

Fortunately Daniel Bell had taken out a Sun Insurance policy on 11 May 1728 for £1,800 on his dwellings, stock in trade and merchandise.


Clip from the Ipswich Journal. 12 October 1728.




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Clip from the Daily Journal, 16 October 1728.




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Clip from The Daily Post - Ist November 1728.





The Whitehall Evening Post and The Ipswich Journal of 12 October further sensationalised the story by adding that ‘Mr. Bell had the Misfortune some Time ago to break his Leg into Splinters and was then in the Country dangerously Ill’. 

After the fire ‘Several Men were employ'd in removing his Looking Glasses and other Furniture sav'd out of the Fire; but the Damage in Walnut-Tree Plank only, amounts to £500’. 

A few days after the fire he announced in the Daily Journal, 17 October, ‘I have taken a convenient House and Work Shops opposite to my late Dwelling-House, where all Business in Trade will go forward without the least Hinderance of Time and where I shall be in Person to give Attention, and receive proper Orders’.


October 1728 that “On Sunday Morning at Two o’Clock, a violent Fire broke out at a Currier’s in Rose-Street near Lang-Acre, which consumed his House and three others, among them a Charcoal Man’s House, in which we hear were some Hundred Pounds worth of Charcoal, and Mr. Bell an eminent Cabinetmakers’ House that lay backward towards St. martin’s Lane, with the Workhouses belonging thereunto, and a great Quantity of valuable Foreign Wood lying in his Yard for carrying on his business at which he employed several Scores of People every Day, so that his Loss alone is reckon’d to amount to some Thousands of Pounds: Mr. Bell had the Misfortune to break his Leg into Splinters, and was then in the Country dangerously ill.” (Weekly Journal, or British Gazetteer October 13, 1728).

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The Partnership of Daniel Bell and Thomas Moore of St Martin's Lane.

Geoffrey Beard and Christopher Gilbert, in the Dictionary of English Furniture Makers (1660-1840), records: Daniel Bell 'St Martin's Lane, London, cabinet maker 1724-1734, ...recorded in partnership with Thomas Moore as early as 1724 when the firm supplied goods to Benjamin Mildmay, Earl Fitzwalter for Moulsham Hall, Essex between 1724-34.

For the furniture to Earl Fitzwalter at Moulsham Hall. see [DEF; Old Furniture, vol. 4, 1928, pp. 48–53.

Thomas Moore is recorded as 'London, cabinetmaker 1734 - d. 1738...at St Martin's Lane.  

The younger James Moore, son of the Royal cabinetmaker, died in 1734, and it seems probably that Thomas was a member of the family who at that date or earlier had entered into partnership with Daniel Bell.'


In partnership with Daniel Bell, Thomas Moore supplied ‘The Honourable Counsellor Rider’ with a quantity of furniture in May and June 1734. These bills are receipted: ‘Daniel Bell and Self, Thos. Moore’; but the bills for further consignments from 31 October to 18 December of that year are receipted by Moore only.




According to Katherine Esdaile in Roubiliac, pub. 1929, when the St Martin's Poor rate was levied in November of 1741, on five successive houses on the east side of St Martin's Lane as Daniel Bell, James King, two empty houses, and Thomas Carter (is this the sculptor?)

Against the name of King the rate collector has written on the interleaved blotting paper "Roubilac Xmas"; in the fair copy King's name is erased and that of 'Roubilac' substituted. 

Therefore Roubiliac moved from his residence in Peter's Court which doglegged between Hemmings Row and St Martin's Lane and took what became number 66 St Martin's Lane at Christmas 1740.



Probably a coincidence and not related to the Thomas Carter mentioned above -


For an interesting article mentioning the Carter Brothers, Thomas and Benjamin see -







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In 1755, Daniel Bell was still in the same location, just south of Long Acre. He appears in the Rate Book next door to "Lewis Francis Roubiliac," between New Street and Castle Court, five names down from Thomas Chippendale’s three houses.


Locating the House and workshops of Daniel Bell in Rose Street behind the East Side of St Martin's Lane at the time of the fire on his premises in 1728.

It is not entirely clear but as he describes himself as of St Martin's Lane I suspect that his house located  in Angel Court - No 141 in the William Morgan Map - in the Court between 64 and 66 St Martins Lane on Horwood's Map of 1799.



