Wednesday, 24 January 2018

Lead Bust of Matthew Prior by John Cheere Update


Update.

A Mid 18th Century Lead Bust of Matthew Prior 

by John Cheere (1709 - 87).

Height 53 cms.

A version of the marble bust by Coysevox on the monument of Matthew Prior in Westminster Abbey in 1723.


The Lead Bust is now in the Louvre.


This bust was sold at auction by Fraysse in Paris on 6 June 2012.

Purchased by Société des Amis du Louvre.

I first posted on this bust and other busts of Prior in this blog on 11 November 2014.


I am currently putting together a study on the busts of John Locke with particular reference to a marble signed by the Victorian sculptor Edward Hodges Bailey inscribed as a copy of a bust by Roubiliac at Magdalen College, Oxford (see below) see also my next post.and an unsigned lead or bronze bust at the Weston Library, part of the sculptural holdings of the Bodleian Library. These two busts also relate to a bronze bust of John Locke after the version by John Cheere currently on the English Art Market

I came across the new references to the bust, illustrated below, whilst looking at at the plaster versions by John Cheere of the bust of Matthew Prior en negligee by Coysevox  at Westminster Abbey.




I posted this to amuse myself, but also out of devilment - it seemed amazing to me at the time that someone would purchase a (misidentified by the auctioneer as Hyacinth Rigaud) English, lead bust in Paris for so much money (97,000 Euros + premium of 24%).

It took me a couple of years to find the time to go back to the subject and to create this post.

One also has to ask - who was the underbidder? was there an underbidder?

I suspect that the auction house knew who was bidding and how much they might have been prepared to pay!

This lead bust of Matthew Prior is now in the Louvre, having entered the collection in 2016.



see also - http://hyacinthe-rigaud.over-blog.com/article-l-enigme-du-buste-presume-de-hyacinthe-rigaud-resolue-106867578.html

This last post was re edited after my posting in 2014 - giving the impression that the author knew the subject of the bust shortly after the sale. I can almost understand why someone would pay so much for a bust of Hyacinth Rigaud but not for a lead bust of Prior by John  Cheere.


The cynic in me might think that this sale had been rigged, or that those close to the Louvre did not know what they were doing and did not carry out due diligence or both.

I wonder who owned it?

















Un Etiquette - Paper label. 

Posted on Twitter on Ist September 2016.

Hindsight is a marvellous thing!


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The plaster and lead busts by John Cheere, illustrated here are all distinguished by the distinct style of the treatment of the embroidery work on their waistcoats.






Lead Statuette of Matthew Prior
Height 55 cms
Victoria and Albert Museum
Here attributed to John Cheere.
Bought by Dr Hildburgh from Sotheby's 24 July, 1931.

The depiction of the embroidery on the waistcoat is again indicative of the work of John Cheere.






The Westminster Abbey bust of Matthew Prior by Coysevox.

An interesting feature of this bust is the depiction of the brocading on the turban - a feature repeated on the lead bust by Cheere.

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Matthew Prior (1664–1721)


Matthew Prior
Jonathan Richardson the Elder
Oil on Canvas - 124.5 x 100.5 cms
c.1719
A gift from Lord Harley 1723.

Bodleian Library, University of Oxford
A big thank you Dana Josephson for pointing out this painting to me.




Plaster busts of Matthew Prior 43 cms, and Edmund Spenser 44.5 cms 
(identified erroneously by Sotheby's as Shakespeare).
Sold by Sotheby's, London -7 Dec 2010.

Here attributed to John Cheere.

The bust of Spenser is after a marble by Peter Scheemakers, one of a set of four busts of Shakespeare, Spenser, Dryden and Milton once in the possession  Frederick Prince of Wales - given by him to Alexander Pope, and bequeathed by Pope in 1743, to Lord Lyttelton. They are still at Hagley Hall, Worcs.






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A Plaster Bust of Edmund Spenser by John Cheere, 
Wren Library, Trinity College Cambridge.

Derived from the bust by Peter Scheemakers.

Photograph by the Author.


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Marble Bust of John Locke.

Magdalen College, Oxford

Inscribed Edward Hodges Bailey.

Inscribed at the back Copied from a bust Roubiliac.
see my next post.

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Bust of John Locke.
Lead.
Bequeathed to the Bodleian by Ethel Locke King in 1956,.

approx 60 cms tall with turned wooden socle.

Here attributed to John Cheere.

I hope to have much better photographs of this bust soon (watch this space).


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Half life size Bust of John Locke at West Wycombe Park.

Photographed by the author.

Much more to follow on the 18th century portrait busts of John Locke.

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Definitely not Hogarth.

The photographs below of an excellent, but anonymous lead bust at the V & A
again showing the embroidered waistcoat.















A Superb Bust of an unknown man.

Lead.
Height 75.5 cms including socle.

The cast here attributed to John Cheere.

but perhaps from a model by Roubiliac



Wednesday, 1 November 2017

The Marble Bust of Princess Amelia Sophia - Louis Francois Roubiliac.



Updated 9 February 2026.