Fire was something of an occupational hazard - this wasn't the only fire at or near this location  - Chippendale and Rannie at their new establishment at nos 60–62 St Martin's Lane ‘The Cabinet and Upholstery Warehouse’ and had adopted a chair as their shop sign. 

They issued a trade card featuring a chair at about this time, although it was never applied as a label to identify their products [City of Westminster Archives]. 

In 1755 the property was rated at £124 and Chippendale arranged fire cover with the Sun Insurance Office for £3,700. Several early policies - 1755 (2), 1756 and 1767 - have survived and a highly instructive plan showing the layout of the premises was attached to Chippendale junior’s schedule of 1803. 

The firm suffered a setback in April 1755 when fire ravaged the cabinet shop destroying the chests of 22 journeymen: £847 was paid in compensation and the partners helped to organise a public appeal to replace their employees’ tools. 
Caesar Crouch, a cabinet maker living on the South Side of St Paul's, was one of the people nominated to receive donations. He had subscribed to the Director and Chippendale designed an ornamental invitation card for him which displays such striking affinities to several trade cards engraved by Darly that it is likely Chippendale was in demand as a designer of decorative surrounds [Chippendale Society Collection 1975/1].

The Top End of St Martin's Lane 

at the Top on the East Side is  Long Acre.

The Birds Eye View by Hollar c. 1660.




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The William Morgan Map.1682.





Key to the Courts off St Martin's Lane.





The Morgan's map of London in 1682 lists '143 Cross keys Inne' in St Martins lane, '144 Kings arms Inne' in St Martins lane and Bedfordbury, and also '139 King head Inne', which is in Long Acre.'



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John Roque's Map of London, 1746.





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Crop from Stowe's Survey published in 1755.

with the key to the Courts around St Martin's Lane below.

NB - the Courts off St Martin's Lane.

18 Castle Court.

19 Cross Keys Inn.

20 Angel Court.












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Another fire in Rose Street 1759.

See Owens Weekly Chronicle 22 - 29 December 1759.









Glastonbury Court was replaced by Lazenby Court, with ore timber framed houses.

Never very salubrious the area went down hill in the 19th Century until demolished for the improvements to the west end of Hart Street now Floral Street.





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Horwood's Map of London 1799.

The North End of St Martin's Lane and the West End of Longacre.

Showing the individual houses and their numbering (introduced in about 1769).
I'm not entirely sure that we can trust the accuracy of this survey and more works need to be done in scrutinising the rate books and there must have been a considerable amount of rebuilding in the area.

Roubiliac's Residence and Studio at 63 St Martins Lane.

The Chippendale Residence and workshop at 59, 60, 61, and 62 St Martin's Lane.

It is possible that Chippendale took over at least some of the former workshops of Daniel Bell whose premises appear to have stretched from St Martin's Lane to Rose Street.



The premises of Thomas Harrache, which later those became of Messrs Cobb and Vile stretched around the corner of Long Acre and St Martin's Lane.



Bells premises at 64 St Martins Lane is on the corner of the court. 

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Another useful plan showing the proposed improvements to St Martin's Lane area.

With the individual properties affected.

Henry Sawyer.

Circa 1826.

British Library.





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Plan showing the proposed route of  New King Street built 1859 - 61 and renamed Garrick Street in 1864.












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Old Houses in King Street and Rose Street, Covent Garden, taken down for the new street being created to link King Street with Cranbourn Street at the top of St Martin's Lane. 

Looking North West.

The new street will become Garrick Street.

New Street is on the left looking into St Martins Lane

1859

Thomas Hosmer Shepherd.

Images courtesy Museum of London.


















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Interior of a house in Rose Street in 1835.

John Wykeham Archer.


Inscription content: Inscribed on mount: "Room in a House Rose Street, Covent Garden, formerly occupied by Samuel Butler d. 1680, author of Hudibras - Drawn 1853."







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Rose Street, looking North to the Lamb and Flag.

 Thomas Colman Dibdin (1810 - 93).

1851.

London Museum











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Rose Street, 1948.

The Lamb and Flag.

Rebuilt 1858.

The Alley on the right leads into Lazenby Court (Glastonbury Court on Roque's map).

For anyone interested in London and its Past see the very excellent -



The image below - a photograph taken by the author's father in 1948.




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Rose Street - The Survey of London


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The Sculptor Nicholas Stone (1586 - 1647).


Nicholas Stone at 17 Longacre.

Nicholas Stone (d. 1647) Sculptor had his residence and workshop on the west corner of Rose Street where it meets Long Acre - 

The most important years of his career are exceptionally well-documented due to the existence of his note- and account-books for the period 1631-42, which list over 80 monuments and numerous other commissions 

Nicholas Stone, sculptor, architect and mason. His house—rented from the Crown at £10 a year—must have been a large one, as Vertue mentions that John Stone, the author of Enchiridion, was hidden in it for "above a twelvemonth, without the knowledge of his father."6 Another son, Henry, best known as "Old Stone," was described on his monument in St. Martin's Church as "of Long Acre.


Caius Gabriel Cibber (1630–1700), sculptor, the son of a cabinet-maker to Frederick III, the Danish king. He arrived in England around 1655, and became journeyman and then foreman to John Stone, John Stone, son of the late master mason to Charles I.

 When Stone suffered a seizure in 1660, Cibber ran his workshop in Long Acre. He became sculptor to Charles II on 20 June 1667. With his wife Jane Colley (c.1646–1697) of Glaston in Rutland, Cibber had three children: poet laureate and playwright Colley Cibber (1671–1757), Veronica, and Lewis. 

Among other works, Cibber is known for his figures of Melancholy Madness and Raving Madness (1680) which adorned the gateway in front of Bethlehem Hospital.


The house was inherited by his eldest son the painter Henry Stone who died on 24 August 1653.

 A Mr Stone was still at this address in 1673 ( Lacys Map - 1673).

Later part of the Stone's property became the Bird in Hand.




In 1635 and 1636 the fourth Earl of Bedford granted in fee farm several sites between Long Acre and Hart Street  later renamed Floral Street (so far as can be judged, excluding those on which building had taken place recently) and thus abrogated control over their subsequent development. 

One such development attracted the attention of the Privy Council in 1638 and was referred to Inigo Jones. The property concerned was the 'handsomely plainted' garden between Long Acre and New Street (now New Row).

After being granted in fee farm in 1635 it had changed hands and been parcelled out. Several persons were concerned (including Richard Harris, a Covent Garden chapelwarden, and Nicholas Stone, master mason of the King's Works) but John Ward, citizen and girdler, was singled out by the Privy Council. According to Inigo Jones, Ward had designed to make a communication from Long Acre towards Covent Garden by means of an alley about 9 feet wide extending south (to be called White Rose Street), which was to open into a second alley extending east, about 18 feet wide (to be called Red Rose Street), and, if possible, to continue the second alley southwards over ground which did not belong to him.

Jones thought that Ward would not be able to buy the land which he needed, and complained about 'the pestering of such places with Allyes of meane houses having but one way into them, and no other to goe out', and the Privy Council, 'disliking the desine', ordered Ward 'to disist'. (fn. 26) However, the northern and east-west arms of what is now Rose Street had already been built, and were allowed to remain.

The scheme was finally completed in 1640, by Richard Harris, who had bought the land he needed from Ward in the previous year. Harris's development required the collusion of the Earl of Bedford, who 'did condiscend' that Harris should build the southern arm of Rose Street to connect with the recently opened New Street. It evidently proved an ill speculation for Harris, who in 1647 was complaining that he had entered into it 'most unfortunately … with two Thousand pounds Losse, to the utter ruyne and undoeing of [him], his wife and Children'. (fn. 29) The contorted remains of Rose Street still survive as a monument to speculators' folly, and the ineptness of Charles I's Privy Council.


Nicholas Stone the sculptor occupied a piece of land on the east of White Rose Street on which stood a two-storey brick house, one timber and one brick 'workhouse'. In 1636 he obtained a grant of this property in fee farm. Three years later he contracted with Richard Harris for a piece of ground between his house and the alley called White Rose Street where he agreed to build a house over the passage entrance with a 'faire and lardge stone Arche of Twelve foote in height and Eleaven foote in widenes'. 


It appears that he did build it, for his descendant, John Stone, described as a stone-cutter, was in possession of a messuage called 'the Arch house' in 'Whitecrosse' (i.e., White Rose) Street in 1661.
 Other masons who occupied houses in Long Acre in c. 1624 were Baernert Janson (Barnard Johnson) and James White, tombmakers, and John Medhurst.


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Strype's survey of 1720 says - Rose Street -


King-street, a handsome large Street, with well built and inhabited Houses, especially on the North Side. At the upper End of this Street is White Rose-street, which turns into Red Rose-street, and that into another called White Rose street, which hath an Entrance into Long Acre. Of these Rose-streets, the first is White Rose street, which, with about half of Red Rose-street, is in this Parish: The other Part is in St. Martin's Parish. This Street is indifferent well built and inhabited, especially White Rose-street.