This bust of Princess Amelia uses the same drapery as the marble bust of Elizabeth Fitzwilliam, Countess of Pembroke at Wilton house (illustrated below). See my post.


nb. the socle with the rondel on the front panel has for some inexplicable reason been turned to the wall.



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The Marble Bust of Princess Amelia Sophia  (1711 - 86).

Ad Vivum.

Signed by L. F. Roubiliac.

Fitzwilliam Museum, Cambridge.

Third Child (second daughter) of George II and Queen Caroline.

height, bust, 58.0, cm. height, socle, 14.8, cm. width, whole, 48.5, cm

Bought; 1955; T. H. W. Lumley, 

Provenance:
The former owner told Mrs K. Esdaile that the bust had been given by William Waldegrave, 1st Baron Radstock, to his sister Lady Caroline Waldegrave, daughter of the 3rd Earl Waldegrave. Her mother had been a Lady of the Bedchamber to the Princesses Amelia and Caroline, and the latter had been left £4,000 in the Princess's will.

Purchased with the S.G. Perceval Fund.

Inscription: below her left shoulder; inscribed; L.F. Roubiliac Scit ad vivum.

Exhibition.

Rococo: Art and Design in Hogarth's England. 1984-05-16 - 1984-09-30
Venue: Victoria and Albert Museum, London.

Catalogue number: S 13.






























































Photographed at the Fitzwilliam Museum, Cambridge by the author.

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Princess Amelia Sophia. 

Christian Friederick Zincke (1684/4 - 1767).

Enamel.

9.1 x 7.5 cms -outside. 

Royal Collection.

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Prince Frederick, Anne, Princess Royal and Princess of Orange (1709 - 59) a the Harpsichord, Princess Caroline Elizabeth (1713 -57) playing a Mandora and Princess Amelia reading Milton's poetry, Kew Palace in the background.

Philip Mercier.

1733.

Oil on Canvas.

451 x 578 mm.

National Portrait Gallery.

There are three versions of this group portrait the other one set indoors in the Royal Collection and another with the National Trust.
 see - 


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Portraits of George II, Queen Caroline, Prince Frederick, Princesses Anne, Amelia, Caroline, Prince William, Princesses Mary and Louise, all busts in ovals arranged in three rows of three.  Mezzotint


The Royal Family of George II.

anonymous.

They say pub. Elizabeth Bakewell.

Mezzotint

343 x 248 mm.

British Museum.

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Portrait of Princess Amelia, cut from a print of George II, Queen Caroline, Prince Frederick, Princesses Anne, Amelia, Caroline, Prince William, Princesses Mary and Louise, all busts in ovals arranged in three rows of three.  Mezzotint



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Princess Amelia.

After Hans Hysing.

Engraving.

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Princess Amelia Sophia.

Attributed to Thomas Hudson.

Royal Collection.


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Princess Sophia.

after Hans Hysing.

John Faber.

Mezzotint.

286 x 206. 

National Portrait Gallery.


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Jacabo Amiconi (Amigoni). ad vivum

 Engraving.

Plate 361 x 282 mm.

Royal Collection.

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Princess Amelia Sophia.

Philip Mercier.

c.1728.

Unknown Source.




Princess Anne
The Princess Royal
Philip Mercier 
c.1728.
Unknown source.





Princess Caroline Elizabeth.

Philip Mercier.

c.1728.

Image - unknown source.


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Princess Amelia.

125 x 97 cms.

Sotheby's.


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Princess Amelia.

Attributed to Workshop of Jean Baptiste van Loo (1684 - 1745).

c. 1737

243 x 136 cms.

Purchased from the estate of James Gordon 1856

From the Athenaeum website.

Society of Merchant Venturers. Bristol.


Princess Caroline Elizabeth (1713 - 57).

Jacobo Amigoni

127.6 x 103.2 cms.

1730's.

Current Location Unknown.


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Tuesday, 31 October 2017

Two Statues of Queen Caroline





Queen Caroline
Monument at Stowe.
Portland Stone
Attributed to Rysbrack
c.1726.






http://faculty.bsc.edu/jtatter/caroline.html


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Queen Caroline
Henry Cheere
Queens College
Oxford.





Over the Gate way of Queens College, underneath a cupola facing onto the High Street.
Presented to the college in 1735 by the Provost Joseph smith in recognition of the queens gift of £1,000 to the building fund of the college in 1733.

Dr Magrath in The Queens College says that the cost of the statue was £125 - the design was approved by Dr George Clarke and Sir James Thornhill.

A Black plaster bust in the Lower Library is of the Queen and is perhaps a study for the head of this statue.

Info above from Catalogue of Portraits... Oxford,. Mrs Reginald Lane Poole, pub Oxford 1925.

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Pages below from The Queens College Vol II by John Richard Magrath DD, pub. Oxford. 1921.

see - The Queens College, John Richard Magrath, 1921 available on line at

https://archive.org/details/queenscollege02magr



















Image result for Hawksmoor Queens College Oxford


Photographs here by William Fox Talbot. 1843.

William Henry Fox Talbot: Part of Queens College, Oxford, September 1843




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