Strype - St Martin's Lane.

Then beyond New-street, near the turning into Long Acre, is Castle Court, which is but small and ordinary; and near unto this is the Cross Keys Inn, which is large, and of a good Resort.


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William Hallet - Cabinet Maker.

William Hallet (1707 - 81). His premises were on the corner of St Martin's Lane and Longacre from 1752, the building having previously been occupied from 1740 by Thomas Harrache Jeweller, Goldsmith and Toyman  (Harache was the sole executor of the will of Roubiliac).

Thomas Harrache (1717 - 85) in 1751 moved West to the Golden Ball and Pearl, in Pall Mall.

The Roubiliac bank account records with Drummonds for the years 1752 to 1757 survives. Huguenot names which recur in the ledgers include 'Mr. Minett, Mr. Andrew Regnier (possibly a relative of Roubiliac's fourth wife), Mr. Timberel and Mr. Harache.

Roubiliac's ledgers show that he paid Mr. Harrache 10 guineas on November 1st, 1753; £20 on March 4th, 1755, and received £20 from Tho. Harrache on May 9th, 1755. On December 10th, 1757, Roubiliac paid his friend a further £20.

https://core.ac.uk/download/pdf/30695656.pdf



Notes - Cobb and Vile.

John Cobb (c.1715 - 78). William Vile (Fl.c. 1740 - d. 1767).

William Vile should not be confused with Viall (d.1780) the carver and framemaker in Great Newport St.


Cobb remained at the premises until his death in 1778.



72, St Martin's Lane.

North of the entrance to Castle Court, at the corner of Long Acre on the East side of the North end of St Martin's Lane the cabinetmakers and upholsterers William Vile and John Cobb occupying conjoined houses that were leased by Vile’s master, the cabinetmaker William Hallett, which had previously been the shop and house of the first-generation Huguenot goldsmith and “toyman” Thomas Harrache, who operated in St. Martin’s Lane from 1740 until 1751 when he departed for Pall Mall

Litchfield and Graham took over the premises until c 1785.






The firm's fire insurance record has been first noted for 1752. (a) ‘… on their Household Goods, Utensils and Stock in Trade, and Goods in Trust in their now Dwelling houses, being Three Houses, Land together and in & over the Warehouses & Workshops, only Communicating with the Same, part Timber, situate as aforeside, not Exceeding Seventeen Hundred Pounds. 

On their Glasses therein only, not Exceeding Three Hundred Pounds. On their Stock in their Yard only, belonging to the Said Dwelling … (Total £2,600).’ (b) 11 June 1755. Insured for £4,500, Glass £500, Stock in Yard £1,000. Total £6,000 — 

A further policy in the same vol. is ref. 147142. Cobb took out insurance on his household goods in the house he had ‘over a gateway, leading into the yard of Messrs Vile & Co in St Martin's Lane’ in 1755.

 

Together with the sculptor (John or Henry) Cheere, Sir William Chambers, James Paine and Ince & Mayhew, Vile & Cobb were directors of the Westminster Fire Office (on the East side of St Martin's Lane).


Invoice from Cobb and Vile at the Corner of Long Acre 1756.

British Museum




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Benjamin Goodison (c. 1700 – 1767).

Goodison's shop was established at the "Golden Spread Eagle" in Long Acre as early as 1727 when an advertisement for in The Daily Courant, August 1727, asking after a stolen " large old fashioned Glass Sconce, in a Glass Frame, with Gold Flowers painted on the Glass Frame, and a Green Ground",


Benjamin Goodison who married Sarah Cooper at St Bride's, Fleet St, in 1723, and had several children christened at St Martin-in-the-Fields, including a son Benjamin, in 1735.[29] The younger Benjamin Goodison, in partnership with Goodison's nephew Benjamin Parran, succeeded to the business until 1783.


https://bifmo.furniturehistorysociety.org/entry/goodison-benjamin-1700-67

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Dunckerley.

Engraved Trade Card by Matthias Darly 

Trade Card.

Early 1760's.

Lewis Walpole Library






Messrs Dunkerley and Cockings.

On the Corner of St Martin's Lane and Long Acre.

Tin Plate Workers.

c. 1765.

Trade Card engraved by Matthias Darley of Cranbourne Alley.

The peripatetic Darley c.1760 at The Golden Acorn, Long Acre, near St Martin's Lane (2011,7084.68; this address was given at the baptism of the Darlys' first child in 1761.

1765: Darley - Corner of Ryder's Court, Cranbourne Alley, Leicester Fields (Worms and Baynton-Williams).






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The 1786  Lowndes London Directory has the company of Cockings and Dunkerley Tin Plate workers at 145 Long Acre. 

In Kents Directory of 1793 Cockings and dunkerley are Still atv 145 Longacre 

145, Long Acre was on the North East Corner of Little St Martin's Lane, Long Acre opposite Messrs  Cobb and Vile.





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The Corner of Long Acre and St Martin's Lane.

Thomas Hosmer Shepherd.

1859.

H 227 mm, W 314 mm (paper size).

The drawing is inscribed in pencil - 

The Commencement of New Street at the Corner of St Martin's Lane and Long Acre to Covent Garden.

Work has started cutting through the top of the East side of St Martin's Lane to create what later became Garrick Street - making access to King Street.

It is difficult to date the corner building - the detail suggest mid 18th Century/late 18th century.

There is now a gap in the street frontage caused by the removal of three houses, numbers 70, 71 and 72 St Martin's Lane.

The house with the pedimented front door surround is number 69, St Martin's Lane.

Vacy the Chemist at no 74 St Martin's Lane is mentioned in the Lancet of 1853.



Images courtesy Museum of London website.

https://www.londonmuseum.org.uk/collections/v/object-97990/the-commencement-of-new-street-at-the-corner-of-st-martins-lane-and-long-acre-to-covent-garden/



















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Wedgwood's Premises at the Queens Arms, on the top Western Corner of St Martin's Lane and Great Newport St.

1768.

Opposite the corner illustrated above.


The premises were designed for him in 1768 by Joseph Pickford. The showroom became a fashionable meeting place for clients, remaining at this address until 1774, when it was relocated to Nos 12-13 Greek Street, Soho.


As Miss Meteyard remarks, "Newport Street and its neighbourhood have undergone, since then, so great an amount of alteration as to show at this day few, if any, vestiges of its old condition; but, judging by our present ideas relative to space, light, and accessibility, it must have been a gloomy and confined situation for such a shrine of the arts, and one so resorted to by the noblest in intellect and rank in the land." Although the house thus celebrated is no longer standing in its entirety, it may be of some interest to state, on the same authority, that whilst the ground-floor was a shop for the sale of ordinary goods, where "the public entered in and out at pleasure," the first-floor suite formed a gallery or repository into which only Mr. Wedgwood's wealthy and aristocratic patrons were admitted; and the second-floor formed the home of Mr. Wedgwood and his family when in town. 


Josiah himself thus describes the house in a letter to Bentley: "It is at the top of St. Martin's Lane, a corner house, 60 feet long; the streets are wide which lye to it, and carriages may come to it either from Westminster or the City without being incommoded with drays full of timber and coals, which are always pouring in from the various wharfs, and making stops in the Strand, very disagreeable and sometimes dangerous. The rent is … 100 guineas a year. My friends in town tell me that it is the best situation in London for my rooms."







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Artificial Stone at Glastonbury Court, Long Acre, 1767.

Glastonbury Court ran between Rose Street and Conduit Court.

Later replaced by Lazenby Court.


‘The Proprietor of the Artificial Stone Manufactory in Goulston-Square, has now opened a Warehouse at No. 18, the Corner of Glastonbury Court, in Long Acre’ (Daily Ad, 7 July 1767 ).


A ‘Mr Pincot’ was established as a sculptor in the east end of London by about 1765, for John Bacon RA’s trade card for that period states that he was working as a ‘Stone-carver and modeller at Mr Pincot’s in Paternoster Row, Spitalfields’ (BM Banks Coll, 106.2).

In January 1767 Daniel Pincot (who is erroneously listed as ‘Pincat’ in Graves 1907, 199 and Gunnis 1968, 304) advertised that he had set up as an artificial-stone manufacturer in Goulston Square, Whitechapel. 

He offered ‘all sorts of rich carved Ornaments used in Buildings, viz. Tablets, Frizes, Medalions, Ionic and Corinthian Capitals, Statues, Bustos, Vases, etc in several Compositions; some resembling Portland Stone, but much harder and more durable, others still more beautiful, approaching nearer to Marble; the Whole executed in a Manner far exceeding any Thing of the like Kind that has hitherto been offered to the Publick’ (Daily Ad, 31 Jan 1767 cited by Valpy 1986, 210). 

On 7 July 1767 it was announced that ‘the Proprietor of the Artificial Stone Manufactory in Goulston-Square, has now opened a Warehouse at No. 18, the Corner of Glastonbury Court, in Long Acre’ (Daily Ad, 7 July 1767 cited by Valpy 1986, 210). This may not have been Daniel Pincot, for by October 1767 George Davy had taken over the Goulston Square premises and Pincot was trading from Narrow Wall, Lambeth. In the same year Pincot exhibited an ‘antique basso-relievo, in artificial stone, unburned’ (2) at the Free Society.

In December 1767 there was a sale at Christie’s of artificial stone produced at Goulston Square over the last year, presumably by both Pincot and Davy.

Pincot was working with Eleanor Coade at Narrow Wall, Lambeth by 1769.



Horwood's Map of 1799.


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Thomas Chippendales (d.1779) premises on the East side of St Martin's Lane.

59, 60, 61, and 62 St Martin's Lane.

At the Sign of the Chair.

Only known trade card below.





The earliest trustworthy evidence of Chippendale's presence in London is his marriage licence for a ceremony at St George's Chapel, Mayfair where "19 May 1748, Thomas Chippendale and Catherine Redshaw of the parish of St Martin-in-the-Fields.

A payment in Lord Burlington's private account book "13 October 1747 to Chippendale in full £6-16-0d"

The first Chippendale premises noted in 1749 appear to have been in Conduit Court off Long Acre, the next court eastwards from Rose Street, approached from a covered alley between what is now 17 and 18 Long Acre.

In 1752 he was in Somerset Court (later renamed Northumberland Court).Matthias Darly, who engraved most of the plates for Chippendales Director shared the house for several months in 1753.

Press notices soliciting subscriptions give the author's address as Northumberland Court"


Thomas Chippendale from December 1753 was at The Sign of the Chair" at nos 61 and 62 St Martin's Lane with the workshops behind.


Jamie Rannie was Thomas Chippendale's first partner and put up capital to finance an expansion of the business following publication of the Director in 1754. They signed a joint lease on the spacious premises in St Martin's Lane in August 1754 and issued a trade card [Westminster City Libraries] see above about this time.

Chippendale is shown by the rate books to have occupied or used the first house on the west side of Somerset (Northumberland) Court to the East of Northumberland House, Strand from Midsummer, 1752, until Lady Day, 1753. Matthias Darley the engraver lived at the same address.

See - https://www.british-history.ac.uk/survey-london/vol20/pt3/pp115-122


Another Fire in St Martin's Lane.

Chippendales Premises in- April 1755.


The Newspaper reports about fires, given Mr Bells experience was a hazard in furniture workshops,  provide insight into the number of journeymen and material located there. 

A report in the Gentleman's Magazine in April 1755, which has been cited many times in relation to scholarly research about Chippendale, reported that 'the chests of 22 workmen' had been consumed by the fire. It is the only known reference to the number of workmen in Chippendale's workshop.




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Public Advertiser 18 March 1766.

Death of Rannie and the subsequent auction.






Plan of  Thomas Chippendale's Jr's premises on the East side of St Martin's Lane, 1803. 

Taken from a Sun insurance policy.

In 1787 Haig and Chippendale were at 60 St Martin's Lane.

The Roubiliac residence and workshop / studio from 1740 until 1762 when he died was next door at no. 63. 

The premises were taken over after his death by his assistant Nicholas Read.


.......................

Roubiliac's Home, Studio Workshop.

63, St Martins Lane.


At Xmas 1740 (see ref to Esdaile above) Roubiliac moved from Peter's Court on the west side of St Martins Lane to what became 63 St Martin's Lane on the East side and remained there until he died in 1762.

JT Smith in Nollekens and his Times states that his house and studio were "approached by a long passage and gateway". 

Some thoughts on the Earlier Roubiliac Premises.

It has always been assumed that Roubiliac's studio prior to his move to 63 St Martins Lane was in the old Presbyterian Meeting House in  Peters Court between St Martin's Lane and Hemmings (Hemings) Row but given that if one accepts that the St Martin's Lane Academy was in based in this building from 1735 it seems unlikely that a sculptors workshop with the dust and noise would be in the same building - the drawings of the Academy show a large room with a brick floor.

It is possible that Roubiliac lived at Peters Court but worked elsewhere - moving the life size statue of the seated Handel (now V and A) from St Martin's Lane to Vauxhall doesn't seem to me to make much sense - perhaps it was made at Vauxhall. It is possible that Roubiliac was peripatetic working as a sub contractor in the premises of  Thomas Carter, Henry Cheere and John Cheere.

.......................

John Trotter at Roubiliac's Premises.

In 1747 John Trotter upholder and cabinet maker took out a Sun insurance policy on the contents of his apartments and timber workshops over the Roubiliac studio.


Trotter, John, ‘at Mr. Roubiliac Statuary on the East side of St. Martin's Lane in the Parish of St. Martin in the Fields’, London, upholder and cm (1746/47). Took out a Sun Insurance policy on 13 January 1746/47 for £300 on household goods and stock in trade in his apartments; and £400 on utensils and stock in his three timber workshops, partly over Roubiliac's workshop and partly over yard. [GL, Sun MS vol. 79, ref. 107286]

https://www.british-history.ac.uk/no-series/dict-english-furniture-makers/t

This must be the very successful John Trotter (c.1713 - 99), Cabinet maker to George II whose business was at 43 Frith Street, Soho. from 1748 - 99. Liveryman in the Joiners Company - originally came from Scotland.

Trotter was a subscriber To Chippendale's Gentleman's.. Cabinet Maker, 1754.

Bought Horton Place near Epsom in 1768.

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John and Coutts Trotter.

The Salisbury and Winchester Journal from 29 June 1752 reported:- ‘A few days since was married at Mordaunt [sic] College, Black-Heath, Mr John Trotter, an eminent Cabinetmaker and Upholder, in Frith Street, St Ann’s, Soho, to Miss Betts, an agreeable young lady with a Fortune of Five Thousand Pounds’

.......................

Roubiliac's assistant Nicholas Read (d. 11 July 1787 in the house at St Martin's Lane) took over the premises after the death of Roubiliac in 1762.

.....................

63 St Martin's Lane.

https://www.british-history.ac.uk/survey-london/vol20/pt3/pp115-122


 No. 67.—This building (probably the workshop /studio of Roubiliac) is sited in a courtyard off the east side of St. Martin's Lane, behind No. 63, and is three-storeyed, of brick and timber construction. The ground floor has been adapted and remodelled as offices. The walls are of brick of modern work. The two upper floors appear to retain their original framing and fenestrations, and are now used as studios and workshops, by a firm of stage designers. They are timber framed, plastered on the exterior, with the roof tiled.

 According to a note in the rate book these premises were "burnt out" in 1788. 

They were occupied in 1789–93 by Anne Tapp, who was succeeded by Francis Tapp (1794–1803), John Vernon (1804) and Alexander Copland (1805–13). The latter is described as a "builder" in Holden's Trade Directory for 1805–07.

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Thomas Ewart - Facing Old Slaughters Coffee House. 1746.



British Museum.



In 1759 Ewart's address was The Beehive Hartshorn Lane, off the south side of the Strand.

The following addresses probably all refer to the same premises, Hartshorn Lane was renamed Northumberland Street in 1760:

at the Bee-hive near St. Martin's Lane in the Strand (1757).

see - https://www.britishmuseum.org/collection/object/P_1868-0808-4096

at rhe Bee-hive, opposite Hartshorn Lane in the Strand (1759)

at the Bee-Hive opposite Northumberland-Street, Strand (1762-66)

at the Bee-Hive opposite Northumberland House, Strand (1762)

On the corner of Hudson's Court, Strand near St Martin's Lane, Strand, London (print sold in 1781).

This is the first court East of St Martin's Lane on the North side of the Strand. (see Roques Map).

Info above from the BM.



 

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Scale: 1 : 852

Description: This plan was ordered by the House of Commons and is titled in the top right border ''FIRST REPORT ON METROPOLIS IMPROVEMENTS - 1840''. It shows the extension of Longacre into Leicester Square, beyond to Princes Street and the widening of Upper St Martin's Lane. The areas coloured pink are those that need to be destroyed to make way for the improvements.


A useful plan which shows the individual houses in Cranbourne Street, Great Newport St, the North West Corner of St Martin's Lane (74 - 78), the North side of St Martin's Court and the three individual houses in Little Court the homes of John Gwynn (d.1786) and Samuel Wale behind the house of James Paine -






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Goad's Insurance Maps.











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Conduit Court. Longacre.


Christopher Gilbert states Chippendales premises was in Lazenby Court off Conduit Court. The sixth house one of 10 rated at £12 which rose to £14 in 1751. 

He moved to Somerset Court off the Strand in 1752


The Entrance to Conduit Court from Long Acre.

Alley next to The Bird in Hand.
The Bird in hand was in existence from at least 1792,

1950's.

Image below used with permission.





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For a list of publicans from




Image below from the very excellent Spitalfields Life website.










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Bird in Hand, 1926.





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Bird in Hand - 1954 - Just prior to demolition.

The back wall above the Alley has been rebuilt and strengthened with an RSJ.





................................

For a list of Publicans/Licence Holders of the Bird in Hand from 1799 see




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Red Lion Court.

South side of Longacre.

The Craftsman, 24 July 1742: ‘This is to give Notice, that Furbur's Collection of Twelve Monthly Flower Prints are now reprinted, and to prevent the Public being imposed upon, by spurious Copies sold about Town, the original Prints are Sixteen inches and a Quarter by Twelve, with a Handsome Title Plate of the Subscriber's Names, and under each Plate is engrav'd these words, From the Collection of Robert Furbur, Gardener at Kensington, design'd by P. Cassteels, and engrav'd by H. Fletcher; and now sold colour'd for Two Guineas a Set by Samuel Sympson, Engraver and Print Seller, in Maiden-Lane, Covent Garden; John Channon, Cabinet maker and Frame Maker, in St Martin's Lane and George Lacy who colours the said Flowers, in Red Lion Court, Long-Acre. NB At the above Places are sold Mr. Furbur's Collection of Fruit Pieces’.


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Langley Court.

Looking North.

The Courts Eastward from Conduit Court, Red Lion Court and Banbury Court off Longacre.

Image pre WW1.




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Simon Gribelin (1661 - 1733), Engraver.

Addresses -

Arundel Street, the next turning down the King's Arms Tavern, next door to the White Lion (in 1690).

The corner house of Banbury Court in Long Acre, London (from at least 1707 until his death).


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Nicholas Stone at what became 17 Longacre.

I have touched on Stone above.

Nicholas Stone (d. 1647) Sculptor had his residence and workshop on the west corner of Rose Street where it meets Long Acre - 

The most important years of his career are exceptionally well-documented due to the existence of his note- and account-books for the period 1631-42, which list over 80 monuments and numerous other commissions 

Nicholas Stone, sculptor, architect and mason. His house—rented from the Crown at £10 a year—must have been a large one, as Vertue mentions that John Stone, the author of Enchiridion, was hidden in it for "above a twelvemonth, without the knowledge of his father."6 Another son, Henry, best known as "Old Stone," was described on his monument in St. Martin's Church as "of Long Acre.


According to a deed which was recently dis- covered by Mr. W. H. Lammin, dated June 5, 1636, Stone seems to have acquired more land to his premises at Long Acre. The conveyance is of a piece of ground from Francis, Earl of Bedford, to Nicholas Stone in the neighbourhood of Covent Garden and Long Acre, extending back to vacant land then in the tenure of the Countess of Anglesey, and a portion of the stable ground belonging to the Right Hon. Philip, Earl of Pembroke, then Lord Chamberlain.

Info from Some Sculptural Works of Nicholas Stone by Albert Edward Bullock pub MCMVIII.


Caius Gabriel Cibber (1630–1700), sculptor, the son of a cabinet-maker to Frederick III, the Danish king. He arrived in England around 1655, and became journeyman and then foreman to John Stone, John Stone, son of the late master mason to Charles I.

 When Stone suffered a seizure in 1660, Cibber ran his workshop in Long Acre. He became sculptor to Charles II on 20 June 1667. With his wife Jane Colley (c.1646–1697) of Glaston in Rutland, Cibber had three children: poet laureate and playwright Colley Cibber (1671–1757), Veronica, and Lewis. 

Among other works, Cibber is known for his figures of Melancholy Madness and Raving Madness (1680) which adorned the gateway in front of Bethlehem Hospital.



The House was inherited by his eldest son the Painter Henry Stone who died on 24 August 1653.

 A Mr Stone was still at this address in 1673 ( Lacys Map - 1673).

Later the property became the Bird in Hand.



For more on Nicholas Stone see -





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